Book History, Education, Learning & Printing / Bindings

[TELESFORO DA COSENZA]. Livre merveilleux, contenant en bref la fleur et substance de plusieurs traittez, tant des propheties & revelations, qu'anciennes croniques, faisant mention de tous les faictz de l'Eglise Universelle, co[m]me des scismes, discords & tribulations advenir en l'Eglise de Rome, & d'un temps auquel on ostera & tollira aux ge[n]s d'eglise & clergé, ...
Paris, Thibault Bessault, 1565. 8vo. With Bessault's woodcut device on the title-page. 18th-century French grained red morocco (ca. 1745?), gold-tooled spine with pointillé ornaments, each board framed with thin-thick-thin fillets with a rosette(?) stamped over their intersections at the corners, gold-tooled turn-ins, gold fillets on the board edges, gilt edges. [54] ll. Full description

[TEYSSIER des FARGES, George Aimé]. TOUCHSTONE, S.F. (pseudonym). Les chevaux de course[:] pedigree - description - historique. 60 portraits en couleur par V.-J. Cotlison, L. Pénicault et Le Nail. Texte orné de 182 vignettes ... = Historique des étalons pur-sang Anglais et Français et des juments Françaises les plus célèbres ayant paru sur le turf de 1764 à 1887.
Paris, J. Rothschild, 1889. Oblong folio (24.5 x 37 cm). With 2 title-pages in red and black, each with a different vignette; 60 chromolithographed plates, highlighted with gum arabic and lithographed by Thurwanger, each facing an inserted letterpress leaf with a pedigree of the horse portrayed. Further with 182 lithographed vignettes in the text. Contemporary gold- and blind-blocked brown morocco, with the original publisher's front wrapper (lithographed and hand-coloured) mounted on the front board in a wide decorated gold frame, gold-tooled turn-ins, gilt edges, white glazed endpapers with a watered-silk pattern, signed on the front board, "A SOUZE A. LENEGRE REL.", meaning Auguste Souze and Antoine Lenègre the younger in Paris. XXV, [1 blank], 165, [1 blank] pp. Full description

[TILL EULENSPIEGEL]. Histoire de la vie de Tiel Wlespiegle, contenant ses faits & finesses, ses aventures, & les grandes fortunes qu'il a euës, ne s'étant jamais laissé tromper par aucune personne. Nouvelle traduction de l'Alemand en François; où l'on a ajoûté à cette edition, plusieurs pieces qui n'ont point encore paru en François jusques à present.
Amsterdam, Nicolas Chevalier, 1702. 12mo. With engraved title-page showing an owl looking at itself in a mirror with Ulenspiegel wearing a fool's cap watching. Black morocco by Hippolyte Duru, with his stamp ("DURU 1849") on flyleaf, blind-tooled fillets on spine and boards, richly gold-tooled turns ins, gilt edges. [8], 202, [6] pp. Full description

[TORINUS, Albanus (editor)]. De re medica huic volumini insunt...
[Colophon: Basel, Andreas Cratander, 1528]. Folio. With woodcut printer's device on title-page, repeated on final page, 2 pages with 4-piece decorative woodcut borders and numerous woodcut decorated initials. 18th-century half calf, with marbled paper in a tree pattern on sides, gold-tooled spine with the coat of arms of the Russian Tsars. [12], 125, [1] ll. Full description

TORRENTINUS, Hermannus (Herman van der BEKE). Elucidarius poeticus co[n]tinens historias poeticas, fabulas, insulas regiones, urbes, fluvios, mo[n]tesq[ue] insigniores, atq[ue] huiusmodi alia, ...
Antwerp, Michiel Hillen van Hoogstraten, 1527. With the title in an elaborate woodcut border.
With: (2) [FIOCCHI, Andrea Dominico (Andras Dominicus FLOCCUS)] under the name of Lucius FENESTELLA. De magistratibus, sacerdotiisq[ue] Romanorum libellus, iamprimum nitori restitutus.
[Cologne, Hero Fuchs, 1527]. With the title in a finely cut 4-piece woodcut border. 2 editions in 1 volume. 8vo. 16th-century(?) limp vellum (formerly used for a slightly thinner book). The binding is an interesting example of a spine reinforced with a horizontal metal rod at the central sewing support to give more support and prevent the bookblock from becoming concaved or developing sharp kinks; probably bound in Flanders. [88]; [88] ll. Full description

