Early Printing & Manuscripts / Religion & Devotion

[SERVASANCTUS DE FAENZA and others] (spuriously attributed to Saint BONAVENTURA). [Sermones de tempore et de sanctis].
(Colophon: Zwolle, [Johannes de Vollenhoe], 1479). Small (Chancery) folio (27.5 x 20.5 cm). With one 5-line and hundreds of 2- and 3-line spaces left for initials, filled in with manuscript "Lombardic" capitals in red; manuscript paragraph marks in red; and capitals rubricated throughout. Set entirely in a single textura gothic type (103 mm/20 lines) in 2 columns of 39 lines to the page. Early 18th-century tanned sheepskin. [1 blank], [340] ll. Full description

SUSAN, Issachar ben Mordecai ibn. [in Hebrew:] Sefer Ibur shanim.
Venice, Giovanni di Gara, [5]339 [= 1578/79]. Small 4to (19.5 x 15 cm). With the title set in an elaborate woodcut architectural arch and 6 round woodcut calendrical or astrological diagrams with text. Set entirely in Hebrew type, the main text in semi-cursive (rabbinical) and the headings in meruba, each of the two styles in at least 3 sizes. Contemporary limp sheepskin wrap-around cover with flap and fastened with strap. 136 ll., including the blank leaf [108]. Full description

[TELESFORO DA COSENZA]. Livre merveilleux, contenant en bref la fleur et substance de plusieurs traittez, tant des propheties & revelations, qu'anciennes croniques, faisant mention de tous les faictz de l'Eglise Universelle, co[m]me des scismes, discords & tribulations advenir en l'Eglise de Rome, & d'un temps auquel on ostera & tollira aux ge[n]s d'eglise & clergé, ...
Paris, Thibault Bessault, 1565. 8vo. With Bessault's woodcut device on the title-page. 18th-century French grained red morocco (ca. 1745?), gold-tooled spine with pointillé ornaments, each board framed with thin-thick-thin fillets with a rosette(?) stamped over their intersections at the corners, gold-tooled turn-ins, gold fillets on the board edges, gilt edges. [54] ll. Full description

TORQUEMADA, Juan de (Johannes de TURRECREMATA). [Expositio super toto psalterio, incipit:] Ad sanctissimum ac beatissimum dominum dominum Pium Secundum Pontificem Maximum editio in librum psalmorum quem alii soliloquium dicunt incipit feliciter ... [colophon:] Explanatio in psalterium ...
(Colophon:) Augsburg, printed by Johann Schüssler, [1470/71]. Folio (30 x 22 cm). Set in a single type, largely a rotunda gothic but with some roman influences with 35 lines per page, with about 150 manuscript "Lombardic" initials in red ink, the lines introducing the commentary for each psalm underscored and with manuscript paragraph marks, both in red ink. Late 19th-century(?) half vellum, boards covered with 2 leaves from a Latin Vulgate Bible printed on vellum. [266], [2 blank] pp. ([133], [1 blank] ll.) Full description

TORRENTINUS, Hermannus (Herman van der BEKE). Elucidarius poeticus co[n]tinens historias poeticas, fabulas, insulas regiones, urbes, fluvios, mo[n]tesq[ue] insigniores, atq[ue] huiusmodi alia, ...
Antwerp, Michiel Hillen van Hoogstraten, 1527. With the title in an elaborate woodcut border.
With: (2) [FIOCCHI, Andrea Dominico (Andras Dominicus FLOCCUS)] under the name of Lucius FENESTELLA. De magistratibus, sacerdotiisq[ue] Romanorum libellus, iamprimum nitori restitutus.
[Cologne, Hero Fuchs, 1527]. With the title in a finely cut 4-piece woodcut border. 2 editions in 1 volume. 8vo. 16th-century(?) limp vellum (formerly used for a slightly thinner book). The binding is an interesting example of a spine reinforced with a horizontal metal rod at the central sewing support to give more support and prevent the bookblock from becoming concaved or developing sharp kinks; probably bound in Flanders. [88]; [88] ll. Full description

