Religion & Devotion

[INCUNABLE - COLOGNE EDITION OF THE ARS MORIENDI]. Speculu[m] artis bene morie[n]di [= Ars moriendi].
[Cologne, Heinrich Quentell, ca. 1493/97]. Small (Chancery) 4to (20.5 x 14.5 cm). With a large woodcut on the title-page. Set in a single column, with 36 lines to the page, in a rotunda gothic type, with a larger textura gothic for the first line of the title. With spaces left for manuscript initials with manuscript guide letters in black ink. Most pages with a few words underscored in black ink. Recent marbled paper over boards by the Geneva bookbinder Jean-Luc Honegger (signed with his "honegger" stamp in blue ink at the foot of the back paste-down), the marbled paper in an antique spot pattern, black morocco spine label with the title in gold roman capitals, reading up the spine. [31], [1 blank] pp. Full description

[INDIA - MISSIONARY WORK]. Vorstellung der Evangelisch-Ostindischen Kirche.
[Augsburg], ca. 1730. 86 x 59 cm. Copperplate engraving. Full description

INNOCENT III (Pope) and Pietro LAURO. Il disprezzo del mondo opera bellissima & utile e necessaria a cadauno Christiano. Novamente di Latino in volgar tradotta per Pietro Lauro Modonese. Con la tavola de tuute le materie e capitoli che sono ne lopera[!].
Venice, Comin de Trino di Monferrato, 1543. 8vo. With a woodcut illustration on the title page, which is repeated at the end, and 12 decorated woodcut initials. Modern gold tooled half red morocco. 29, [1], [2 blank] ll. Full description

JEROME (HIERONYMUS), Saint (subject). Epistola Beati Euseby ad Damasium Portunensem Episcopum & ad Theodomum senatorem Romanum de morte gloriosi Hieronimi doctoris eximy.
[d7:] Epistola Beati Augustini Episcopi ad Cirillum venerabilem Archiepiscopium Hierosolimitanum de vita obitu & miraculis Beatissimi Hieronimi prespiteri & doctoris eximy.
[e5:] Epistola Cirilli Archiepiscopi ad Beatimi Augustinum Episcopium de miraculis gloriosi Hieronimi necnon & de morte Beati Euseby discipuli Sancti Hieronimi.
[Blaubeuren, Conrad Mancz, ca. 1475/77]. Small folio (27.5 x 20 cm). Set in what is sometimes called a gotico-antiqua type (119 mm/20 lines, with 31 lines per page), in this case mixing some roman influences into what is largely a rotunda gothic type. With about 150 "Lombardic" initials in red ink: 2 4-line, 4 3-line, about 140 2-line (1 with pen-work decorations in brown ink) and 4 1-line, in spaces left for that purpose and capitals rubricated throughout.Modern parchment. [130] pp. Full description

JEROME (HIERONYMUS), Saint (pseudo), Eucherius of LYON (attributed). De essentia divinatis.
Including: AQUINAS, Thomas. De articulis fidei et ecclesiae sacramentis.
[Augsburg, Günther Zainer, before 1473]. Folio. With manuscript initials in red throughout. 20th-century quarter vellum. [11]; [21] [2 blank] pp. Full description

[JESUITS]. INTORCETTA, Prospero. R.P. Prosperi Intorcetta societatis Jesu missionarii sinensis testimonium de cultu sinensi, datum anno 1668.
Paris, Nicolas Pepié, 1700. 8vo. With a small woodcut ornamental vignette on the title-page and some head- and tail-pieces built up from typographical ornaments Contemporary vellum. [2], 318, [10] pp. Full description

[JESUITS - JAPAN]. Cartas que los Padres y Hermanos de la Compañia de Iesus, que andan en los Reynos de Iapon ...
Alcalá [der Henares], Spain, Juan Iniguez de Lequerica, 1575. 4to in 8s. With woodcut of the Crucifixion on verso of the colophon (2R4v), woodcut Japanese characters in the text (I8v), and woodcut decorated initials throughout. Contemporary limp vellum, with ties. [6 (of 8)], 315, [5] ll. Full description

[JEWELLED BINDING - FRENCH PRAYER BOOK]. L'abbé de la HOGUE. La journée du chrétien, sanctifiée par la prière et la méditation.
Lyon and Paris, Librairie Catolique de Perisse frères, 1844. 16mo. Binding: ca. 11 x 7 x 2.5 cm. With a small printer's device on the title page. 17th-century elaborately jewelled and decorated gilt silver binding with a gilt silver imperial double-headed eagle and two hands holding a heart centre piece, below Jesus on the cross (with an added skull and bones at the foot of the cross) and ornamental gilt silver corner pieces connected to the gilt silver board edge fittings on both boards. The whole is set with numerous jewels (amethysts, garnets, turquoise, and (simulated) sapphires). With two jewelled clasps closing on pegs in the fore edge of the front board, gilt edges, red velvet paste-downs and blue silk flyleaves backed with paper. VIII, 524, [5], [3 blank] pp. Full description

[JORIS, David]. Die eerste sullen die laetste, die laetste die eerste sijn.
With: (2) [JORIS, David]. Een twesprake tusschen man unde wijff, namelick Christus un[de] de gemeente oder verlorene mensch.
[Rostock, Ludwig Dietz, ca. 1550/52]. 8vo (15.5 x 11 cm). With gothic initials and a vine-leaf ornament. Set in schwabacher types with incidental and fraktur. Vellum (ca. 1680?). [211], [1 blank]; [71], [1 blank] pp. Full description

JORIS, David. T'Wonder-boeck: waer in dat van der wereldt aen versloten gheopenbaert is.
[Vianen, printed by Dirck Mullem and distributed via a merchant in Emden, 1584]. 4 parts in 1 volume. Folio. With a half-page engraving of the Lamb of God in part 1, a spectacular full-page engraving of the nude bride of Christ in part 3 (by Hieronymus Wierix) and an engraved landscape with the way to eternal life in the sky in part 3. Blind-tooled calf over wooden boards (ca. 1645), each board in a panel design with three ornamental rolls, 2 brass clasps and catchplates with engraved decoration. [9 of 10], 125, [3]; [5 of 6], 164, [2]; [4], 50, [2]; [2], 34, [1], [1 blank] ll. Full description