Early Printing & Manuscripts

[VARTHEMA, Ludovico di, Pietro Martire d’ANGHIERA and others]. The history of travayle in the West and East Indies, ...
London, Richard Jugge, 1577. Narrow 4to (19 x 13.5 cm). With a woodcut celestial map of the South Polar sky in the text. With 14 leaves in a 19th-century facsimile. Gold- and blind-tooled maroon morocco (ca. 1860?), in allusive style. In a modern clam-shell box. [10], 466, [6] ll. Full description

VECELLIO, Cesare. De gli habiti antichi, et moderni di diverse parti del mondo, libri due, ..., & con discorsi da lui dichiarati.
Venice, Damiano Zenaro, 1590. 8vo (19 x 12 x 4.5 cm). With an elaborately decorated woodcut scrollwork border on the title page (incorporating 4 costume figures for the 4 continents, Zenaros salamander device and the coat of arms of the dedicatee, Count Pietro Montalbano), a divisional title with a 4-piece woodcut border, an emblematic woodcut medallion, 5 full-page woodcut views of Venice, 413 full-page woodcut costume figures from around the world (each in a 4-piece woodcut border), ca. 35 woodcut decorated initials plus hundreds of repeats (3 series, the main one covering nearly the complete alphabet with a few letters in more than one version). 19th-century gold-tooled red morocco (Paris, ca. 1865), signed in the front turn-in "HARDY-MENNIL", each board with the crowned and supported arms of the Prince dEssling above crossed branches (oak and palm) in the centre and a stylised flower (thistle? Queen Annes lace?), the monogram "AM" (for André Masséna, Prince dEssling). [24], 499, [1 blank] ll. Full description

VEER, Gerrit de. Tre navigationi fatte dagli Olandesi, e Zelandesi al settentrione nella Norvegia, Moscovia, e Tartaria verso il Catai, e regno de' Sini, doue scopersero il Mare di Veygatz, la Nuova Zembla.
Venice, Giovanni Battista Ciotti, 1599. 4to. With an engraved plate on title-page, full-page engraving of a compass and 31 half-page engraved maps and plates in text. Later vellum. [4] 79 ll. Full description

VEGETIUS, Publius Flavius Renatus. Digesta artis mulomedicinae.
Naples, [1470-1490].
With: (2) [IDEM]. Curis boum epithoma ex diversis auctoribus.
Naples, [ca. 1470-1490]. 2 works in 1 volume. Small folio (28.5 x 19 cm). Illuminated manuscript on paper, written by the scribe Ippolito da Luna. Refined 16th-century foliation in Arabic numerals to upper right corners, beginning with the title-leaf. Ruled in light brown ink for 28 lines per page, written in dark brown ink in a meticulous and very experienced Roman humanist hand by a scribe who identifies himself in the colophon as Hippolytus Lunesis. Index and table of contents from fol. 112 added later by an experienced 16th-century scribe. Catchwords throughout. Justification: 18.5 x 14 cm, rubrics in red, each paragraph introduced by a red two-line Lombard. Watermark: a ram's head/skull with eyes and ears in a circle throughout, not identified (not recorded in Piccard). Contemporary annotations in Latin, manicula in the margins and at the end of the manuscript, perhaps by a 16th-century hand, apparently modifications and additions by a practicing veterinarian; a few annotations by the very erudite scribe himself, some of them with textual conjectures and amendments to the text of the model. Pagination in upper right added together with the table of contents from fol. 112v to lower pastedown by a very experienced scribe, possibly dating from the 16th century, added by a later owner. Original, contemporary dark brown calf over wooden boards with blind tooling, roll-stamp decoration and ornamental gold stamps from the workshop of Masone di Maio (Naples), three raised bands, with the title lettered in gold on the front board. Stored in custom cloth box with a morocco spine label lettered in gold. 113 [of 114] ll. Full description

