Early Printing & Manuscripts

CENTENO, Amaro. Historia de cosas del oriente primera y segunda parte...
Cordoba, Diego Galván, 1595. 2 parts in 1 volume. 4to. With a woodcut coat of arms on the title-page and the divisional title-page for part 2, an elaborate Jesuit woodcut IHS vignette on the verso of the last leaf above the colophon and woodcut initials throughout, with a few typographical or woodcut tail-pieces, al text is set within a simple woodcut frame. Later tree marbled sheepskin. [8], 138, [4] ll. Full description

[CESSOLIS, Jacobus de and FRANCO (translator)]. [Drop title a1v:] Boeck dat men hiet dat scaecspel. [Incipit on a2r:] Hier beghint eç suuerlijc boec vanden tijtverdrijf edelre heren ende vrouwen als vande scaecspul ...
(Colophon on i6v:) Gouda, Geraert Leeu, 2 October 1479. Small folio (ca. 26 x 20 cm). The text is set in Gothic type in double columns of 35 lines to a page, with large manuscript initials in red ink at the start of every chapter, rubricated throughout. Further with Geraert Leeu's printer's device and his initials below the colophon on i5v. Modern vellum, sewn on 4 vellum tapes laced through the joints, gold-tooled spine with a burgundy morocco title label lettered in gold. [67], [1 blank] ll. Full description

CHAMPIER, Symphorien. Castigationes seu emendationes pharmacopolarum, sive apothecariorum, ac Arabum medicorum Mesue, Serapionis, Rafis, Alpharabii, & aliorum iuniorum medicorum...
(Colophon: Lyon, Johannes Crespin, 1532). 2 parts in 1 volume (bound in reverse order). 8vo. With armorial woodcut on title-page to the second part (bound as opening title-page), repeated several times in text, and numerous woodcut initials. Contemporary vellum, richly blind-tooled in a panel design. LVI, CXII ll. Full description

CHRYSOSTOM, John and Desiderius ERASMUS (editor). Aliquot opuscula ... Graeca, lectu dignissima, cu[m] praefatione Erasmi Roterodami, cuius studio sunt aedita.
(Colophon:) Basel, Froben Office, 1529. 4to. With Froben's printer's device on the title page and last leaf, and 10 decorated woodcut initials. 17th-century blind-tooled vellum [8], 95, [1] pp. Full description

CHRYSOSTOM, John. In sanctum Jesu Christi evangelium secundum Matthaeum commentarii, diligenter ab Arrianorum faecibus purgati, & in lucem in sacrae paginae tyronum gratiam modo recens sub minoriforma aediti.
Antwerp, Joannes Steelsius, 1542.
With: CHRYSOSTOM, John. Passio Domini Nostri Iesu Christi secundum Matthaeum in decem Homilias divisa.
Antwerp, Joannes Steelsius, 1542.
2 works in 1 volume. 8vo. Ad 1: with two woodcut initials at the beginning of the introduction and the prologue, of 2 different series, and a large woodcut printer's device on the last page, showing a staff, surrounded by doves and the text 'steelsius', stuck in a plaquette that says 'concordia, res parue crescunt'. Ad 2: with a woodcut initial on the first leaf. Contemporary Flemish blind-tooled, panel-stamped calf, with a tripartite panel on both sides and remnants of ties. [8],"313" [=314], [1]; 47, [1] ll. Full description

CHRYSOSTOMUS, Johannes (Antonius VAN HEMERT, translator). Van die beweechnisse des herten, tot berouwe der sonde[n]. ...
(Colophon:) Antwerp, Symon Cock, 18 August 1546. 8vo. With the title-page in red and black in a framework of thin rules, 6 woodcut decorated initials and 2 vine-leaf ornaments. Set in 3 sizes of textura gothic types. A very interesting Antwerp binding of contemporary panel-stamped calf, each board with the same panel, showing 2 medallion portraits in, the whole surrounded by a floral decorative border, interesting fastenings with cord loops that fasten to bone buttons on leather straps. [131], [1 blank] ll. Full description

CIGNANO, Ludovico. Quieta solitudine di varii ragionamenti, discorsi, et concetti, ove si narra quattro navigationi ...
Bologna, Alessandro Benacci, 1587. Small 4to. With the woodcut coat of arms of the dedicatee Giovanni Luigi Scappi, elaborately helmed, crested and mantled, on the title-page, a woodcut tailpiece (plus 1 repeat), woodcut decorated initials (at least 4 series), decorations built up from cast typographic ornaments.
Goatskin morocco (ca. 1870/80?), richly gold-tooled spine and turn-ins, signed in foot of front turn-in by the Paris bookbinders "DARLAUD FRÈRES", gold fillets on sides and board edges, combed curl-marbled endpapers, edges gilt over marbling, headbands worked in white and beige, and a yellow, red and green ribbon marker. 166 pp. Full description

CLAUDIANUS, Claudius and Francisco TORRESANO (editor). Opera quam diligentissime castigata, quorum indicem in sequenti pagina reperies.
Venice, heirs of Aldus I Manutius, and Andrea I Torresano, 1523. 8vo. With the Aldus anchor woodcut vignette on the title page and the verso of the last leaf, both hand-coloured and highlighted in gold. 17th-century gold-tooled quarter calf, with the author lettered in gold on the spine, 18th-century gold-tooled polished and sprinkled calf sides, red sprinkled edges. 176 ll. Full description

CLENARDUS, Nicolaus. Nic. Clenardi Epistolarum libri duo. Quorum posterior iam primum in lucem prodit.
Antwerp, Christopher Plantin, 1566. 2 parts in 1 volume. 8to. Both title-pages with Plantin's woodcut printer's mark, Arabic type interspersed. Contemporary vellum with 4 raised bands and a manuscript title on the spine. 112, 258 [= 241], [4] pp. Full description

CLICHTOVE, Josse (Judocus CLICHTOVEUS). De vita et moribus sacerdotum, opusculum: singularem eoru[m] dignitatem oste[n]dens, & quibus ornati esse debea[n]t virtutibus: explanans.
Paris, Henri Estienne I, 1519 (colophon: 4 August). With woodcut title-page with the letterpress title and imprint in the central opening; further with about 21 woodcut initials (4 series, mostly criblé) plus about 4 repeats.
With: (2) MARRE, Jean. Enchiridio[n] sacerdotale concinnatu[m] ad salutarem eruditionem Christifideliu[m] ab lo[n]ge revere[n]do in Christo patre d[omi]no Ioanne Mare Co[n]domien[sis]. episcopo. In quo haec sunt capita. ...
[Paris], (colophon: Jodocus Badius Ascensius, 25 November 1519). With numerous woodcut decorated initials (4 series, the largest 45-47 mm. criblé initials). 2 works in 1 volume. 4to (20 x 14 cm). 16th-century blind- and gold-tooled calf, each board in a panel design, with the owner's name "D. Ioa[n]mes[!] Lassere" on the front and motto "memento mortis" on the back, the motto and fleurs-de-lis on the back in gold. 75, [1 blank]; “LXI” [= LXXI], [1 blank] ll. Full description