Religion & Devotion

HOROWITZ, Shabbethai Sheftel. Sefer Shefa' tal.
Hanau, Hans Jakob Henne (Henah), [5]372 [= 1611/12]. Folio (31 x 20 cm). With about 15 woodcut illustrations in the text. Set in meruba Hebrew types with extensive passages in semi-cursive rabbinical. Later 17th-century blind-tooled vellum, modern endpapers. [10], 94 ll. Full description

HORTENSIUS, Lambertus. Het boeck van den oproer der Weder-dooperen. Eerst int Latijn beschreven, ende ghedruckt tot Basel ... Ende nu in Nederlandts overgheset. ...
Enkhuizen, Jacob Lenaertsz Meyn, 1614. Folio. With 1 half-page and 8 full-page engraved plates in text (one repeat). Contemporary vellum. [4], 26 ll. Full description

[HORTULUS ANIMAE - PRAYERBOOK]. [Hortulus anime cum aliis q[uam] plurimis orationibus pristine impressioni superadditis; ut tabulam in huius calce annexa[m] intue[n]ti pate[n]tissimu[m] erit.].
(colophon:) Lyon, Johannes Clein (for Johannes Koberger, Nürnberg), 15 March 1516. 8vo. With the a decorated woodcut on the title-page with a madonna and child above and a unicorn below a frame for the letterpress title printed in red, Cleins woodcut device on the final recto, further with 89 woodcut illustrations, printed from 86 blocks (in three sizes), including 52 (from 50 blocks) by Hans Springinklee (who also cut the title woodcut), 6 (from 5 blocks) by Erhard Schön and 23 other smaller woodcuts, and the text printed in red and black in gothic rotunda type, each page (except the title-page, Cleins device and a two-page table of moveable feasts), in 1 of 25 different woodcut borders (a few dated) composed of angels, putti, grotesques, vases, fountains and other emblematic and architectural details. Many of the woodcuts are partly coloured by a contemporary hand.
Contemporary blind-tooled calf over wooden boards, sewn on 3 double cords, each board with brass pieces covering the edges at the head and foot, a brass strip near the hinge on the front board (lacking on the back board) and 2 brass catch plates on the front board with traces on the back board of leather straps that would have had brass clasps. [20], CCX, [10] ll. Full description

HOSPINIANUS, Rodolphus. Van de tempelen: dat is vijf boecken van den oorspronck, voortganck, ghebruyck en de misbruyck der tempelen ende gheheelijck aller dinghen, die tot de tempelen behooren.
Amsterdam, Jan Evertsz. Cloppenburch, 1606. 4to. With Cloppenburch's printer's device on title-page and one page (O1) rubricated in red. Contemporary vellum. [12], 400, 99, [6] ll. Full description

HÜBNER, Johann. Drey hundert und drey und dreyßig Genealogische Tabellen, nebst denen darzu gehörigen Genealogischen Fragen, zur Erläuterung der Politischen Historie...
Leipzig, Johann Friedrich Gleditsch & Sohn, 1712. Oblong folio. With the title-page printed in red and black, 1 large woodcut gothic decorated initial. Set primarily in fraktur type. Contemporary half sheepskin, marbled sides. [8] pp., [333] ll. with tables, [7] pp. Full description

HULSIUS, Bartholomaeus. Den onderganck des Roomschen Arents, door den Noordschen Leeuw. Af-ghebeeldt in verscheyden konstige figuren, met sin-rijcke verklaringhen der selver, beydes in en buyten rijm, vertoonende, in 't kort, de gedenckwaerdighste saken, die van den beginne, tot noch toe, in dese oorlogen zyn omgegaen. Met een verhael van den doodt des Koninghs. Hier zyn noch by ghevoeght de victorien der Croon Sweden, sedert de doodt des auteurs vercreghen.
Amsterdam, Crispijn vande Passe, 1642. 4to. Engraved allegorical title-page with engraved title in a central panel below Fame sitting on a swan. Beautifully bound in 19thcentury light brown gold-tooled calf (1850s or 1860s?), each board with triple along the edges, decorated spine with red and green labels lettered in gold, gold-tooled board edges and turn-ins , marbled endpapers, signed "PETIT SUCCr DE SIMIER": Charles Petit operated a Paris bindery from 1848 to 1873 as successor to René Simier (1772-1843), relieur du roi from 1815, and his son. [12], 91, [1 blank] pp. plus engraved title-page. Full description

HUTTEN, Ulrich von. Dialogi. Fortuna. Febris prima. Febris secunda. Trias Romana. Inspicientes.
Colophon: Mainz, Johann Schöffer, April 1520. Small 4to (19.5 x 14 cm). With a lovely woodcut of the blindfolded Fortuna on title-page (by Hans Weiditz?), a large woodcut initial Q (repeated twice) and several vine leaf ornaments. Printed in roman type. 19th-century half vellum. [72] ll. Full description

HUTTON, Thomas. The chronology of creation; or, geology and scripture reconciled.
Calcutta, W. Thacker and Co. (back of title-page and colophon: printed by J.C. Sherriff, Bengal Military Orphan Press), 1850. Large 8vo. With a coloured lithographic frontispiece of a camel, lithographed by T. Black at the Asiatic Lithographic Press in Calcutta, and 3 coloured lithographic plates illustrating Huttons theories about the creation of the earth (2 orthographic azimuthal projections and 1 cross-section). Contemporary green cloth. [2], XVI, [2], 503, [1 blank] pp. Full description

IGNATIUS of ANTIOCHIA. [In Greek:] Toi en agiois ieromartiros ignatioi archiepiskopioi antiocheias, epistolai. (In Greek).- Antiochiae, & martyris epistolae, prosus apostolicae. (In Latin).
Antwerp, Christoffel Plantin (ad 1 colophon: 8 August), 1566. Small 8vo. With Plantins woodcut compasses device on each title-page and a couple decorated woodcut initials. Set in italic and Greek type.
With: IDEM. Antiochiae, & martyris epistolae, prorsus apostolicae.
Antwerp, Christoffel Plantin, 1566. Contemporary calf. 69, [1 blank]; 78 pp. Full description

[ILLUMINATED MANUSCRIPT - ALTAR CANON]. Accipiendo in manibus hostiam dicat[!].... Initium Sancti Evangelii secundum Joannem. ... Cibavit illum dominus pane vitæ et intellectus.
[Belgium?], [ca. 1790?]. Three illuminated manuscript wall panels in matching style, forming a three-part altar canon lettered in blue and red ink on parchment (one 47.5 x 57 cm & two 31 x 22 cm; image sizes 46 x 54.5 cm & 29.5 x 21 cm), the larger stretched over a wooden frame and each of the smaller two over a wooden panel. All three panels meticulously and finely lettered in the style of roman printing types with 1 line in italic capitals, all 12 initials and some of their decoration in gold. All three panels richly illuminated around and between the text blocks with a gold background and extensive gold highlights, the illumination including decorated cartouches. The principal scenes at the head (miniatures in a wide variety of colours) show the Last Supper, Saint John the Evangelist and Christ washing his apostles feet; the central scenes at the foot (ink and ink wash drawings, probably emblematic, that on the large panel in grey and those on the small panels in red) show a lamb and cross on an altar, 4 standing figures with long staffs around a table with a platter (of bread?: some of the figures are eating something) and herald angels before a kneeling figure (it doesnt look like a shepherd or the Virgin Mary). Full description