Early Printing & Manuscripts / Art History & Literature

ALAMANNI, Luigi. Opere toscane.
Venice, heirs of Lucantonio Giunta (colophons: printed by Peter Schoeffer the younger), 1542. 2 volumes bound as 1. 8vo. With 2 title-pages, each with the same woodcut Giunta device, and a full-page woodcut showing a larger version of the same device on the last printed page of vol. 2. Set in an Aldine-style italic. 18th-century gold-tooled mottled calf. [16], 431, [1 blank]; 295, [7] pp. Full description

ALCIATO, Andrea. Los emblemas ... traducidos en rhimas Españolas. ...
Lyon, Guillaume Rouille [printed by Macé Bonhomme], 1549. 8vo (18.5 x 12.5 cm). With an elaborate woodcut architectural frame; 210 emblems (200 with woodcuts); nearly every page in one of about 34 different richly decorated woodcut frames. Early 18th-century (Spanish?) sheepskin parchment. 256, [6] pp. Full description

[AMADIS DE GAULE]. Le quatorzieme livre d'Amadis de Gaule, traittant les hauts faits d'armes & amours extremes du Prince Sylves de la Selve, & les estranges aventures mises a fin tant par luy que par autres magnanimes princes de la Grece, & maints preux chevaliers: en la queste & pourchas de la delivrance des princesses Grecques, ou Silves conquit les armes enchantées de la son. Avecques la naissance des deux princes Spheramond & Amadis d'Astre.
Paris, Galliot du Pré, 1574. Small 8vo. With the title within richly illustrated woodcut borders, incorporating the printer's monogram in the lower border. 18th century calf, gold-tooled spine with red label, red edges. [8], 176, [3] ll. Full description

APIANUS, Petrus and Bartholomeus AMANTIUS. Inscriptiones sacrosanctae vetustatis non illae quidem Romanae, sed totius fere orbis . . .
Ingolstadt, Petrus Apianus, 1534. Folio (31×22 cm). Title-page with a large woodcut (15×16 cm) by H. Brosamer after Albrecht Dürer, Apianus's woodcut device above the colophon, woodcut coat of arms of Raimund Fugger (who helped finance the publication), and numerous woodcut illustrations by Brosamer, M. Ostendorfer, G.A. Benewitz and others, most showing sculptural elements from tombs, most pages in woodcut borders, usually assembled from 4 blocks each. 19th-century red half calf, gold- and blind-tooled spine. [40], CCCCXII, [8] pp. Full description

ARATOR. Acta Apostolica, carmine heroico descripta.
Antwerp, Joannes Grapheus, 1535 (title 1534). 8vo. Old boards. (48) ll. Full description

ARIAS MONTANO (MONTANUS), Benito (Benedictus). Humanae salutis monumenta.
Antwerp, Christoffel Plantin, "1571" [= 1582/83]. 4to (22 x 14.5 cm). With an engraved, illustrated title-page bearing the initials of the engraver Pieter Huys and the date 1571, an unsigned circular portrait of Jesus in profile and 70 full-page engravings (16.5 x 11.5 cm) by several artists. 17th-century gold-tooled black goatskin, the front board with a centrepiece comprising coat-of-arms (with a name below it) in an oval (the arms and name mutilated, but probably Robert de Ligne or an heir), gilt edges, later endpapers. [172] pp. Full description

ASCONIUS PEDANIUS, Quintus. Expositio in IIII orationes M.T. Cic. contra C. Verrem [&c.]
(colophon:) Venice, heirs of Aldo I Manuzio & Andrea Torresano, December 1522. 8vo. With Aldos woodcut anchor and dolphin device on the title-page, repeated on the verso of the last otherwise blank leaf (each with letterpress "AL ... DVS" flanking the device), with spaces (with guide letters) left for manuscript initials, not filled in. Set in Aldos famous italic (with upright capitals), the worlds first italic printing type, first used in 1501 (showing the alphabet a-z and A-N in the register of quires above the colophon). Dark purple sheepskin (ca. 1880?). [12], 283, [1] ll. Full description

BARGAGLI, Scipione. Dell' imprese die Scipion Bargagli ... Alla prima parte, la seconda, e la terza nucoamente aggiunte.
Venice, Francesco de Franceschi, 1594. Small 4to (20.5 x 15 cm). With oval engraved device on title-page, full-page engraved portrait of Rudolf II, full-page engraved dedicatory emblem, and 138 engraved oval emblems in text. 19th-century half sheepskin parchment. [24], “573” [=604], [15], [1 blank] pp. Full description

[BECH, Philipp, ed.]. De disciplina puerorum, recteque formandis eorum & studiis & moribus, ...
Basel, Joannes Oporinus (colophon: Bern, Samuel Apiarius, March 1556).
With: (2) [MOREL, Guillaume, ed.]. Graecorum veterum selectae brevesque epistolae.
Paris, Guillaume Morel, King's printer for Greek, 1562. With a remarkable woodcut device on the title-page. With the Greek text set in Claude Garamont's famous Grec du Roi and the Latin translation set in his Aldine-style italic. 2 works in 1 volume. 8vo (15 x 10 x 4.5 cm). Richly gold-tooled tanned sheepskin (ca. 1700), gilt edges. 31, [21]; [16], "840" [= 804] pp. Full description

BEDA VENERABILIS (The Venerable BEDE). Ecclesiasticae historiae gentis Anglorum libri quinque diligenti studio à mendis, quibus hactenus scatebant, vindicati.
Including: BEDA VENERABILIS. Epitome sive breviarium totius praecedentis historiae Anglorum ...
Antwerp, Joannes de Grave (Gravius), 1550. Folio. With De Grave's woodcut armorial device on title-page (repeated on the otherwise blank final leaf) and 30 woodcut decorated initials. Contemporary blind-tooled calf, each board with a double border made from a roll with 4 heads in profile, not labelled but showing Martin Luther, Philipp Melanchthon, Desiderius Erasmus and apparently the Holy Roman Emperor Charles V rather than the more common Jan Hus, each in an oval wreath and separated by foliage (bilaterally symmetrical both vertically and horizontally). [6], 263, [1 blank], [12] pp. Full description

