Early Printing & Manuscripts

NOOT, Jan van der. Cort begryp der XII. boeken Olympiados. ... Abregé des douze livres Olympiades.
Antwerp, Gillis van den Rade, 1579. With 1 engraved plate (portrait of the author), 17 full-page engravings (ca. 16 x 11.5 cm.) by Dirk Volkertsz. Coornhert after designs of the monogrammist CVSK and a full-page woodcut of an obelisk at the end, signed with the monogram "HE".
With:
(2) NOOT, Jan van der. Lofsang van Braband. ... Hymne de Braband.
Antwerp, Gillis van den Rade, 1580. With 4 full-page woodcuts (portrait of the author, allegorical illustration, arms of Brabant and the other 16 provinces, and an obelisk).
(3) NOOT, Jan van der. Verscheyden poeticsche werken. ... Divers oeuvres poetiques.
Antwerp, Gillis van den Rade, 1581. With full-page woodcut portrait of the author, and a full-page woodcut obelisk at the end. 3 works in 1 volume. Folio. All 3 works with text in Dutch and French. Early 18th-century gold-tooled mottled calf. [14], 87, [1]; [8], 33, [4]; [40] pp. plus 1 plate. Full description

NOOT, Jan van der. De poeticsche werken van mijn Heer vander Noot. Les oeuvres poetiques du Sr. Jan vander Noot.
Antwerp, Daniel Vervliet and Arnout Coninx (shared printing), "1594" [=1588-1595]. Folio. With the general title page bearing Vervliets 1594 imprint, the only part-title (for the Inkomste bifolium) bearing sConincxs 1594 imprint, 7 small bust portraits, 2 portraits of the author, 10 small rectangular illustrations, 2 medium illustrations, and 8 full-page illustrations (on integral leaves), all woodcut, some (and the 2 title pages) in architectural and/or arabesque woodcut frames. The text is variously set in 1, 2 or 3 columns, sometimes even mixing them on one page, each page in a frame (made partly from rules) and with the running titles in Dutch and French at the foot of the page. An occasional bifolium includes a woodcut decorated initial. The text, in Dutch, French, Spanish, Italian, German, Latin, and Greek, is set in dozens of roman, italic, textura, civilité, fraktur and Greek printing types plus interlaced typographic capitals and arabesque typographic ornaments. Blind-tooled calf (ca. 1725/30?) by the so-called "Minnewit" bindery in Amsterdam. [102] ll. Full description

NUNES, Pedro. De crepusculis liber unus, nu[n]c rece[n]s & natus et editus.Including: [Abu 'Abd Allah Muhammad ibn MU'ADH] (mis-attributed to Ibn AL-HAYTHAM). De causis crepusculorum liber unus, à Gerardo Cremonensi iam olim Latinita te donatus, nunc vero omniu[m] primum in lucem editus.
(Colophon: Lisbon, Ludovicus Rodericus, January 1542). 4to. With woodcut architectural title-page with an arch containing putti and mythological figures (including 2 winged female fauns holding drapery, with the Royal Portuguese coat of arms at the foot and an armillary sphere at the head, 40 woodcut diagrams concerning astronomy, spherical geometry, optics and geodessy in the text, Rodericus's spectacular full-page emblematic woodcut device (a dragon with the motto "salus vitae" on a banderole), numerous woodcut initials (several series), and a vine-leaf ornament (a variant of Vervliet 94?). Set mostly in the first successful italic type to have sloped capitals, cut by Peter Schoeffer the younger, but with extensive passages in roman. Bound in a period-style Italian calf binding, gold-tooled spine, each board with a blind-tooled frame and a gold-tooled centrepiece, with "Petri Nonii" on the front and "MDXLII" on the back. [73], [1 blank] ll. Full description

NUÑEZ DE AVENDAÑO, Pedro. Aviso de Cazadores y Caça.
Madrid, Pedro Madrigal, 1593.
With: (2) [bound before ad 1] NUÑEZ DE AVENDAÑO, Pedro. De exequendis mandatis regnum Hispaniae, quae rectoribus civitatum dantur, & hodie continentur in titulo.
Madris, Pedro Madrigal, 1593.
2 works in 1 volume. Folio (27 x 18.5 cm). With the woodcut printer's device on the title page of ad 1, and two decorated woodcut initials. Further with the woodcut coat of arms of Habsburg Spain on the title page of ad 2, numerous decorated woodcut initials, a woodcut headpiece at the start of the work, and headpieces made up of typographical ornaments in the first few chapters. Later limp vellum, sewn on 2 vellum tapes laces through the joints, with the manuscript title on the spine, remnants of ties. [8], "555" [= 553], [1], [2 blank], [40]; 34 pp. Full description

