History, Law & Philosophy

VENUTI, Niccolo Marcello. Esequie di Luigi I, Cattolico Re delle Spagne, celebrate in Firenze nella Chiesa di S. Maria Novella ... il di XXVI di Ottobre ...Florence, nella Stamperia di S.A.R. per li Tartini, e Franchi, 1724. 2 works in 1 volume. Small folio (ca. 29.5 x 20.5 cm). With 5 large, folding engraved plates by Ferdinando Ruggieri. With: BOCCADIFERRO, Camillo Antonio. Delle lodi di Luigi I, Cattolico Re delle Spagne, orazione ... recitata pubblicamente dallautore nellEsequie celebrate in Firenze dal ... Padre Fr. Salvatore Ascanio ...Florence, nella Stamperia di S.A.R. per li Tartini, e Franchi, 1724. Contemporary vellum. xxiii, [1 blank]; 12 pp. Full description

[VERHEYDEN, Willem]. Nootelijcke Consideratien die alle goede Liefhebbers des Vaderlandts behooren rijpelijc te overweghen, opten voorgheslaghen Tractate van Peys met den Spagniaerden.
[Amsterdam?], 1608. Small 4to. With a large oval woodcut decoration (white-line arabesque) on the title-page and one woodcut tailpiece. Disbound. [16] pp. Full description

VERMEULEN, Adriaan Theodoor. [Three original manuscript documents (Attestaties de Vita)]
Serambang & Soerabaya (Indonesia) , 1805, 1811 & 1814. Folio & 4to. Three manuscript certificates, written in ink on paper, folded. 1; 1; 1 pp. Full description

[VERSTEGAN, Richard (pseudonym of Richard ROWLANDS)]. A restitution of decayed intelligence: in antiquities. Concerning the most noble and renowmed English nation. By the studie and travaile of Ri. V[erstegan].
Antwerp, printed by Robert Bruney, sold at London by John Norton & John Bill, 1605. 4to. With the title printed in red and black, an engraved vignette of the Tower of Babel on the title page, 10 engraved illustrations in the text, and a full-page coat of arms of the author at the end. Contemporary or slightly later gold- and blind-tooled "Cambridge panel" binding in sprinkled brown calf. [24], 338, [13], [1 blank] pp. Full description

[VIETNAMESE OFFICIAL DOCUMENTS]. [Official documents from the Vietnamese government on the eve of French colonisation.].
[Vietnam, ca. 1860]. 21 documents. Various sizes, most ca. 33 x 20 cm. Written in Classical Chinese on single and double leaves of rice paper. The collection is housed in a light blue paper folder. [41] ll. Full description

VIRGILIUS MARO, Publius. Codex antiquissimus a Rufio Turcio Aproniano V.C. distinctus et emendatus qui nunc Florentiae in Bibliotheca Mediceo-Laurentiana adservatur bono publico typis descriptus anno MDCCXLI.
Florence, Typis Mannianis (the printer Joseph and his son Domenico Maria Manni), [1741]. 4to (25.5 x 18 cm). With an engraved dedication by the editor Pietro Francesco Fogginio to the members of the prestigious Académie Royale des inscriptions et beaux-arts as a frontispiece, an engraved vignette on the title page (a portrait of Virgil holding a mask) engraved by "Sarder ex Mus. Medic.". An engraved illustration of Virgil as a headpiece at the start of the text, engraved after the portrait in one of the two other late antique Virgil manuscripts: the Virgilius Romanus in the Vatican library (Cod. Vat. 3867). Further with a beautiful engraved historiated initial on the same page; engraved specimen of three lines of the manuscript (13 x 3 cm) on p. XV; and two tailpieces (on pp. XVI and 459). The text is printed in red and black (the title page, the first lines and corrections in the text). Contemporary gold-tooled red morocco. [4], XXXVI, 459 pp. Full description

VIRGILIUS MARO, Publius. Opera. Vol. I.
London, John Pine, 1755 [= actually some years later]. 8vo. With 2 different vignettes on the otherwise identical engraved title pages, an engraved frontispiece with a figure of the muse Euterpe, 2 engraved dedication leaves with vignettes, 1 folding and 49 full-page engraved plates on 39 leaves (11 of the leaves with a plate on each side), 31 engraved half-page plates and historiated head- and tailpieces, engraved historiated and decorated initials. Some of the images are derived from the illustrations in the Codex Vaticanus, a 5th-century codex containing the works of Virgil. Late-19th-century gold-tooled crushed red morocco, bound by the famous partnership of René Chambolle (1834-1898) and Hippolyte Duru (1803-1898) (with their names gold-stamped in the bottom front turn-in). The boards show a double fillet frame with detailed, ornate flowers and vines along the inside of the frame, with the author, title, and imprint lettered in gold on the gold-tooled spine, gold-tooled board edges and turn-ins, gilt top edge, marbled endpapers. The binding can be dated between 1861 and ca. 1870, the heyday of the Chambolle-Duru partnership representing the high level of the Golden Age of French bibliophile binding. [8], XV, [2], 144, [6] pp. Full description

VIRGILIUS, Polydorus. Waerachtige beschryvinghe. Inhoudende wie de eerste autheuren ende vinders aller verscheyden consten, inventien, ende hantwercken zijn gheweest ... uyt de Latijnsche in onse Nederlantsche tale ... overgeset, door E.M.G.
Amsterdam, Jan Evertsz. Cloppenburch, 1612. 8vo. With a printers device on the title page, 3 decorated woodcut initials, 3 headpieces built up from typographical ornaments, and a woodcut tailpiece. 19th-century gold-tooled half mottled calf. [14], 327, [9] pp. Full description

[VOC - TEA]. Herman de HOOGH. Proef, taxatie en prys lyst der theën, dewelke verkogt en opgehouden zyn by d'Oostyndi Compagnie kamer Hoorn op den 12. Octo. 1790, aangebragt van China per 't schip Blitterswyk.
Amsterdam, 1790. Folio (37.5 x 24 cm). Manuscript in brown ink on paper. Single sheet. [2] pp. Full description

[VOC]. Klaer vertooch van de schadelijcke directie der bewinthebberen der Vereenichde Oost-Indische Compaignie in vier jaren, nae dat het accoort met d'Engelsche Compaignie gemaeckt is gheweest.
Rees (?), Pieter Gerritsz., 1624. 4to. Wrappers. [16] pp. Full description