BOCCACCIO, Giovanni. Laberinto damore ... con una epistola à Messer Pino de Rossi confortatoria del medesimo autore.
[Florence, heirs of Filippo Giunta the elder], 1525. 8vo. Contemporary sheepskin parchment with remains of a gold-tooled spine label, dark blue edges. 72 ll. Full description

BOCCACCIO, Giovanni. Le philocope ..., contena[n]t l'histoire de Fleury & Blanchefleur, divise en sept livres traduictz d'Italien en Francoys par Adrian Sevin ...
Paris, Jean André, bookseller to the University (colophon: printed by Denis Janot), 1542 (colophon: 24 February 1542). Folio (31.5 x 21.5 cm). With Jean André's woodcut device on the title-page and 15 woodcut illustrations plus 21 repeats in the text (mostly 5.5 x 8 cm, each in any of several 4-piece decorative borders, including 8 foot pieces, each with a different coat of arms; one illustration 13.5 x 8.5 cm with an 8-piece decorative border), 5 woodcut decorated initials (2 series) plus 1 repeat, and many spaces with guide-letters for manuscript initials (not filled in). French calf (ca. 1760?), richly gold-tooled spine, gilt edges. VI, CLXXIIII ll. Full description

BOCCACCIO, Giovanni. Il Filocopo ... Di nuovo riveduto, corretto, & alla sua vera lettione ridotto da M. Francesco Sansovino. ...
Venice, [device of Domenico Giglio] (colophon: Francesco Rampazetto, 1554). Small 8vo (15 x 11 cm). With Giglio's woodcut device on the title-page, 6 woodcut decorated initials (3 series) plus 2 repeats. Set in Aldine-style italic types (with upright capitals) with incidental roman. Contemporary limp vellum. “390” [= 380] ll. Full description

BOETHIUS. De consolatione philosophie duplici commentario videlicet Sancti Thome & Jodoci Badii Ascensii cum utriusque tabula. Item eiusdem de disciplina scholarium cum explanatione et quintilianum de officio discipulorum diligenter annotata.
Rouen, [printed by Pierre Olivier] for Jean Macé in Rennes, 1519. 2 parts in 1 volume. 4to With Macés large woodcut devices on the 2 title-pages and on the verso of the last leaf, the first title-page printed in red and black. Several fine woodcut initials. Modern vellum, red morocco spine-label. [312]; [64] pp. Full description

BRANT, Sebastian. Navis stultorum: oft, Der sotten schip.
Antwerp, Jan II van Ghelen, 1584. Small 4to. With a woodcut of the Ship of Fools on the title-page, woodcut Dutch title-panel, Van Ghelen's large woodcut greyhounds and goat device on the last page, 118 full-page and 2 smaller woodcut illustrations in text, each page (after the title and its verso) in a border built up from arabesque cast fleurons. 18th-century sprinkled calf, gold-tooled spine and board edges, mottled edges. [2], "234" [= 236], [10] pp. Full description

BRISSON, Barnabé. De formulis et sollemnibus populi Romani verbis, Libri VIII...
Frankfurt, Joannes Wechel and Petrus Fischer and consorts, 1592. 4to. With title-page printed in red and black, woodcut printer's device, woodcut head- & tail pieces and initials. Contemporary gold-tooled calf. [8], 750 [= 760], [84] pp. Full description

[CAMILLI, Camillo (translator)]. Historia del nobile, et valoroso Cavalier. Felice Magno, figliuolo del Re Falangrè della Gran Brettagna, & della Reina Clarinta, nella quale si raccontano i suoi grandi, & maravigliosi fatti tradotta con somma diligenza di Spagnuolo in lingua Italiana.
Verona, Sebastiano dalle Donne for Francesco de Franceschi Senese, 1587. 8vo. Contemporary limp sheepskin parchment. [12], 298 ll. Full description

CASTIGLIONE, Baltasar. Il Cortegiano.
Venice, Gabriel Iolito de Ferrarii, 1541. 8vo. With woodcut printer's device on two title-pages, and on the last leaf, woodcut initials in text. Contemporary vellum, with remnants of ties. [6], [2 blank], 5, CXCV ll. Full description

CATULLUS, Gaius Valerius and Marc-Antoine MURET. [Carmina]. Catullus, et in eum commentarius M. Antonii Mureti.
Venice, Paulus Manutius, 1554. 8vo. With Aldus's woodcut device on the title-page, repeated on the verso of the otherwise blank final leaf, and spaces with guide letters left for 2 5-line and about 60 3-line manuscript initials (not filled in). Set in an Aldine italic (with upright capitals) with occasional words (mostly names) in roman and frequent passages in Greek. Gold-tooled mottled calf (ca. 1700). [4], "134" [= 136], [2] ll. Full description

CATULLUS, Gaius Valerius; Albius TIBULLUS; Sextus PROPERTIUS (Hieronymus AVANTIUS, ed.). [Opera]. Catullus. Tibullus. Propertius.
[colophon:] Venice, Aldo I Manuzio, January 1502. 8vo. With more than 100 spaces (2 8-line, 6 6-line and the rest 2-line) with guide letters left for manuscript initials, none filled in. Set in Alduss italic type (with upright capitals) throughout, the first italic printing type, first used in 1501, with titles, headings, running heads, etc. set in the capitals of the same type, with an occasional word of Greek in the text. Gold-tooled, green long-grained sheepskin (vertical grain) (ca. 1800). [152] ll. Full description

