Highlights

AESOP. Aesopi Phrygis, et aliorum fabulae. Quorum nomina sequens pagella indicabit. Elegantissimis iconibus in gratiam studiosae iuventutis illustratae ... Cum indice locupletissimo.
Venice, Niccolò Polo, 1592. 12mo. With a printers device with an ornamental frame on the title-page, and 187 small woodcut illustrations. Contemporary limp vellum with overlapping fore edge. 282, [6] pp. Full description

AESOP & BABRIUS. Aesopi Phrygis fabulae elegantissimis eiconibus veras animalium species ad vivum adumbrantes. Gabriae Graeci fabellae lxiv [recté lxiii]. Haec omnia cum Latina interpretatione. Nunc postremùm excusa & accuratè recognita.
Paris, Jean Libert, 1623. 16mo. Contemporary French gold-tooled calf, each board with the coat-of-arms of Henri de La Tour (1555-1623), Duc de Bouillon and Prince of Sedan, who married the daughter of William the Silent, founding father of the Dutch Republic (with a French Ducal crown, the whole in a wreath of 2 laurel branches with berries). [2], 236, [1] pp. Full description

AVIANUS. Flavii Aviani fabulae, cum commentariis selecties Albini scholiastae veteris, notisque integris Isaaci Nicolai Neveleti et Casparis Barthii: quibus animaversiones suas adjecit Henricus Cannegieter. Accedit ejusdem dissertatio de Aetate et stilo Flavii Aviani.
Amsterdam, Martinus Schagen, 1731. 8vo. With an engraved printers device (Dum spargit sperat) on title-page (which is printed in red and black), and some woodcut initials and tailpieces. Contemporary paper over boards, manuscript title on spine. [24], 324, [72] pp. Full description

CASTRO, Joannes à (Jean van der BORCHT). Zedighe sinne-belden ghetrocken uit den on-gheschreven boeck van den aerdt der schepselen, met korte aen-merckinghen, op de deughden ende de sonden oft dat tot de selve verweckt, verdeelt in twee deelen.
Antwerp, Joannes van Soest, 1694. 8vo. With richly engraved allegorical frontispiece and 100 finely engraved half-page emblems, all by Gaspar Bouttats. Further with 3 woodcut tailpieces, three woodcur decorated initials (1 series) and an occasional decoration built up from typographic ornaments Contemporary mottled tanned sheepskin. [24], 316, [10], [2 blank] pp. Full description

CATS, Jacob. Alle de wercken, so ouden als nieuwe.
Amsterdam, Jan Jacobsz. Schipper, 1655. Folio. With an engraved frontispiece incorporating a portrait of the author, a full-page engraved portrait of the author, 2 double-page engraved plates, hundreds of engravings in text (including 1 full-page and 1 integral double-page) by J. Swelinck, W.H. Hondius, C. van Dalen and others. Gold-tooled grey-black morocco (ca. 1758), richly gold-tooled spine, boards and board edges, gilt edges; by the so-called "star bindery" in The Hague. [18], 151, [1 blank]; [20], 26, [2], 27-30; [4], 1-15, [5]; 195, [7]; [2], 32; [8], 184; [16], 266, [6]; [12], 184; 84; 60; 24 ; [8], 36; 159, [1 blank] pp. Full description

[EMBLEMATA & MONOGRAMS]. [Collection of emblematic and monogram plates from 4 series].
Nürnberg, Johann Christoph Weigel, [ca. 1726 (engraved ca. 1700 - ca. 1726)]. 16 x 11 cm. With 14 engraved plates (plate size 13 x 19 cm) bound as double-page plates. Contemporary mottled calf, gold-tooled spine. Full description

