Highlights

CHOCOLAT FOUCHER. [Almanac chocolat Foucher].
Paris, (colophon:) Duffit, 1922 Ca. 5.8 x 4 cm. The calendar has been printed in red and black. Contemporary wrappers stapled to the bookblock, with a blue floral design on the front. [20] ll. Full description

COOPMAN, Ocke Jeyes. Zee-clio, of gedichten in 's lants vloot gemaeckt in de jaren 1672, en 1673.
Amsterdam, Carel Allard, [ca. 1673]. 4to. With the woodcut device of the Amsterdam admiralty on the title page (Dutch garden guarded by a lion holding two anchors), 3 woodcut decorated initials (1 series). Modern half calf, marbled sides. 62, [2] pp. Full description

[COSTUMES - CARNIVAL]. Taschenbuch für das Carneval. Erstes Jahr. - Le carnaval ou representation d'une collection d'habits de masques. L'an premier.
Leipzig, Friedrich August Leo, 1804. 16mo? (14 x 10.5 cm). With 12 numbered engraved plates by Friedrich Wilhelm Nettling, all coloured by a contemporary hand. Original publisher's paperboards, printed from an engraved plate and hand-coloured. 31, [1 blank] pp. Full description

DAM, Dirk Jansz. van. Almanach, d'erven stichters comptoir op 't jaar onses Heeren Jesu Christi, 1771. Voorzien met alle de jaar-, paarden-, beesten- en leermarkten, als mede de vacantien, het varen der trekschuyten en beurtschepen, het ryden der posten, &c. Nevens de maans op en ondergang.
Amsterdam, the heirs of the widow of Cornelis Stichter, [1770].
With: [ALMANAC]. Schutters wagt-almanach, anno 1771, aanwijsende wat compagnien, en op wat nagt zy te zamen waken moeten, om de vijftiende nagt. Nevens een ordre wat posten yder heeft te besetten. Onder de E. E. Heeren Colonellen Jacob Elias. Arent Hartjes. Theodorus Wynants. Hendr. Balth. van Aalst. en S. J. B. Barchm. Wuytiers.Amsterdam, the heirs of the widow of Cornelis Stichters, [1770]. 2 works in 1 volume. 4to. With a woodcut printer's device on the title page of ad 1, a large coat of arms of Amsterdam on the title-page of ad 2, and 12 half-page woodcuts, one for each month, printed in red and black in ad 1. Contemporary elaborately silver-tooled vellum, with the coat of arms of Amsterdam in the centre of the front board, and an impression of three drummers on the back, both signed "Duisburg F[ecit]", both boards with a baroque ornamental border, with the coats of arms of each of the seven Dutch provinces at the top (with that of Holland prominently in the middle), the coats of arms of the 20 largest Dutch cities on the sides (Dordrecht, Delft, Amsterdam, Haarlem, Rotterdam, Leiden, Gouda, Hoorn, Alkmaar and Enkhuizen on the left side; Middelburg, Vlissingen, Amersfoort, Arnhem, Nijmegen, Groningen, Leeuwarden, Franeker, Zwolle and Deventer on the right side), and at the bottom an image that probably shows the transfer of goods near a city. [32]; [5], [1 blank] pp. Full description

DAM, Jan Albertsz. van. Nieuw geinventeerde koopmans comptoir- en schrijf-almanach, op het schrikkel-jaar onzes heeren J. Christi M DCC XII. Na de nieuwe styl. Versien met de jaarmarkten, paarde- beeste- en leer-markte, en de dageliksche uure van de maans op en ondergang.
Amsterdam, the heirs of Albert Magnus, [1711 (for the year 1712)]. 12mo. Printed in red and black throught, the title page with Magnus' woodcut device (Atlas with an armillary sphere on his shoulders), numerous typographical symbols in the text: for example a horse and a goat representing horse and other animal market days, moons in different phases, planetary signs and manicules (pointing hands). With a small etching of an angel (39 mm tall) holding a wreath, cut out of an unidentified source and loosely inserted between 2 blank pages at the end of the book. Contemporary, elaborately gold-tooled mottled calf over thin wooden boards by the so-called Art Book Bindery (1705-1741) in the style made famous by Albert Magnus himself, with more than 100 impressions of about a dozen stamps and one roll, gold-tooled board edges. Further with 4 silver anchor plates (2 on each board), each with the coat of arms of the States of Holland in a decorative cartouche, and each with a silver eye extending over the fore edge, with a silver combination stylus/lead pencil used to fasten the book through the eyes, gilt edges. [120] pp. bound with 46 blank free endleaves: [12] pp. at the front and [22 (coated paper)], [12] pp. at the back. Full description