CATULLUS, Gaius Valerius; Albius TIBULLUS; Sextus PROPERTIUS (Hieronymus AVANTIUS, ed.). [Opera]. Catullus. Tibullus. Propertius.
[colophon:] Venice, the heirs of Aldo I Manuzio & Andrea I Torresano, March 1515. 8vo. With Aldos woodcut anker and dolphin device on the title-page and on the verso of the last leaf, each flanked by "AL ... DVS" in letterpress capitals. Set in Aldos italic type (with upright capitals), the first italic printing type. Blind-tooled brown goatskin morocco (early 20th-century) by the Paris bookbinder G. Vignal (active ca. 1890-ca. 1930), signed with a blind stamp in the foot of the front turn-in ("G. VIGNAL REL. DOR.". 148, [2] ll. Full description

CELLINI, Benvenuto. Due trattati, uno intorno alle otto principali arti dell' oreficeria. L'altro in materia dell'arte della scultura; dove si veggono infiniti segreti nel lavorar le figure di marmo, & nel gettarle di bronzo.
Florence, Valente Panizzi, Marco Peri, 1568. 4to. With the woodcut coat of arms of the Medici on the title-page, a woodcut printer's device at the end, 1 small and 36 large architectural historiated initials. 19th-century marbled-paper boards. [5], 61, [7] ll. Full description

[CICERO, Marcus Tullius]. In omnes de arte rhetorica M. Tullii Ciceronis libros, item in eos ad C. Herennium scriptos, doctissimorum virorum commentaria, in unum veluti corpus redacta, ac separatim a' Ciceronis contextu, quem a' diversis impressum nemo iam in sua bibliotheca non habet, ne quis inani sumptu gravaretur, edita. Accessit in omnes libros rerum ac verborum memorabilium plenissimus index.
Venice, sons of Aldus Manutius, 1546. 2 parts in 1 volume. Folio. With Aldus's woodcut device on title-page and repeated on the otherwise blank last leaf. 19th-century gold- and blind-tooled red morocco in Renaissance style: boards with a gold-tooled central ornament, gold-tooled board edges and turn-ins. [20] pp, 624 cols.; cols. 1-492, [8] pp., cols. 493-824[=826] Full description

OVIDIUS NASO, Publius (Lodovico DOLCE, translator). Le trasformationi, ... . In questa quarta impressione da lui in molti luoghi ricorrette.
Venice, Gabriele Giolito de Ferrari, 1557. 4to. With title in a richly designed architectural woodcut frame, a half-page woodcut hemispherical map of the Americas, Europe and Africa and 82 large woodcut illustrations (plus 2 repeats) with fine ornamental and grotesque borders at either side. Contemporary(?) Polish(?) blind-tooled calf. 17th- or 18th-century endpapers. [16], 309, [3] pp. Full description

DOLCE, Lodovico. Dialogo della pittura. Nel quale si ragiona della dignità di essa pittura, e di tutte le parti necessarie, che a perfetto pittore si acconuengono: con esempi di pittori antichi, & moderni: e nel fine si fa mentione delle virtù e delle opere del divin Titiano.
Venice, Gabriel Giolito de Ferrari, 1557. Woodcut vignette on title-page. Later half vellum, title in ink on spine. 60 ll. Full description

DONI, Anton Francesco. Disegno ..., partito in piu ragionamenti, ne quali si tratta della scoltura et pittura; de colori, de getti, de modegli, con molte cose appartenenti a quest' arti: & si termina la nobiltà dell' una et dell' altra professione. ...
Venice, Gabriele Giolito de Ferrari, (colophon: February) 1549. Small 8vo (16 x 10 cm). With the imprint in the base of an elaborate woodcut on the title-page, with Ferrari's motto, initials and phoenix device, a different woodcut phoenix device on last page, and 21 woodcut pictorial initials (3 series) plus 1 repeat. Italian sheepskin parchment (ca. 1700?). 63, [1] ll. Full description

[DU BARTAS, Guillaume de Salluste]. La divina settimana: tradotta di rima Francese in verso sciolto Italiano.
Tours, Giametto Metaieri (Jamet Mettayer), 1592. 12mo. With the title with in a border, built up from cast fleurons, and some woodcut initials and headpieces. Contemporary limp sheepskin parchment. [6], 152 ll. Full description

[DUTCH MORALITY PLAYS - REDERIJKERS]. Zeven spelen, van die wercken der bermherticheyd. In rym ghemaeckt en nu tot Aemstelredam opentlyck ghespeelt, Anno 1591
Amsterdam, H. J. Muller, 1591. 8vo. Woodcut title vignette and 6 woodcut illustrations at the beginning of the plays, Contemporary vellum with manuscript title on spine. [302] pp. Full description

ERASMUS, Desiderius. De duplici copia verborum ac rerum commentarii duo.
(Colophon: Mainz, Johannes Schoeffer, August 1521). With title in woodcut architectural border; 6 large, beautiful woodcut initials. With 1 initial coloured by hand.
With: (2) ERASMUS, Desiderius. Parabolae sive similia.
(Colophon: Basle, Johannes Froben, July 1521). With title in an elaborate woodcut border, first page of the dedicatory letter by Erasmus to Petrus Aegidius on back of title-page with a border made of woodcut strips, Froben's large woodcut device on the last page, and 2 decorative woodcut initials. 2 works in 1 volume. 8vo. German contemporary richly blind-tooled calf, in a panel design. The central panel on each board is filled with dozens of impressions of 3 floral stamps, 1 on the front board and 2 on the back. [16], 247, [1 blank]; 191, [1] pp. Full description

