"Super de luxe-edition" of the 1570 "Horae" (Book of hours) printed by Plantin,
with all pages within beautifully engraved borders



[BOOK OF HOURS - USE OF ROME].
Horae beatissimae Virginis Mariae, ad usum Romanum repurgatissima.
Antwerp, Christopher Plantin, 1570. Large 8vo (ca. 25 x 13 cm). With a large vignette (7.3 x 7.3 cm) on the title page with Plantin's printer's device and the coat of arms of King Philip II of Spain by Joannes Wiericx, 17 full-page engravings with the four evangelists and biblical scenes from the New Testament by Joannes Wiericx, Hieronymus Wiericx, and Pieter Huys, after the designs by Pieter van der Borcht, 36 full-page woodcut illustrations (ca. 2.1 x 1.7 cm.; the first 3 x 2.3 cm) with representations of the Holy Trinity, the Virgin Mary, and the saints, and several woodcut initials, all pages, including the title and blanks, within very fine engraved borders (there are 8 different borders - one signed by Pieter Huys - each used twice in every quire). The work is printed in red and black, all pages are ruled in brown ink. 19th-century gold-tooled black morocco, bound by the French bookbinder Capé, lavishly tooled in a 16th-century style with arabesque ornaments, branches and petals, the title and imprint lettered in gold on the spine, gold-tooled board edges and turn-ins, marbled endpapers, gilt edges. [232] ll. Full description
€ 38,000
Antwerp, Christopher Plantin, 1570. Large 8vo (ca. 25 x 13 cm). With a large vignette (7.3 x 7.3 cm) on the title page with Plantin's printer's device and the coat of arms of King Philip II of Spain by Joannes Wiericx, 17 full-page engravings with the four evangelists and biblical scenes from the New Testament by Joannes Wiericx, Hieronymus Wiericx, and Pieter Huys, after the designs by Pieter van der Borcht, 36 full-page woodcut illustrations (ca. 2.1 x 1.7 cm.; the first 3 x 2.3 cm) with representations of the Holy Trinity, the Virgin Mary, and the saints, and several woodcut initials, all pages, including the title and blanks, within very fine engraved borders (there are 8 different borders - one signed by Pieter Huys - each used twice in every quire). The work is printed in red and black, all pages are ruled in brown ink. 19th-century gold-tooled black morocco, bound by the French bookbinder Capé, lavishly tooled in a 16th-century style with arabesque ornaments, branches and petals, the title and imprint lettered in gold on the spine, gold-tooled board edges and turn-ins, marbled endpapers, gilt edges. [232] ll. Full description