Early Printing & Manuscripts / Natural History & Science

LAVATER, Ludwig. De spectris, lemuribus et magnis atque insolitis fragoribus, variisque praesagitionibus quae plerunque obitum hominum, magnas clades, mutationésque imporium praecedunt.
Geneva, Eustache Vignon, 1575. 8vo. Early 20th-century vellum. [6], 272 pp. Full description

LENCKER, Hans. Perspectiva hierinnen auffs kürtzte beschrieben ...
Nürnberg, Dietrich Gerlach, 1571. Small folio (29 x 19 cm). With the title within a woodcut border, 10 full-page woodcuts within collation and 1 double-page woodcut within collation (the latter not included in page numbering). Decorated black and red boards (ca. 1900). [6], XXIX ll. Full description

LICHTENBERGER, Johannes. Pronosticatio in latino rare & prius non audita: quae exponit & declarat nonnullos coeli ifluxus: & i[n]clinatione[m] certaru[m] constellationu[m] magne videlicet co[n]iunctionis & eclipsis: quae suera[n]t istis annis: quid boi maliue hoc tempore & in futuru[m] huic mu[n]do porte[n]dant: durabitq[uam] pluribus annis.
[colophon:] Venice, [Niccolò & Domenico dal Gesù = Nicolo & Domenico Sandri dal Jesus], 23 August [1511?]. 4to. With the large Dal Jesus white-on-black woodcut device, 45 half-page or nearly full-page woodcuts in the text, most with letterpress captions above or below, the first showing Ptolemy, Aristotle, the Sibyl, Birgitta of Sweden and Brother Reinhart receiving divine inspiration, with an explanation on the facing page in a 4-piece ornamental floral woodcut frame. Modern half red morocco. 39, [1 blank] ll. Full description

LOBEL [also L'OBEL or LOBELIUS], Matthias de. Kruydtboeck oft beschrijvinghe van allerleye ghewassen, kruyderen, hesteren, ende gheboomten.
Antwerp, Christoffel Plantin, 1581. 2 volumes bound as 1, the second in 3 parts. Large folio. With an engraved title-page, the author's large "candore et spe" woodcut device on leaf *6r, approximately 2185 botanical woodcuts in the text. The medieval manuscript parchment pastedowns are rubricated in red and ink. The Latin legal text is written in a littera bononiensis (variant of the littera textualis) in brown ink. With three loosely inserted contemporary or near contemporary slips with manuscript notes, in Dutch regarding a recipe and other notes. Tanned sheepskin over thick wooden boards (perhaps partly contemporary but refurbished in the early 19th-century) with brass fastenings. Sewn on 5 double cords supports with corresponding raised bands on the spine creating 6 compartments, with a black morocco title label lettered in gold in the second compartment, and with medieval manuscript binding waste parchment pastedowns. [10], 994, [2 blank], "312"[=314, p. 294 + 2 blank], [2 blank], 15, [1 blank], [67], [1 blank] pp. Full description

[MANUSCRIPT - MEDIEVAL TIMEKEEPING]. Calculus temporum ecclesiasticus.
[Possibly England, ca. 1360]. Small 4to (15.5 x 22.5 cm). Latin manuscript on paper. Brown ink in an early bastarda hand, the final three leaves in a slightly later (still quite contemporary) hand. 19th-century paper wrappers, with the manuscript title on the front wrapper. 30 ll. Full description

MARBODE (MARBODIUS) of Rennes. De gemmarum lapidumq[ue] pretiosorum formis, naturis, atq[ue] viribus eruditu[m] cu[m] primis opusculu[m], ... scholiis q[uo]q[ue] illustratu[m] p[er] Alardu[m] Aemstelredamu[m].
Cologne, Hero Alopecius [Fuchs], 1539. 8vo. With a woodcut illustration on the title-page, representing a Jewish priest behind a board with the names of 12 stones which represent the 12 tribes of Israel. 17th-century gold-tooled red morocco, richly gold-tooled spinel, gold-tooled fillets and small cornerpieces on both boards, gold-tooled board edges and turn-ins. 124, [2] ll. Full description

MEXIA, Pedro. Coloquios o dialogos compuestos por el magnifico cavallero Pero Mexia, vezino de Sevilla, en los quales se disputan y tratan varias y diversas cosas de mucha erudicion y doctrina. Al illustrissimo senor don Perasan de Ribera Marques de Tarisa &c.
Antwerp, widow of Martinus Nutius, 1561. Small agenda 12mo (14 x 6.5 cm). With Nutius's woodcut device on the title-page. 17th-century(?) blind-tooled overlapping vellum, each board with the coat of arms of the Landgrave of Hesse, gilt edges. 165, [3 blank] ll. Full description

MIZAULD, Antoine. Memorabilium, utiliu[m], ac jucundorum centuriae novem, in aphorismos arcanorum omnis generis locupletes, perpulchrè digestae.
Paris, Fédéric Morel, 1566. 8vo. With Morel's woodcut tree device on the title-page, 2 woodcut headpieces and 7 woodcut decorated initials (plus 3 repeats), the headpieces and initials in an unusually delicate design, finely executed. Set in italic types with the preliminaries in roman, and incidental Greek. 17th-century limp sheepskin parchment. [16], 136 pp. Full description

MÜNSTER, Sebastian. Compositio horologiorum, in plano, muro, truncis, anulo, con concavo, cylindro & variis quadrantibus, cum signorum zodiaci & diversarum horarum inscriptionibus: ...
Basel, Henricus Petrus, 1531 (changed in manuscript to 1535). With woodcut on title-page showing sundials of various kinds, Petri's woodcut device on last page, large folding woodcut plate (31.5 x 40.5 cm) of a wall sundial, and 56 woodcut illustrations in the text (many full-page).
With: (2) GLAREAN(US), Heinrich. De geographia liber unus, ab ipso authore iam tertio recognitus.
Freiburg im Breisgau, (colophon: Joannis Faber), 1533. With Faber's device on title-page with a larger version on last page, and 21 woodcut illustrations in the text (several full-page). 2 works in 1 volume. 4to. Contemporary sheepskin parchment. [8], 198, [2] pp.; 35, [1] ll. Full description

NUNES, Pedro. De crepusculis liber unus, nu[n]c rece[n]s & natus et editus.Including: [Abu 'Abd Allah Muhammad ibn MU'ADH] (mis-attributed to Ibn AL-HAYTHAM). De causis crepusculorum liber unus, à Gerardo Cremonensi iam olim Latinita te donatus, nunc vero omniu[m] primum in lucem editus.
(Colophon: Lisbon, Ludovicus Rodericus, January 1542). 4to. With woodcut architectural title page, 40 woodcut diagrams in the text, Rodericus's spectacular full-page emblematic woodcut device, numerous woodcut initials (several series), and a vine-leaf ornament. Set mostly in the first successful italic type to have sloped capitals, cut by Peter Schoeffer the younger, but with extensive passages in roman. Bound in a period-style Italian calf binding, gold-tooled spine, each board with a blind-tooled frame and a gold-tooled centrepiece, with "Petri Nonii" on the front and "MDXLII" on the back. [73], [1 blank] ll. Full description