ERASMUS, Desiderius. Apophthegmatum libri octo cum primis frugiferi, denuò vigilanter ab ipos recogniti autore, non sine lucro novae accessionis.
Cologne, Johann Gymnich I, 1538. 8vo (16 x 11 x 4.5 cm). With Gymnich's woodcut device, 9 woodcut initials (2 series) plus 1 repeat, and a vine-leaf ornament. Set in an Aldine-style italic with incidental roman and Greek. Near contemporary blind-tooled calf (the owner's stamp ca. 1564?, added later than the rest of the tooling) over wooden boards, each board in a panel design, the front board with the large oval armorial panel-stamp (72 x 55 mm) of Simon Cluver of Gedansk (ca. 1540-1598); the back board with 2 rolls showing Christian imagery. With 1 of 2 brass catchplates but further with only remnants of the fastenings. [16], 712, [38], [2 blank] pp. Full description

EURIPIDES. [Title in Greek then Latin:] Tragoediae septendecim [recté octodecim], ex quib[us]. quaedam habent commentaria. & sunt hae. Hecuba[,] Orestes[,] Phoenissae[,] Medea[,] Hippolytus[,] Alcestis[,] Andromache[,] Supplices[,] Iphigenia in Aulide[,] Iphigenia in Tauris[,] Rhesus[,] Troades[,] Bacchae[,] Cyclops[,] Heraclide[,] Helena[,] Ion[, Hercules furens].
(Colophon to each volume: Venice, Aldus Manutius, February 1503). 2 volumes. 8vo. With Aldus's anchor device on the last page of each volume, printed in Aldus's beautiful Greek type.Matching limp vellum (made from 2 leaves from a ca. 1560/70? Spanish legal manuscript), constructed or reconstructed ca. 1900. [268]; [190] ll. Full description

[FIOCCO, Andrea Domenico] under the name of Lucius FENESTELLA. De magistratibus, sacerdotiisq[ue] Romanorum libellus, iam primum nitori restitutus. Pomponii Laeti itidem de magistratibus & sacerdotiis, & praeterea de diversis legibus Rom[anorum]. Item Valerii Probi grammatici de literis antiquis opusculum.
Including: POMPONIO LETO, Giulio. De Ro[manorum]. magistratibus, ...
Basel, (colophon: Valentino Curio, May 1523). With the general title in a woodcut border, Curio's large architectural woodcut device on the otherwise blank final page.
With:
(2) LUCIANUS OF SAMOSATA. Complures ... dialogi à Desiderio Erasmo Roterodamo ... in Latinum conversi, & à Nicolao Buscoducensi illustrati, additis Fabularum & difficilium vocabulorum explanationibus.
(Colophon: Antwerp, Michael Hillen van Hoochstraten, 1524).
(3) MOSELLANUS, Petrus (Peter SCHADE). Paedologia ..., in puerorum usum conscripta & aucta. Dialogi XXXVII. Dialogi pueriles Christophori Hegendorphini. XII. ...
Including: HEGENDORF, Christoph. Dialogi pueriles ... XII. ...
(Colophon: Antwerp, Michael Hillen van Hoochstraten, 1523).
3 editions in 1 volume. 8vo (16 x 10.5 cm). Contemporary panel-stamped calf, each board with the same 3 panel stamps: 2 virtually identical panels with 6 animals in 2 grape vines (the animals from head to foot in the left vine: a monkey, dog and wyvern; and in the right vine: a squirrel, hare and lion) in a border of a diaper of quatrefoils in lozenges, the two separated by a small panel stamp sith a peacock, paste-downs made from a leaf from an Aristotle manuscript on vellum. 91, [1]; 26, [2]; [40] ll. Full description

GUALTERUZZI, Carlo (compiler) and [Vincenzo BORGHINI (“corrector”)]. Libro di novelle, et di bel parlar gentile. ... Cento novelle ... Di nuovo ricorrette.
Florence, Filippo & Jacopo Giunta, 1572. 4to (21.5 x 16 cm). With the Giunta's woodcut device on the title-page and a different one on the last page and about 120 woodcut decorated initials (about 7 series) including some repeats. With the main text set in roman type but the extensive preliminaries in italic. Contemporary limp sheepskin parchment. [26], [2 blank], "153" [= 165], [3] pp. Full description

GUEVARA, Antonio de. Libro de los inventores del arte de marear, y de muchos trabajos que se passan enlas galeras. ... Tocanse enel muy excellentes antiguedades, y avisos muy notables para los que navegan en galeras.
Antwerp, Martin Nutius, [ca. 1545/46]. Small 8vo (13.5 x 10 cm). With Nutius's woodcut device on the title-page. Set in rotunda gothic type with a few words in a large roman. Blind-tooled brown goatskin (1920s?) in 16th-century style by Victor Arias (1856-1935) in Madrid, gold-tooled turn-ins. XXIX, [1], [2 blank] ll. Full description

HONORIUS AUGUSTODUNENSIS (HONORIUS OF AUTUN). [Incipit:] ... de ymagine mundi.
[Nuremberg, Anton Koberger, 1472(?)]. Folio (31 x 22 cm).Rubricated throughout and about half of the spaces left for initials filled in by hand in red ink. 19th-century red sheepskin. [46], [1 blank] ll. Full description

HORACE. [Opera] cum quattor commentarijs.
Venice, printed by Philippus Pincius for Benedictus Fontana, 1495-1496. With large woodcut printer's device on last leaf, and numerous woodcut initials.
With:
(2) PERSIUS. [Opera] cum tribus commentariis.
Venice, Giovanni Tacuino de Tridino, 4 November 1499. With woodcut printer's device on verso of penultimate leaf, and fine woodcut on title-page.
(3) JUVENALIS. [Opera] cum commento Ioannus Britannici.
Reggio Emilia, Francesco de Mazalibus, 1503. With fine woodcut at the head of text, and some woodcut initials. 3 works in 1 volume. Folio. Contemporary blind-tooled vellum over wooden boards with 2 brass clasps. [264] ll. Full description

HUTTEN, Ulrich von. Dialogi. Fortuna. Febris prima. Febris secunda. Trias Romana. Inspicientes.
Colophon: Mainz, Johann Schöffer, April 1520. Small 4to (19.5 x 14 cm). With a lovely woodcut of the blindfolded Fortuna on title-page (by Hans Weiditz?), a large woodcut initial Q (repeated twice) and several vine leaf ornaments. Printed in roman type. 19th-century half vellum. [72] ll. Full description