VEGIO, Maffeo. De liberorum educatione aurei libri sex noviter recogniti Francisci Philelphi. poete. Oratoris. philosophique prestantissimi. Succincto cum iudice [recté indice]: et brevibus marginariis annotationibus obscurarum sensa dictionum aperientibus. Nicolai Bonespei trecensis campani cura superadditis.
(Colophon: Paris, "apud Gourmontios" [= the brothers Robert, Gilles and Jean de Gourmont], 1508). Small 4to (19 x 13 cm). With numerous printed so-called Lombardic initials, but also with 2 spaces (with guide letters) left for manuscript initials (not filled in). Set in a roman type with the beginning of the title and one heading in a large rotunda gothic type with decorated capitals. Blind-tooled calf (19th century? in a "Medieval" style). CXXVIII, [6] ll. Full description

VENETUS, Paolo Nicoletti [and Restoro d'AREZZO]. Summa philosophie naturalis ... una cu[m] libro de co[m]positione mundi qui astronomie ianua nuncupari potest ... [at the head of the page:] Primus liber incipit De co[m]positione mu[n]di.
Paris, Jean Lambert (colophon: printed by Thomas Kees, 14 November 1513). Small 4to (28 x 20.5 cm). With 55 woodcut illustrations in the text, including 12 northern and 12 southern pictorial constellations with stars. Flexible wrap-around paperboards (ca. 1750?), sewn on 3 tanned leather supports. [35], [1 blank] pp. Full description

[VERVOORT, Frans]. Dat vyants net, der booser wercken raet, visioenen, ende met alder sijnder verholender stricken, leerende hoe wi de werelt, den vyant, ende ons selven sullen sterven, kennen, ende leerende hoe wi die werelt, den vyant, ende ons selven sullen sterven, kennen, ende overwinnen.
Antwerp, Jan van Ghelen, (colophon: 1561). 8vo. With the title in a four-piece woodcut border by Pieter van den Borcht (with his initials at the foot), Jan van Ghelen's woodcut device on verso of last leaf, a full-page armorial view (dated 1552) on the last leaf, and 20 mostly full-page woodcut illustrations by Pieter van der Borcht in text. Modern half vellum. [88] ll. Full description

[VIEW - NETHERLANDS - AMSTERDAM]. BAST, Pieter. Amstelredam.
[Antwerp], Pieter Bast, 1599. Large engraved panorama on 2 sheets (ca. 27 x 76 cm as assembled). Framed. Full description

VIGERIUS, Marcus. Decachordum Christianum Julio II. Pont. Max. dicatum. Controversia de excellentia instrumentorum Dominicae passionis, per eundem Dn. Marcum Vigerium discussa.
[Hagenau, printed by Th. Anselm & Joh. Albertus for Joh. Koberger, Nuremberg, 1517]. Folio. With title in woodcut border by Urs Graf and 10 beautiful full-page woodcuts (ca. 13.9-14.4 x 9.7-10.2 cm) by the "Master I S with the shovel", a pupil of Hans Schäufelein. Contemporary calf over wooden boards, blind-tooled side, two brass clasps. Leaves from a 14th-century liturgical manuscript pasted on the inner sides of the boards. From the "Koberger Werkstatt". [6], 204, [14] pp. Full description

VIGNOLA, Giacomo Barozzi da. Le due regole della prospettiva pratica. Con i commentarij del Egnatio Danti.
Rome, Francesco Zannetti, 1583. Folio. With a richly engraved architectural title-page by Cherubinus Albertus, 120 woodcut mathematical illustrations and figures in the text explaining perspective, including woodcuts of anamorphoses and 1 full-page woodcut, designed and cut by Danti, 29 engraved plates showing perspective designs, including 8 full-page, by Vignola. Further with a large woodcut printer's device on verso of the last leaf, and some woodcut decorated initials and head pieces. Later gold-tooled half calf and green decorated paper over boards, red and blue sprinkled edges. [1], [1 blank], [10], 145, [5] pp. Full description