Early Printing & Manuscripts (15th & 16th Century)

[SERVASANCTUS DE FAENZA and others] (spuriously attributed to Saint BONAVENTURA). [Sermones de tempore et de sanctis].
(Colophon: Zwolle, [Johannes de Vollenhoe], 1479). Small (Chancery) folio (27.5 x 20.5 cm). With one 5-line and hundreds of 2- and 3-line spaces left for initials, filled in with manuscript "Lombardic" capitals in red; manuscript paragraph marks in red; and capitals rubricated throughout. Set entirely in a single textura gothic type (103 mm/20 lines) in 2 columns of 39 lines to the page. Early 18th-century tanned sheepskin. [1 blank], [340] ll. Full description

SNOY, Reinier. Psalterium Davidicum paraphrasibus brevibus illustratum ...
Antwerp, Michael Hillenius, 1535. 8vo. With woodcut frame on the title page, 2 woodcut decorated initials and Hillenius' woodcut device on the final page. Contemporary blind-tooled calf in a panel design, sewn on 4 supports with the corresponding raised bands on the spine, a central panel on both boards surrounded by a decorative frame with portraits in medaillions, with remnants of 2 pairs of green closing ties. [16], 233, [2] pp. Full description

SPANGENBERG, Cyriacus. Jagteuffel. Bestendiger und Wolgegründter bericht, wie ferrn die Jagten rechtmessig und zugelassen. Und widerumb, warinn sie ... gottloss, gewaltsam, unrecht und verdamlich seind, ...
(Colophon: Frankfurt am Main, heirs of Georg Raben and Weygand Hanen), 1566. 8vo. With the title-page printed in red and black and with a woodcut illustration. 18th-century vellum. 132 ll. Full description

SPERONI DEGLI ALGAROTTI, [Sperone]. Dialoghi del sig. Speron Speroni nobile Padovano, di nuovo ricorretti; a quali sono aggiunti molti altri non più stampati. E. di più l'Apologia de i primi.
Venice, Roberto Meietti, 1596. 4to. With a woodcut printer's device on the title page. Contemporary red morocco, spine with gilt rulling, covers with gilt fillets and gilt oval central piece decorated with floral ornaments, 4 gilt floral cornerpieces. [8], 596 (=604), [2 errata] pp. Full description

STATIUS, Publius Papinius. Sylvarum libri quinque. Thebaidos libri duodecim. Achilleidos duo.
(Colophon: Venice, Aldus Manutius, November 1502 (the Achilleidos libri duo: in August)). 3 parts in 1 volume. 8vo. With Aldus' woodcut printer's device at the end of the Orthographia.
With (bound before ad 1): [Marcus MUSURUS]. Orthographia et flexus dictionum Graecarum omnium apud Statium cum accentib[us] et generib[us] ex variis utriusque linguae autorib[us].
[Venice], Aldus Manutius, [1502?]. 18th-century vellum. [256]; [40] ll. Full description

STUCKI, Johann Wilhelm. Carolus Magnus redivivus, hoc est, Caroli Magni Germanorum, Gallorum, Italorum, et aliarum gentium monarchae potentissimi, cum Henrico M. Gallorum & Navarrorum rege florentissimo comparatio: utriusq[ue] regis historiam breviter complectens, quam regum & principum speculum possis appellare.
(Colophon: Zürich, Johann Wolf), 1592. Small 4to (19.5 x 15 cm). With a woodcut portrait of Charlemagne and Henry IV on title-page, two woodcut initials and a woodcut printer's device on the last leaf. 19th-century half calf, gold-tooled spine. 79, [1] ll. Full description

SUETONIUS Tranquillus, Gaius. Caesarum XII libri, iam denuo bonorum exemplarium & commentariorum ope emendati, cum M. Antonii Coccii Sabellici commentariis, nihil annotatu dignum dissimulantibus. Jo. Baptistae Egnatii Veneti, annot. in Suetonium. Annotata in eundem, & loca aliquot restitutae per D. Erasmum Roterodamum.
Antwerp, Jan van der Loe, 1548. 8vo. With woodcut device on title-page and numerous woodcut initials in text. Later marbled boards. [24], 661, [1 blank] pp. Full description

SUETONIUS TRANQUILLUS, Gaius [and Guillaume Michel de TOURS (translator)]. Des faictz et gestes des douze Caesars, nouvellement imprime.
Paris, Arnoul l'Angelier, 1540. 8vo. With a half-page woodcut illustration on the title page, and 11 half-page woodcuts in the text (repeats with different names in the cartouche), a smaller woodcut illustration at the start of the work by Denis Janot, numerous woodcut decorated initials throughout, and l'Angelier's woodcut device on the final page. Mid- to late-19th-century red morocco (not before 1861), signed by Chambolle-Duru. [8], 276 ll. Full description

SUSAN, Issachar ben Mordecai ibn. [in Hebrew:] Sefer Ibur shanim.
Venice, Giovanni di Gara, [5]339 [= 1578/79]. Small 4to (19.5 x 15 cm). With the title set in an elaborate woodcut architectural arch and 6 round woodcut calendrical or astrological diagrams with text. Set entirely in Hebrew type, the main text in semi-cursive (rabbinical) and the headings in meruba, each of the two styles in at least 3 sizes. Contemporary limp sheepskin wrap-around cover with flap and fastened with strap. 136 ll., including the blank leaf [108]. Full description

TASSO, Torquato. Il Re Torrismondo tragedia.
Venice, Fabio & Agostino Zoppini, 1588. 12mo or long 24mo in 12s (13.5×7 cm). With the Zoppinis' woodcut device on the title-page, a woodcut headpiece, several woodcut tailpieces, several woodcut decorated initials (3 series), and cast fleurons. Gold- and blind-tooled overlapping sheepskin (ca. 1900?). 58, [1], [1 blank] ll. Full description