JUNIUS, Hadrianus. [title-page *1:] Eiusdem Aenigmatum libellus, ad ... Arnoldum Rosenbergum jurisconsultum. [title-page A1:] Emblemata, ad D. Arnoldum Cobeliu. Eiusdem Aenigmatum libellus, ad ... Arnoldum Rosenbergum.
Antwerp, Christoffel Plantin, 1565 (colophon: 15 May 1565). 2 works in 1 volume. Small 8vo (17 x 11.5 cm). With 57 woodcut emblems, mainly by Gerard Janssen van Kampen with a few by Arnold Nicolai, all after Geoffroy Ballain and Pierre Huys. Red goatskin morocco (ca. 1850/60?) by Charles-François Capé in Paris, signed "CAPÉ" in the foot of the front turn-in. [15], [1 blank]; 149, [3] pp. Full description

JUSTINUS, Marcus Junianus. Trogi Pompei externae historiae in compendium ab Justino redactae.
Including:
PROBUS, Aemylius [recté NEPOS, Cornelius]. De vita excellentium imperatorum liber.
VELLEIUS PATERCULUS, Caius. Historiae Romanae duo volumina, ...
(Colophon: Florence, Philippo Giunta, 1525). 3 works published as 1. 8vo. With Giunta's woodcut device on the title-page and a nearly identical one on the verso of the otherwise blank last leaf. Set in an Aldine-style italic, with numerous spaces with guide letters where manuscript initials could be filled in (left blank in the present copy). Dark green gold-tooled morocco (ca. 1833?), the with AAR-monogram of Antoine Augustin Renouard, gold-tooled board edges and turn-ins, pink watered-silk endleaves, matching ribbon marker, gilt edges. Attributed to the Bradel family in Paris, probably Antoine Louis François Bradel. 15, [1], “103” [= 203], [1 blank]; [8], “105” [= 205]-267, [1] ll. Full description

LEO VI (the Wise) of Byzantium and Antonius SEVERUS of Rome (attributed). Vaticinium Severi, et Leonis Imperatorum, in quo videtur finis Turcarum in praesenti eorum imperatore, una cum aliis nonnullis in hac re Vaticiniis ...
Brescia, Pietro Maria Marchetti, 1596. Small 8vo (14.5 x 10 cm). With 16 numbered engraved emblematic illustrations. Contemporary limp sheepskin parchment. 106, [6 blank] pp. Full description

[MARTIAL d'Auvergne]. LIII. arrests d'amours. Arresta amorum. Accuratissimis Benedicti Curtii Symphoriani commentariis ad utrusque iuris rationem, forensiumque actionum usum quàm acutissimè accommodata. Le tout diligemment reveu & corrigé en une infinité d'endroits outre les precedentes impressions.
Rouen, Thomas Mallard, 1587. 16mo. With title within an ornamental woodcut border. 19th-century gold-tooled red sheepskin. 899 [=897], [58], [1 blank] pp. Full description

MARTIALIS, Marcus Valerius. [Epigrammata].
(Colophon: Venice, Aldus Manutius, December 1501). 8vo (16 x 10 cm). With 15 (mostly 6-line) spaces with printed guide letters left for manuscript initials. Except for an occasional word in Greek, the book is set entirely in the world's first italic printing type (with small upright capitals, which are also used, usually letterspaced, for running heads, headings, the opening line of each liber, etc.). Francesco Griffo cut it for Aldus, who uses it here 8 months after he introduced it in his Virgil. Tanned sheepskin (ca. 1700?), gold-tooled spine and board edges. [381], [3 blank] pp. Full description

MATHAM, Jacob (engraver), Hendrick GOLTZIUS (artist) and Cornelius SCHONAEUS (author). Andromeda.
[Haarlem, Hendrick Goltzius,] 1597. 26.7 x 37 cm. Copper engraving. Full description

MEXIA, Pedro. Coloquios o dialogos compuestos por el magnifico cavallero Pero Mexia, vezino de Sevilla, en los quales se disputan y tratan varias y diversas cosas de mucha erudicion y doctrina. Al illustrissimo senor don Perasan de Ribera Marques de Tarisa &c.
Antwerp, widow of Martinus Nutius, 1561. Small agenda 12mo (14 x 6.5 cm). With Nutius's woodcut device on the title-page. 17th-century(?) blind-tooled overlapping vellum, each board with the coat of arms of the Landgrave of Hesse, gilt edges. 165, [3 blank] ll. Full description

NOOT, Jan van der. Cort begryp der XII. boeken Olympiados. ... Abregé des douze livres Olympiades.
Antwerp, Gillis van den Rade, 1579. With 1 engraved plate (portrait of the author), 17 full-page engravings (ca. 16 x 11.5 cm.) by Dirk Volkertsz. Coornhert after designs of the monogrammist CVSK and a full-page woodcut of an obelisk at the end, signed with the monogram "HE".
With:
(2) NOOT, Jan van der. Lofsang van Braband. ... Hymne de Braband.
Antwerp, Gillis van den Rade, 1580. With 4 full-page woodcuts (portrait of the author, allegorical illustration, arms of Brabant and the other 16 provinces, and an obelisk).
(3) NOOT, Jan van der. Verscheyden poeticsche werken. ... Divers oeuvres poetiques.
Antwerp, Gillis van den Rade, 1581. With full-page woodcut portrait of the author, and a full-page woodcut obelisk at the end. 3 works in 1 volume. Folio. All 3 works with text in Dutch and French. Early 18th-century gold-tooled mottled calf. [14], 87, [1]; [8], 33, [4]; [40] pp. plus 1 plate. Full description