OPPIAN of Anazarbus and OPPIAN of Syria (C. RITTERSHUSIUS, translator). Oppiani poetae Cilicis de venatione libri IV. De piscatu libri V.
Leiden, Franciscus Raphelengius, 1597. 2 parts in 1 volume. 8vo. With Raphelengius' (Plantin's) printer's device on the title-page, decorated woodcut initials, and the text is partially set in Greek script. Late 18th-century gold-tooled red morocco. [1], [1 blank], [86], 376, [32]; [8], 344, 164, [3], [1 blank] pp. Full description

[ORDINANCE - CRIME - HOLLAND]. [CHARLES V]. Ordonnancie va[n] die Keyserlijcke Mayesteyt roerende die dootslaghers cessionanten ende banckeroeten. Ghepubliceert inden jare duysent vijfhondert vier ende veertich.
The Hague, sold by Frans Duyck Pietersz. (colophon: Delft, printed by Symon Jansz.), May 1544. 4to. With the woodcut crowned coat of arms of the Holy Roman Emperor Charles V (with the order of the Golden Fleece, a column on either side and the motto "plus oultre") on the title-page. Set in 2 sizes of textura gothic type, with 2 lombardic initials (cast type). Modern half brown buckram, marbled paper sides, blue endpapers, with an older (ca. 1840?) front wrapper bound in. [1], [1 blank], [12], [2 blank] pp. Full description

ORTA, Garcia de, Nicolás MONARDES and others. Dell'historia dei semplici aromati, et altre cose: che vengono portate dall'Indie Orientali pertinenti all'uso della medicina.
Venice, Francesco Ziletti, 1589. 2 volumes bound as 1, the first in 4 parts and the second in 2 parts. 8vo. With a woodcut printer's device on the title-page of volume 1 and the divisional title page of volume 2, 28 woodcut illustrations in text.Later yellow painted (sheepskin) parchment. [32], 347, [5], 131, [13] pp. Full description

OSIANDER, Andreas. Harmoniae Evangelicae libri quatuor, in quibus Evangelica historia ex quatuor Evangelistis ita in unu[m] est contexta, ut nullius verbum ullum omissum, nihil alienum immixtum, nullius ordo turbatus, nihil non suo loco positum. ... Elenchus harmoniae, ...
(Colophon: Antwerp, Matthias Crom, 1540). 8vo. With a woodcut vignette at the foot of the title-page and the head of the first page of the main text (illustrating Luke 11), 1 full-page and 97 half-page woodcut illustrations by Levinus de Witte (including a few repeats). 17th-century limp sheepskin parchment. [164] ll. Full description

[OTTOMAN-MAMLUK WAR]. Omnia que gesta sunt in Orie[n]te inter Sophi & Maximum Turcarum & Suldanum, & que[m]admodum dux Turcaru[m] caepit Alepum & Damascum & Hierusalem cum om[n]ibus circumiace[n]tibus oppidis, & quo[rum] maximus Turcaru[m] voluit audire una[m] missam apud sanctu[m] sepulchru[m] Iesu Christi.
[Basel, Pamphilus Gengenbach, 1518]. 4to. With woodcut illustration on title-page. 19th-century pink wrappers. [6], [2 blank] pp. Full description

OTTO VAN PASSAU. Boeck des gulden throene of der xxiiij ouden.
Utrecht, [printer with monogram "tC"], [30 March] 1480. Folio. With 24 illustrations in text (ca. 9 x 6.2 cm), printed from 1 complete woodcut (plus 4 repeats) and 15 components assembled in different combinations, all rubricated and with architectural frames. The book has no printed initials, but spaces for manuscript initials, which have been filled with letters in the uncial style. Each of the 24 chapters begins with a large manuscript initial (the first 5-line with a penwork face in profile and further 4-line), 11 with two or more colours (mostly with penwork decoration extending into the margin), and others with interior white decoration. A smaller (2-line) initial with penwork extending into the margin opens the book's first page and there are numerous further 1-line and 2-line initials. Set in a textura type with capitals rubricated throughout. Woodcut printer's device at the end: a date palm tree with monogram "tC" (6.5 x 5.5 cm), the "t" perhaps also (or instead) representing a cross. Contemporary (Utrecht?) blind-tooled calf over wooden boards, each board in a panel design with the central part ruled in a lozenge pattern with about 200 impressions of 4 small separate stamps; re-backed, with modern morocco title label. [4], 197 ll. Full description