TOSTATUS (TOSTADO DE MADRIGAL), Alfonso. Super Leviticum in sensu litterali nova et hactenus abscondita a se edita commentaria.
(Colophon: Venice, Petrus Liechtenstein, 1529). With title-page printed in red and black with a large woodcut containing the coats of arms of the Emperor Charles V (Charles I of Spain) and two bishops (the author and perhaps a relative), leaf 2 with a woodcut of the author writing at his desk, with his arms, and a woodcut initial with the other bishop's arms inside the letter, the arms in the initial and some lines of text printed in red. Printed in two columns.
With: (2) TOSTATUS, Alfonso. Opus super Deuteronomium.
(Colophon: Venice, Petrus Liechtenstein, 1528). With title-page printed in red and black, leaf 1 with a woodcut of the author writing at his desk, with his arms (not the same woodcut as in ad 1), and a woodcut initial with the other bishop's arms as in ad 1. Printed in two columns. 2 works in 1 volume. Folio. Contemporary blind- and gold-tooled tanned sheepskin over wooden boards; each board in a panel design with 2 (on the back board 3) different vine rolls, rules, and on the front board a central medaillon depicting Bathsheba kneeling before King David playing his harp, and a half dozen separate stamps, with author and title at the head, "Thostati Super Leviti et Deuteronomy" and the binding date MDXXXII (1532); blind-tooled spine, remnants of brass anchor plates on the back board (for straps?), catch plates on the front board lacking. 249, [1 blank]; [1], 120 ll. Full description

TRITHEMIUS, Johannes. De statu et ruina monastici ordinis.
[Mainz, Peter von Friedberg, after April 1493]. 4to. 20th-century quarter vellum, decorated paper sides. With the author, title, and place and date of publication in manuscript on the spine. [29], [1 blank] ll. Full description

VALIGNANO, Alessandro and Luís FRÓIS. Copia di due lettere annue scritte dal Giapone del 1589. & 1590. L'una dal P. Viceprovinciale al P. Alessandro Valignano, l'altra dal P. Luigi Frois al P. Generale della Compagnia di Giesu. Et dalla Spagnuola nella Italiana lingua tradotte dal P. Gasparo Spitilli della Compagnia medesima. ... Con licentia de' superiori.
Rome, Luigi Zanetti, 1593. Small 8vo (15 x 10.5 cm). Limp sheepskin parchment (ca. 1700?). 125, [3 blank] pp. Full description

[VERVOORT, Frans]. Dat vyants net, der booser wercken raet, visioenen, ende met alder sijnder verholender stricken, leerende hoe wi de werelt, den vyant, ende ons selven sullen sterven, kennen, ende leerende hoe wi die werelt, den vyant, ende ons selven sullen sterven, kennen, ende overwinnen.
Antwerp, Jan van Ghelen, (colophon: 1561). 8vo. With the title in a four-piece woodcut border by Pieter van den Borcht (with his initials at the foot), Jan van Ghelen's woodcut device on verso of last leaf, a full-page armorial view (dated 1552) on the last leaf, and 20 mostly full-page woodcut illustrations by Pieter van der Borcht in text. Modern half vellum. [88] ll. Full description

VIGERIUS, Marcus. Decachordum Christianum Julio II. Pont. Max. dicatum. Controversia de excellentia instrumentorum Dominicae passionis, per eundem Dn. Marcum Vigerium discussa.
[Hagenau, printed by Th. Anselm & Joh. Albertus for Joh. Koberger, Nuremberg, 1517]. Folio. With title in woodcut border by Urs Graf and 10 beautiful full-page woodcuts (ca. 13.9-14.4 x 9.7-10.2 cm) by the "Master I S with the shovel", a pupil of Hans Schäufelein. Contemporary calf over wooden boards, blind-tooled side, two brass clasps. Leaves from a 14th-century liturgical manuscript pasted on the inner sides of the boards. From the "Koberger Werkstatt". [6], 204, [14] pp. Full description