NOOT, Jan van der. De poeticsche werken van mijn Heer vander Noot. Les oeuvres poetiques du Sr. Jan vander Noot.
Antwerp, Daniel Vervliet and Arnout Coninx (shared printing), "1594" [=1588-1595]. Folio. With the general title-page bearing Vervliets 1594 imprint, the only part-title (for the Inkomste bifolium) bearing sConincxs 1594 imprint, 7 small bust portraits, 2 portraits of the author, 10 small rectangular illustrations, 2 medium illustrations and 8 full-page illustrations (on integral leaves), all woodcut, some (and the 2 title-pages) in architectural and/or arabesque woodcut frames. The text is variously set in 1, 2 or 3 columns, sometimes even mixing them on one page, each page in a frame (made partly from rules) and with the running titles in Dutch and French at the foot of the page. An occasional bifolium includes a woodcut decorated initial. The text, in Dutch, French, Spanish, Italian, German, Latin, and Greek, is set in dozens of roman, italic, textura, civilité, fraktur and Greek printing types plus interlaced typographic capitals and arabesque typographic ornaments. Blind-tooled calf (ca. 1725/30?) by the so-called "Minnewit" bindery in Amsterdam, sewn on 6 supports, each board with two double-fillet frames, the inner field sprinkled and the outer field blackened, with a large centrepiece and 2 different corner pieces, the smaller inside and the larger outside each corner of the inner frame, headbands in red and green, red sprinkled edges, plain endpapers. [102] ll. Full description

PALLADIO, Andrea. I quattro libri dell'architettura di Andrea Palladio. Ne' quali, dopo un breve trattato de' cinque ordini, et di quelli avertimenti che sono piu necessari nel fabricare; si tratta delle case private, delle vie, de i ponti, delle piazze, de i xisti, et de' tempii.
Venice, Bartolomeo Carampello, 1581. Folio. 4 volumes bound as 1. With 4 title-pages, each with the same richly decorated woodcut architectural frame, more than 200 woodcut illustrations, Carampellos woodcut device, woodcut headpieces and decorative initials. 67, [1 blank], 78, [2 blank], 46, [1], [1 blank], 133, [1], [2 blank] pp. Full description

PARADIN, Claude and Gabriel SYMEON. Symbola heroica. M. Claudii Paradini, beliiocensis canonici et D. Gabrielis Symeonis. Multo, quàm antea, fideliùs de Gallica lingua in Latinam conversa.
Antwerp, Christophe Plantin, 1583. 12mo. With 216 woodcut illustrations in text, namely 179 for Paradin and 37 for Simeon. 19th-century gold-tooled red morocco, gilt edges; bound by Thompson. 319, [1 blank] pp. Full description

PERSIUS FLACCUS. Satirarum opus [= Satyrae/Saturae].
(Colophon: Venice, Dionysius de Bertochus & Pelegrinus de Paschalibus Bononienses, 10 September 1484). Small folio (29.5 x 21 cm). With the verse text surrounded on three sides by Fonzio's prose commentary, Bertochus and Pelegrinus's woodcut device next to the colophon on the last printed page, with spaces left for manuscript initials without guide letters (not filled in). Set in 2 sizes of Venetian-style roman type (110 and 83 mm/20 lines) with an occasional Greek letter. 19th-century(?) sheepskin parchment. [1 blank], [54], [1 blank] pp. Full description

PLINIUS SECUNDUS, Gaius. Opus divinum, cui titulus historiae naturalis, multoqua[m] antehac unqua[m] prodiit in luce[m] castigatius, una cu[m] annotationibus Hermanolai Barbari ...
Paris, Jean Petit (colophon: Nicolaus Sauetier), 1526. 2 parts in 1 volume (bound in reverse order). Folio. With title-page to the main work (bound second) printed in red and black and title-page to the index (bound first), each in a four-piece woodcut border. Contemporary or near contemporary calf, with the boards richly blind-tooled in a panel design; rebacked with part of the original backstrip laid down. [188], [34], "CCCCCXXXVI" [= CCCCCXXXVIII] pp. Full description

PLUTARCHUS. Moralia, quae usurpantur. sunt autem omnis elegantis doctrinae penus: id est, varij libri: morales, historici, physici, mathematici, deniq; ad politiorem litteraturam pertinentes & humanitatem: omnes de Graeca in Latinam linguam transscripti.
Basel, Thomas Guarini, 1570. Folio. With woodcut printer's device on title-page and repeated on last page, some mathematical woodcuts in text and numerous historiated woodcut initials. Early 17th-century Jesuit prize binding in richly gold-tooled light brown calf, sides with arabesques in the style of Gascon, richly gold-tooled double borders and inner panel with small bands in a geometrical pattern. [12], 857, [91] pp. Full description

POLIZIANO, Angelo. Omnia opera Angeli Politiani, et alia quaedam lectu digna, quorum nomina in sequenti indice vedere licet.
Venice, Aldus Manutius, 1498. Folio. Early 18th-century (?) polished calf, spine richly gilt in compartments with red morocco title label, both sides with triple gilt fillets along the edges and large gilt oval coat-of-arms in the centre, inner dentelles, marbled endpapers. The coat of arms is of Henri-Louis Loménie, comte de Brienne (1658-1743), son of Louis Henry Loménie de Brienne. [452] ll. Full description

QUINTILIANUS, Marcus Fabius. [De institutione oratoria].
(Colophon: Florence, Filippo I Giunta, October 1515). Small 8vo (14.5 x 10 cm). With a title-page containing only the author's name, but with the title in the heading to liber I, and Giunti's woodcut device on the verso of the otherwise blank final leaf. Set entirely in an Aldine-style italic (with upright capitals). Vellum (ca. 1850?). [4], "269" [= 367], [1] ll. Full description