DAM, Meyndert Dirksz. van. D'erven Stichters comptoir almanach, op t schrikkel-jaar onses heeren Jesu Christi, 1788 ...
Amsterdam, the heirs of the widow of Cornelis Stichter, [1788]. 4to. With the title page and 23 calendar pages printed in red and black, a half-page woodcut vignette (depicting Father Time pointing at an armillary sphere) by Hendrik Numan on the title page and 12 half-page woodcut illustrations for the 12 months (each ca. 7 x 11 cm) by Hendrik Numan, nearly all signed in the block (including two dated "1779"). Contemporary gold-tooled brown mottled calf, bound by the so-called Acorn-and-Foliage Tool Bindery in Amsterdam (Storm van Leeuwen). Both boards show the large gold-tooled monogram of the Amsterdam chamber of the VOC as a centre piece sandwiched between the gold-tooled date "Anno 1788", all within a gold-tooled floral frame with floral corner pieces in the inside corners. [16] ll. interleaved with 24 blank (except for manuscript annotations) ll. Full description

[DEVOTIONAL PRINTS]. [Collection of 37 devotional prints and drawings].
[Flanders and Paris, various publishers, ca. 1630-1850]. 2 volumes. Oblong folio (ca. 29 x 42.5 cm); sheet size ca. 12 x 9 to 35 x 23 cm. With 24 contemporary hand-coloured engravings, of which some heightened with gold, 1 contemporary hand-coloured woodcut illustration, 1 chromolithographed print, 7 watercolour drawings (including 2 on vellum), 3 silk embroidered prints in various sizes, and 1 image made of paper ornaments glued onto a black netting fabric. Further with a folded alphabetical list of the Antwerp printers and engravers of devotional prints in a 19th-century hand tipped onto the first leaf of the album. Several prints are tipped into a 19th-century elaborately gold- and blind-tooled brown morocco album, a blind-tooled ornament in the centre of both boards with the crowned initials "J.B." on the front, surrounded by a double fillet frame with elaborate corner pieces, gold-tooled board edges and turn-ins, gilt edges, white watered silk endpapers. The work is housed in a 19th-century marbled slipcase, with a paper label with the name of Countess Julie Visart de Bocarmé mounted on the front. The remaining prints have been tipped onto a sheet of sturdy paper, inserted into a clear plastic file folder, which are loosely inserted into a 19th-century elaborately gold- and blind-tooled purple morocco album, with the word "album" lettered in gold on the front, surrounded by a blind-tooled Gothic style border and an elaborate gold-tooled border, gilt edges, black watered silk end papers. Full description

[DEVOTIONAL PRINTS]. [Collection of two devotional prints and a drawing].
[Antwerp, mid 17th century].
With: [DRAWING]. De liefde alleen maeckt twee maer een.
[18th century?]. 2 prints and 1 drawing. Prints: ca. 9 x 7 cm; drawing: ca. 12.5 x 9.5 cm. With 2 full-page engravings on vellum, silk embroidered, hand coloured, and heightened with gold, and 1 ink drawing on vellum, partly made with golden ink. The three works are housed in a clear plastic folder. Full description

FOCQUENBROCH, Willem Godschalk van. Eerste (-derde) deel van de Thalia, of geurige sang-godin.
Amsterdam, David Lindenius and Andries Vinck, 1679.
With:
(2) [ULAEUS, Johannes & Willem Godschalk van FOCQUENBROCH]. De herders-sangen van Virgilius Maro, in Nederduyts gesongen, op twee verscheydene toonen.
Amsterdam, David Lindenius and Andries Vinck, 1679.
(3) FOCQUENBROCH, Willem Godschalk van. Min in 't Lazarus-huys, blyspel.
Amsterdam, Jacob Vinckel, 1674. 3 works in 1 volume, the first in 4 parts. 8vo. With 3 finely engraved allegorical frontispieces by Schoonebeek, a large engraved vignette on the separate title to ad 3, and several decorated woodcut initials. Contemporary vellum. [16], 447, [1 blank]; [16], 223, [1]; [16], 112; [8], 77, [3 blank] pp. Full description

FORBES, John (publisher). Cantus, songs and fancies, to severall musicall parts. Both apt for voices and viols. With a brief introduction to musick, ... The third edition, exactly corrected and enlarged. Together also, with several of the choisest Italian-songs, and New English-Ayres, all in three parts, (viz.) two treebles and a bass.
Aberdeen, John Forbes, 1682. Small oblong 4to (12.5 x 16 cm). With a facsimile woodcut title page (with woodcut arms on the back), a general letterpress title page (with the woodcut arms of King Charles Stuart on the back), a full-page woodcut of a human hand, and musical scores throughout. 19th-century brown morocco. [57] ll. Full description