Early Printing & Manuscripts

DUNCAN, Martin. Anabaptisticae haereseos confutatio, et vere Christiani baptismi, ac potissimum paedobaptismatis assertio in duos libros divisa, quorum prior veram Christiani baptismi energiam declarat, posterior paedobaptismatis Christianam institutionem ex sacris literis demonstrat, contra Mennonis Simonis Frisii Anabaptisticae pravitatis summi antistitis verulentas blasphemias.
[part 2 title:] Liber posterior de paedobaptismate seu parvulorum baptismo, contra Menonis Simonis Frisii Anabaptisticae pravitatis summi antistitis verulentas blasphemias.
Antwerp, Johannes Gravius, 1549. 2 parts in 1 volume. 8vo. With printer's device on the title of the second part, many interesting woodcut initials. 17th-century boards covered with marbled paper. [15], [1 blank], 227 ll. Full description

DUPUIS (PUTEANUS), Guillaume. De medicamentorum quomodocunque purgantium facultatibus, nusquam anteà neque dictis, neque per ordinem digestis libri duo ...
Lyon, Macé Bonhomme, 1552. 4to. With a woodcut device on the title-page no doubt made for this edition (showing Hypocrates and Galenus, with motto, "In omnem terram exivit doctrina eorum"), finely executed arabesque woodcut headpieces and numerous woodcut initials with pictorial decoration (4 series, the two largest especially fine). Contemporary limp vellum with remnants of ties. [8], 179, [1] pp. Full description

DURAND, Guillaume (Guillelmus DURANDUS or DURANTI). Rationale divinorum officiorum.
Strasbourg, [Johann Prüss], 1486. Chancery folio (32.5 x 22 cm). Printed in 2 columns, with 48 lines to the column. Set in 2 sizes of rotunda gothic types, Prüss types 2 (180G) and 3 (90G), with spaces left (some with and some without printed guide letters) for manuscript initials (1 8-line, 2 7-line, 4 6-line, 3 5-line and numerous 3- and 4-line). From the beginning to h3r these spaced have been filled in with manuscript lombardic initials in red and the text has been rubricated (the first fifth of the book). Contemporary blind-tooled pigskin over wooden (beechwood?) boards by an Augsburg bindery (Eindbanddatenbank workshop w002998, active ca. 1488-1497). [3], 272 ll. Full description

[DUTCH MORALITY PLAYS - REDERIJKERS]. Zeven spelen, van die wercken der bermherticheyd. In rym ghemaeckt en nu tot Aemstelredam opentlyck ghespeelt, Anno 1591
Amsterdam, H. J. Muller, 1591. 8vo. Woodcut title vignette and 6 woodcut illustrations at the beginning of the plays, Contemporary vellum with manuscript title on spine. [302] pp. Full description

[PAMPHLET - DUTCH-SPANISH WAR]. Een goedt advijs, opt stuck vande vrede ende oorloghe in dese Nederlanden: by een edel-man ende oprecht lief-hebber syns vader-landts ende der ghemeyner ruste, aen eenen synen goeden vriendt, by forme van missive, overgheschreven. Na de copie.
[Delft], [Aelbrecht Hendricksz.], 1584. 4to. Woodcut interlaced capital 'o' on title, woodcut headpiece. (14, 2 blank) pp. Full description

[DUTCH WAR OF INDEPENDENCE]. Abschrifft und gruendlicher Bericht eines schreibens der Ritterschafft, Edlen, und Stett, in Holland, in namen und von wegen der Stende derselben Landtschafft, an die Herren, welche das ampt aller Stend der Niderland tragen: Sie darinnen vermanet, dass sie einhelliglich (der Koeniglichen Man von Spannien zu gutem) dieselbige Land, auss des Hertzogen von Alba, und seiner Spanniart gewalt und Tiranney, widerumb zu ihrer alten Welfart und Freiheit helffen bringen.
[Germany?], 1574. 4to. With a woodcut arabesque ornament on the title-page. Modern boards. [37], [3 blank] pp. Full description

ERASMUS, Desiderius. De duplici copia verborum ac rerum commentarii duo.
(Colophon: Mainz, Johannes Schoeffer, August 1521). With title in woodcut architectural border; 6 large, beautiful woodcut initials. With 1 initial coloured by hand.
With: (2) ERASMUS, Desiderius. Parabolae sive similia.
(Colophon: Basle, Johannes Froben, July 1521). With title in an elaborate woodcut border, first page of the dedicatory letter by Erasmus to Petrus Aegidius on back of title-page with a border made of woodcut strips, Froben's large woodcut device on the last page, and 2 decorative woodcut initials. 2 works in 1 volume. 8vo. German contemporary richly blind-tooled calf, in a panel design. The central panel on each board is filled with dozens of impressions of 3 floral stamps, 1 on the front board and 2 on the back. [16], 247, [1 blank]; 191, [1] pp. Full description

ERASMUS, Desiderius. Apophthegmatum libri octo cum primis frugiferi, denuò vigilanter ab ipos recogniti autore, non sine lucro novae accessionis.
Cologne, Johann Gymnich I, 1538. 8vo (16 x 11 x 4.5 cm). With Gymnich's woodcut device, 9 woodcut initials (2 series) plus 1 repeat, and a vine-leaf ornament. Set in an Aldine-style italic with incidental roman and Greek. Near contemporary blind-tooled calf (the owner's stamp ca. 1564?, added later than the rest of the tooling) over wooden boards, each board in a panel design, the front board with the large oval armorial panel-stamp (72 x 55 mm) of Simon Cluver of Gedansk (ca. 1540-1598); the back board with 2 rolls showing Christian imagery. With 1 of 2 brass catchplates but further with only remnants of the fastenings. [16], 712, [38], [2 blank] pp. Full description

EURIPIDES. [Title in Greek then Latin:] Tragoediae septendecim [recté octodecim], ex quib[us]. quaedam habent commentaria. & sunt hae. Hecuba[,] Orestes[,] Phoenissae[,] Medea[,] Hippolytus[,] Alcestis[,] Andromache[,] Supplices[,] Iphigenia in Aulide[,] Iphigenia in Tauris[,] Rhesus[,] Troades[,] Bacchae[,] Cyclops[,] Heraclide[,] Helena[,] Ion[, Hercules furens].
(Colophon to each volume: Venice, Aldus Manutius, February 1503). 2 volumes. 8vo. With Aldus's anchor device on the last page of each volume, printed in Aldus's beautiful Greek type.Matching limp vellum (made from 2 leaves from a ca. 1560/70? Spanish legal manuscript), constructed or reconstructed ca. 1900. [268]; [190] ll. Full description

EUSEBIUS. L[']histoire ecclesiastique ..., translatee de Latin en Fra[n]coys, par Messire Claude de Seyssel, Evesque lors de Marseille, & depuis Archevesque de Thurin.
Antwerp, Maarten de Keyser, 1533 (colophon: 17 April). 8vo. With a woodcut border on the title-page, assembled from 4 blocks (that at the foot with De Keyser's printer's device), about 10 woodcut decorated initials plus about 10 repeats (2 gothic series and 2 roman series). Set in three sizes of bastarda type with textura initials. Contemporary Flemish blind panel-stamped calf, each board with the same panel and double and single fillets, a triple fillet in the panel stamp separating the inner and outer panel. The inner is an acorn cresting panel with 4 1/2 acorns on each side and the flowers not attached to the acorns, remnants of leather ties. [12], "297" [= 299], [1] ll. Full description