QUINTILIANUS, Marcus Fabius. [Institutiones oratoriae].
(Colophon: Venice, "aedibus Aldi et Andreae soceri" [= Aldus Manutius & Andre Torresani d'Asola], August 1514). 4to. With Aldus's famous woodcut anchor device on the title-page, repeated on the back of the last text page. Gold-tooled red morocco (ca. 1700), rebacked and given a black morocco spine label in the 19th century. [4], 230 ll. Full description

QUINTILIANUS, Marcus Fabius. Institutionum oratorium libri XII diligentius recogniti M D XXII. Index capitum totius operis. Conversio dictionum Graecarum, quas ipse author in latinum non transtulit.
(Colophon: Venice "In Aedibus Aldi, et Andreae soceri" [= André d'Asola & sons], January 1521 [= 1522]). Narrow 4to in 8s (21 x 13 cm). With Aldus's anchor and dolphin publisher's device on the first and last pages. Set entirely in a single size of Aldine italic, with some headings, running heads, etc., set in its (upright) capitals. Gold-tooled red morocco (ca. 1700), each board with delicate centre-piece a petit fers, rebacked in gold-tooled red morocco. [4], 230 ll. Full description

ROGEL, Hans the elder. Capital und Versal Buech, allerhanndt grosser und kleiner Alphabeth, zue den Hauptschrifften und Büechern, dessgleichen in Canntzleyen unnd gemein, zuegebrauchen ganntz zierlich geordiniert.
Augsburg, Johann Jacob Schönig, [1680/94, printed from the woodblocks of 1568]. Oblong folio (21 x 34 cm). With a richly calligraphic woodcut title-page (18 x 28 cm), with text in white fraktur lettering on black, with a white panel at the foot with the letterpress imprint in a fraktur type; and 9 (of 10) full-page woodcuts (about 17 x 25.5 cm) showing alphabets in white on black, one dated 1568: 8 with decorated gothic capitals (versals: 22-150 mm) and 1 with textura capitals, textura lowercase and roman capitals, all versos blank. With a small and perhaps fragmentary manuscript on parchment (2 ll., 11.5 x 13.5 cm, written on both sides): a Protestant copybook written (soon?) after 1557, probably in Basle or vicinity, with 7 writing samples, including alphabets of capitals and minuscules, the first two pages in fraktur gothic styles, and the last two in humanistic styles. Vellum (ca. 1985?), in a cloth slipcase. [10 (of 11)] ll. Full description

RUTILIUS LUPUS, Publius and 15 others (François PITHOU, ed.). [Antiqui rhetores Latini.] ... Omnia ex codd. manusc. emendatiora vel auctiora.
Paris, Adrien Périer (ex officina Plantiniana), 1599. Large 4to. Set in roman types with incidental italic, Greek and Hebrew. Contemporary gold-tooled calf with 18th-century restorations, with the arms of Aire-sur-la-Lys (an eagle) flanked by "S.P.Q. ... Arien[sis]". Rebacked with the original backstrip laid down. [4], 382, [15], [1 blank] pp. Full description

SECUNDUS, Janus (Joannes or Jan EVERAERTS). Opera. Nunc primum in lucem edita.
Utrecht, Herman van Borculo, 1541. With Van Borculos winged stag and book device on the title-page and another on the verso of the otherwise blank last leaf. Small 8vo (16 x 10.5 cm). Contemporary vellum wrapper. [324], [3 blank], [1] pp. Full description

[SINDBAD – SEVEN SAGES]. Historia septem sapientum Rome.
Cologne, Johann Koelhoff the Elder, of Lübeck, (before 6 November) 1490. 4to (200 x 128 mm), 34-37 lines, gothic type, rubricated in red. Illustrated with a large armorial woodcut printers device at the end and 23 full-page woodcuts, with two of the woodcuts repeated several times. Bound in contemporary blind-tooled full calf over wooden boards. Remains of clasps. Endpapers from a rubricated incunabular edition of the Biblia cum glossa ordinaria. [50] ff. [a–g6, H8]. Full description

TASSO, Torquato. Il Re Torrismondo tragedia.
Venice, Fabio & Agostino Zoppini, 1588. 12mo or long 24mo in 12s (13.5×7 cm). With the Zoppinis' woodcut device on the title-page, a woodcut headpiece, several woodcut tailpieces, several woodcut decorated initials (3 series), and cast fleurons. Gold- and blind-tooled overlapping sheepskin (ca. 1900?). 58, [1], [1 blank] ll. Full description

THEOCRITUS, HESIOD, and others. [Indication of contents in Greek followed by Latin:] Haec insunt in hoc libro. Theocriti Eclogae triginta. Genus Theocriti & De inventione bucolicorum. Catonis Romani sententiae paraeneticae Distichi. Sententiae septem sapientum. De invidia. Theognidis megarensis siculi sententiae Elegiacae. Sententiae monostichi per capita ex variis poetis. Aurea carmina Pythagorae. Phocylidae Poema admonitorium. Carmina Sibyllae erythraeae De Christo Jesu domino n[ost]ro. Differentia vocis. Hesiodi Theogonia. Eiusdem Scutum Herculis. Eiusdem Georgicon libri duo.
Venice, Aldus Manutius, February "1495" [=1496]. Folio. With 8 fine woodcut headpieces (2 by the famous Poliphilus master) plus 29 repeats, and 23 woodcut outline interlaced initials (3 series: 3-line, 5-line and 7-line) plus 16 repeats. Modern red morocco, gold- and blind-blocked. [140] ll. Full description

THOU (THUANUS), Jacques-Auguste de. Hieracosophioy, sive de re accipitraria libri tres.
Paris, Mamert Patisson, Kings Printer "in officina Robert Estienne", 1584. Small 4to (22 x 15 cm). With the late Robert I Estienne's large woodcut device on the title-page. With the poem and Thou's 11-page verse letter to Philippe Huralt in italic type and the preliminaries and some end matter in roman. Half parchment (ca. 1892). [4], 95, [13] pp. Full description