HEINSIUS, Daniel. Lof-sanck van Jesus Christus den eenigen ende eeuwigen sone Godes: ende zyne andere Nederduytse poemata. Nieuwelijcks oversien, vermeerdert, ende verbetert. Met de uytlegginghen.
Amsterdam, Jan Jacobsz. Schipper, 1650. 8vo. With a woodcut interlaced decoration on the title-page, a small engraved nativity scene (for the Lof-sanck), a full-page engraving of the memorial monument for Jacob van Heemskerk (for the Neder-Duytsche poemata) and 72 emblematic engravings (4.5×6.5 cm), mostly by Crispijn de Passe. 17th-century vellum. 301, [1] pp. Full description

[LA FONTAINE, Jean de]. La Fontaine en estampes, ou nouvelle édition des fables, plus complète que les précédentes; précédée de la vie de l'auteur, extraite du nouvel ouvrage de M. Walckenaer.
Paris, Auguste Nepveu, 1821. 4to. With an engraving on the title-page (Aesop talking with the animals before a bust of La Fontaine) and 110 half-page engravings illustrating the fables. Contemporary half brown sheepskin, sewn on recessed supports, purple decorated paper sides, gold-tooled spine with title and author in gold, gilt edges, silk endpapers and paste-downs. "XXIV" [= XXVIII, pp. XXV-XXVI and XXVII-XXVIII are misbound), 462 pp. Full description

[LA HAYE, Jean de]. Peristromata Turcica, sive dissertatio emblematica, praesentem Europae statum ingeniosis coloribus repraesentans.
With:
(2) [HARSDÖRFFER, Georg Philipp]. Germania deplorata, sive relatio, qua pragmatica momenta belli pacisque expenduntur.
(3) [MILAG, Martin]. Aulaea Romana, contra Peristromata Turcica expansa: sive dissertatio emblematica, concordiae Christianae omen repraesentans.
(4) [Anonymous French critic of Cardinal RICHELIEU]. Gallia deplorata, sive relatio, de luctuoso bello, quod rex Christianissimus contra vicinos populos molitur.
[Nürnberg, Wolfgang Endter] (ad 1 with a false colophon: Paris, Toussaint du Bray), [each title-page with a chronogram:] 1641 (ads 1-2, 4) & 1642 (ad 3). 4 editions published together in 1 volume. 4to. With 4 letterpress title-pages in red and black, each with the date in a chronogram, 2 engraved title-plates plus 12 full-page engraved emblematic illustrations, all on integral leaves, each with a small plate nested in a larger plate (7 in the Peristromata with a varying rectangular central plate in dark blue or black and the same outer plate of a Persian carpet in orange; 7 in the Gallia with a varying oval central plate and the same outer plate representing peace with the palm tree in a landscape device of the Fruchtbringende Gesellschaft and a border representing war with military attributes). Further with 5 woodcut head- and tailpieces (plus 8 repeats), 21 "woodcut" decorated initials (5 series, at least some actually metal castings made from woodcuts) plus 8 repeats, and cast vine-leaf ornaments, acorns and other fleurons. Set in roman and italic types with incidental Greek and Hebrew. Light brown calf (ca. 1820?) by Charles Murton (ca. 1795?-ca. 1860?) in London, with his stamp on the front paste-down, sewn on 5 cords, gold-tooled spine with black morocco label, gold thick-thin fillets on boards, gold-tooled board edges, blind-tooled turn-ins, curl-marbled endpapers (white, red, blue, yellow and blue-green in that order), and an orange silk ribbon marker. 46, [1], [1 blank]; [3], [1 blank], 34; 64; 51, [1 blank] pp. Full description

OVID and Jacob REENSTIERNA (translator). Nägre fabler af Ovidii Metamorphoses, förswanskade (af Jacob Reenstierna).
Stockholm, Julius G. Matthiae, 1708. 8vo in 4s. With woodcut device on the title-page, engraved armorial headpiece to the dedication, 19 small engraved illustrations in the text by N. Guerard (ca. 5 x 6 cm), and woodcut headpieces, tailpieces and initials. Contemporary half calf, gold-tooled spine with title in gold. [xvi], [138] pp. Full description