Early Printing & Manuscripts

CELLINI, Benvenuto. Due trattati, uno intorno alle otto principali arti dell' oreficeria. L'altro in materia dell'arte della scultura; dove si veggono infiniti segreti nel lavorar le figure di marmo, & nel gettarle di bronzo.
Florence, Valente Panizzi, Marco Peri, 1568. 4to. With the woodcut coat of arms of the Medici on the title-page, a woodcut printer's device at the end, 1 small and 36 large architectural historiated initials. 19th-century marbled-paper boards. [5], 61, [7] ll. Full description

CENTENO, Amaro. Historia de cosas del oriente primera y segunda parte...
Cordoba, Diego Galván, 1595. 2 parts in 1 volume. 4to. With a woodcut coat of arms on the title-page and the divisional title-page for part 2, an elaborate Jesuit woodcut IHS vignette on the verso of the last leaf above the colophon and woodcut initials throughout, with a few typographical or woodcut tail-pieces, al text is set within a simple woodcut frame. Later tree marbled sheepskin. [8], 138, [4] ll. Full description

CHAMPIER, Symphorien. Castigationes seu emendationes pharmacopolarum, sive apothecariorum, ac Arabum medicorum Mesue, Serapionis, Rafis, Alpharabii, & aliorum iuniorum medicorum...
(Colophon: Lyon, Johannes Crespin, 1532). 2 parts in 1 volume (bound in reverse order). 8vo. With armorial woodcut on title-page to the second part (bound as opening title-page), repeated several times in text, and numerous woodcut initials. Contemporary vellum, richly blind-tooled in a panel design. LVI, CXII ll. Full description

[CHARLES V, Emperor]. Les ordonnances[,] statutes, & edictz, que lEmpereur Charles cinquies. de ce nom, tousjours auguste, a faict publier en la ville de Bruxelles ...
Brussels, Marck Martens; Antwerp, "en l[]escu dArtoys, sur le Pont de Chambre" [= the printing office of Jacob van Liesvelt], [privilege dated from Brussels, 7 October 1540]. 4° (20.5 × 15 cm). Title-page with an elaborate large woodcut showing the Imperial coat-of-arms. 20th-century half sheepskin parchment, boards covered with 2 leaves from Froben & Petris 2° Latin Bible, Basel, 1498, red edges. [20] pp. Full description

CHAVES, Jérôme de. Chronographia o reportorio de tiempos, el mas copioso y precisso, que hasta ahora ha salido a luz.
Sevilla, Fernando Diaz, Faustino de Magarino (colophon: printed by Fernando Diaz), 1584. 4to. With title printed in red and black with woodcut portrait of the author, Diaz's woodcut printer's device below the colophon on the last page, 2 full- or nearly full-page woodcuts, 19 half-page woodcuts, 7 half-page round woodcuts, and 43 small round woodcuts of phases of the moon. Many letterpress tables of the positions of the sun and moon, calendars, movable feasts, etc. Sheepskin parchment by Domingo V. Folch of the national bindery in Valencia (2nd half of 19th century), gold-tooled spine. 192, 201-"163" [= 263] ll. Full description

CHRYSOSTOM, John. In sanctum Jesu Christi evangelium secundum Matthaeum commentarii, diligenter ab Arrianorum faecibus purgati, & in lucem in sacrae paginae tyronum gratiam modo recens sub minoriforma aediti.
Antwerp, Joannes Steelsius, 1542.
With: CHRYSOSTOM, John. Passio Domini Nostri Iesu Christi secundum Matthaeum in decem Homilias divisa.
Antwerp, Joannes Steelsius, 1542.
2 works in 1 volume. 8vo. Ad 1: with two woodcut initials at the beginning of the introduction and the prologue, of 2 different series, and a large woodcut printer's device on the last page, showing a staff, surrounded by doves and the text 'steelsius', stuck in a plaquette that says 'concordia, res parue crescunt'. Ad 2: with a woodcut initial on the first leaf. Contemporary Flemish blind-tooled, panel-stamped calf, with a tripartite panel on both sides and remnants of ties. [8],"313" [=314], [1]; 47, [1] ll. Full description

CHRYSOSTOMUS, Johannes (Antonius VAN HEMERT, translator). Van die beweechnisse des herten, tot berouwe der sonde[n]. ...
(Colophon:) Antwerp, Symon Cock, 18 August 1546. 8vo. With the title-page in red and black in a framework of thin rules, 6 woodcut decorated initials and 2 vine-leaf ornaments. Set in 3 sizes of textura gothic types. A very interesting Antwerp binding of contemporary panel-stamped calf, each board with the same panel, showing 2 medallion portraits in, the whole surrounded by a floral decorative border, interesting fastenings with cord loops that fasten to bone buttons on leather straps. [131], [1 blank] ll. Full description

[CICERO, Marcus Tullius]. In omnes de arte rhetorica M. Tullii Ciceronis libros, item in eos ad C. Herennium scriptos, doctissimorum virorum commentaria, in unum veluti corpus redacta, ac separatim a' Ciceronis contextu, quem a' diversis impressum nemo iam in sua bibliotheca non habet, ne quis inani sumptu gravaretur, edita. Accessit in omnes libros rerum ac verborum memorabilium plenissimus index.
Venice, sons of Aldus Manutius, 1546. 2 parts in 1 volume. Folio. With Aldus's woodcut device on title-page and repeated on the otherwise blank last leaf. 19th-century gold- and blind-tooled red morocco in Renaissance style: boards with a gold-tooled central ornament, gold-tooled board edges and turn-ins. [20] pp, 624 cols.; cols. 1-492, [8] pp., cols. 493-824[=826] Full description

CIGNANO, Ludovico. Quieta solitudine di varii ragionamenti, discorsi, et concetti, ove si narra quattro navigationi ...
Bologna, Alessandro Benacci, 1587. Small 4to. With the woodcut coat of arms of the dedicatee Giovanni Luigi Scappi, elaborately helmed, crested and mantled, on the title-page, a woodcut tailpiece (plus 1 repeat), woodcut decorated initials (at least 4 series), decorations built up from cast typographic ornaments.
Goatskin morocco (ca. 1870/80?), richly gold-tooled spine and turn-ins, signed in foot of front turn-in by the Paris bookbinders "DARLAUD FRÈRES", gold fillets on sides and board edges, combed curl-marbled endpapers, edges gilt over marbling, headbands worked in white and beige, and a yellow, red and green ribbon marker. 166 pp. Full description

CLENARDUS, Nicolaus. Nic. Clenardi Epistolarum libri duo. Quorum posterior iam primum in lucem prodit.
Antwerp, Christopher Plantin, 1566. 2 parts in 1 volume. 8to. Both title-pages with Plantin's woodcut printer's mark, Arabic type interspersed. Contemporary vellum with 4 raised bands and a manuscript title on the spine. 112, 258 [= 241], [4] pp. Full description