TORRENTINUS, Hermannus (Herman van der BEKE). Elucidarius poeticus co[n]tinens historias poeticas, fabulas, insulas regiones, urbes, fluvios, mo[n]tesq[ue] insigniores, atq[ue] huiusmodi alia, ...
Antwerp, Michiel Hillen van Hoogstraten, 1527. With the title in an elaborate woodcut border.
With: (2) [FIOCCHI, Andrea Dominico (Andras Dominicus FLOCCUS)] under the name of Lucius FENESTELLA. De magistratibus, sacerdotiisq[ue] Romanorum libellus, iamprimum nitori restitutus.
[Cologne, Hero Fuchs, 1527]. With the title in a finely cut 4-piece woodcut border. 2 editions in 1 volume. 8vo. 16th-century(?) limp vellum (formerly used for a slightly thinner book). The binding is an interesting example of a spine reinforced with a horizontal metal rod at the central sewing support to give more support and prevent the bookblock from becoming concaved or developing sharp kinks; probably bound in Flanders. [88]; [88] ll. Full description

TOSTATUS (TOSTADO DE MADRIGAL), Alfonso. Super Leviticum in sensu litterali nova et hactenus abscondita a se edita commentaria.
(Colophon: Venice, Petrus Liechtenstein, 1529). With title-page printed in red and black with a large woodcut containing the coats of arms of the Emperor Charles V (Charles I of Spain) and two bishops (the author and perhaps a relative), leaf 2 with a woodcut of the author writing at his desk, with his arms, and a woodcut initial with the other bishop's arms inside the letter, the arms in the initial and some lines of text printed in red. Printed in two columns.
With: (2) TOSTATUS, Alfonso. Opus super Deuteronomium.
(Colophon: Venice, Petrus Liechtenstein, 1528). With title-page printed in red and black, leaf 1 with a woodcut of the author writing at his desk, with his arms (not the same woodcut as in ad 1), and a woodcut initial with the other bishop's arms as in ad 1. Printed in two columns. 2 works in 1 volume. Folio. Contemporary blind- and gold-tooled tanned sheepskin over wooden boards; each board in a panel design with 2 (on the back board 3) different vine rolls, rules, and on the front board a central medaillon depicting Bathsheba kneeling before King David playing his harp, and a half dozen separate stamps, with author and title at the head, "Thostati Super Leviti et Deuteronomy" and the binding date MDXXXII (1532); blind-tooled spine, remnants of brass anchor plates on the back board (for straps?), catch plates on the front board lacking. 249, [1 blank]; [1], 120 ll. Full description

ULPIANUS of Emesa and Valerius HARPOCRATION. Commentarioli in olynthiacas, philippicasque Demosthenis orationes. Enarrationes saneque necessariae in tredecim orationes Demosthenis. ...Dictionarium decem Rhetorum. [preceded by the titles in Greek].
(Colophon: Venice, heirs of Aldus Manutius, and his father-in-law Andrea Torresano dAsola [& sons], June) 1527. Folio (31 x 21 cm). With Aldus's famous woodcut dolphin device on the title-page and an older but very similar version on the verso of the otherwise blank last leaf. Set in Greek type (the Upianus in 1 column; the Harpokation in 2 columns) with incidental roman. Recased in 18th-century vellum over flexible boards. 119, [1] ll. Full description

[UTRECHT - LAW]. Costumen, usantien pollitien ende stijl van procederen der stadt jurisdictie, en[de] vrijheyt va[n] Utrecht gheapprobeert en[de] ghedecreteert, . . .
[Colophon:] Amsterdam, printed by Willem Jacobsz. and sold at Utrecht by Jan van Gelre, 1550. 4to. With the title and the arms of the city of Utrecht in red and black in a 4-piece woodcut frame with figures and decoration, the arms repeated below the red and black colophon with the publisher's authenticating signature in dark brown ink; 3 different woodcut coats of arms for the Habsburg Holy Roman Emperor Charles V, each with a different bearing: 2 small in the text, with his motto "plus oultre", and a full-page one on the verso of the last leaf. Late 18th-century boards, marbled paper sides. [16], LVIII, [2] ll. Full description

VIGERIUS, Marcus. Decachordum Christianum Julio II. Pont. Max. dicatum. Controversia de excellentia instrumentorum Dominicae passionis, per eundem Dn. Marcum Vigerium discussa.
[Hagenau, printed by Th. Anselm & Joh. Albertus for Joh. Koberger, Nuremberg, 1517]. Folio. With title in woodcut border by Urs Graf and 10 beautiful full-page woodcuts (ca. 13.9-14.4 x 9.7-10.2 cm) by the "Master I S with the shovel", a pupil of Hans Schäufelein. Contemporary calf over wooden boards, blind-tooled side, two brass clasps. Leaves from a 14th-century liturgical manuscript pasted on the inner sides of the boards. From the "Koberger Werkstatt". [6], 204, [14] pp. Full description

ZEHENDTNER VOM ZEHENDTGRÜB, Paul. Ordenliche Beschreibung mit was stattlichen Ceremonien und Zierlichheiten, die Röm. Kay. May. unser aller gnedigster Herr, samt etlich andern Ertzhertzogen, Fürsten und Herrn, den Orden dess Guldin Flüss, in disem [15]85. Jahr zu Prag und Landshüt, empfangen und angenommen.
Dillingen, Johann Mayer, 1587. 4to (20 x 15.5 cm). With title printed in red and black, 7 full-page engraved illustrations (showing the collar (chain) of the Order, the Emperor Rudolf II in his robes and 5 coat-of-arms), and 13 large folding engraved plates showing the splendid ceremonies held at Prague and Landshut, probably all drawn by Anthony Boys. Contemporary gold-tooled tanned sheepskin; rebacked with most of the original backstrip laid down. [1], [1 blank], 155, [1], [2 blank] pp. Full description