TOSTATUS (TOSTADO DE MADRIGAL), Alfonso. Super Leviticum in sensu litterali nova et hactenus abscondita a se edita commentaria.
(Colophon: Venice, Petrus Liechtenstein, 1529). With title-page printed in red and black with a large woodcut containing the coats of arms of the Emperor Charles V (Charles I of Spain) and two bishops (the author and perhaps a relative), leaf 2 with a woodcut of the author writing at his desk, with his arms, and a woodcut initial with the other bishop's arms inside the letter, the arms in the initial and some lines of text printed in red. Printed in two columns.
With: (2) TOSTATUS, Alfonso. Opus super Deuteronomium.
(Colophon: Venice, Petrus Liechtenstein, 1528). With title-page printed in red and black, leaf 1 with a woodcut of the author writing at his desk, with his arms (not the same woodcut as in ad 1), and a woodcut initial with the other bishop's arms as in ad 1. Printed in two columns. 2 works in 1 volume. Folio. Contemporary blind- and gold-tooled tanned sheepskin over wooden boards; each board in a panel design with 2 (on the back board 3) different vine rolls, rules, and on the front board a central medaillon depicting Bathsheba kneeling before King David playing his harp, and a half dozen separate stamps, with author and title at the head, "Thostati Super Leviti et Deuteronomy" and the binding date MDXXXII (1532); blind-tooled spine, remnants of brass anchor plates on the back board (for straps?), catch plates on the front board lacking. 249, [1 blank]; [1], 120 ll. Full description

V.C.P. Exercice spirituel, ou est enseigné au Chrestien la maniere d'employer le jour au service de dieu.
Paris, Pierre Rocolet, 1649. 2 parts in 1 volume. 12mo. With an engraved title, 9 full-page engraved plates, all hand-coloured and heightened with gold, 5 woodcut headpieces, and 5 decorated woodcut initials. Every page has been outlined in red, and some of the chapter headings have been traced with gold. Contemporary elaborately gold-tooled red morocco fanfare binding, with a central quatrefoil inlay of brown morocco on both boards, surrounded by geometric and pointillé designs, gold-tooled board edges and turn-ins, gilt pointillé edges, marbled endpapers. [1], [1 blank], [42], 172; 288 pp. Full description

VEEN, Jan van der. Zinne-beelden, oft Adams appel. ... Mitsgaders syne oude ende nieuwe ongemeene bruydt-lofs ende zege-zangen.
Amsterdam, Everhard Cloppenburgh, 1642. 4to. With large emblematic engraving on the title page and 50 engraved emblems in text (10 x 13.5 cm), all by Salomon Savry, woodcut head- and tailpieces, numerous woodcut decorated initials (several series) and decorations built up from typographic ornaments. Set in roman and italic types. Gold- and blind-tooled red, grained sheepskin (1817/18) for George Spencer-Churchill, 5th Duke of Marlborough, gold-tooled turn-ins and board edges, gilt and gauffered edges, grey-brown endpapers, red satin ribbon marker. [23], [1 blank], 523, [1 blank] pp. Full description

VIRGILIUS MARO, Publius. Opera. Vol. I.
London, John Pine, 1755 [= actually some years later]. 8vo. With 2 different vignettes on the otherwise identical engraved title pages, an engraved frontispiece with a figure of the muse Euterpe, 2 engraved dedication leaves with vignettes, 1 folding and 49 full-page engraved plates on 39 leaves (11 of the leaves with a plate on each side), 31 engraved half-page plates and historiated head- and tailpieces, engraved historiated and decorated initials. Some of the images are derived from the illustrations in the Codex Vaticanus, a 5th-century codex containing the works of Virgil. Late-19th-century gold-tooled crushed red morocco, bound by the famous partnership of René Chambolle (1834-1898) and Hippolyte Duru (1803-1898) (with their names gold-stamped in the bottom front turn-in). The boards show a double fillet frame with detailed, ornate flowers and vines along the inside of the frame, with the author, title, and imprint lettered in gold on the gold-tooled spine, gold-tooled board edges and turn-ins, gilt top edge, marbled endpapers. The binding can be dated between 1861 and ca. 1870, the heyday of the Chambolle-Duru partnership representing the high level of the Golden Age of French bibliophile binding. [8], XV, [2], 144, [6] pp. Full description

WELCKER VON GONTERHAUSEN, Heinrich. Neu eröffnetes Magazin musikalischer Tonwerkzeuge, dargestellt in technischen Zeichnungen alle Saiten-, Blas-, Schlag-, & Friktions- Intrumente unter Aufnahme der neusten Verbesserungen und darauf bezüglichen statistischen Notizen, nebst geschichtlicher Uebersicht der Musik und Instrumente vom ersten Ursprung bis in die jetztzeit, mit specieller Beschreibung ihres Baues, Tonumfangs und fasslicher Angabe ihrer Behandlung und Erhaltung.
Frankfurt, im Selbst-Verlag des Verfassers (printed by Reinhold Baist), 1855. Large 8vo. With a lithographed frontispiece, 140 lithographed illustrations in the text, and 3 folding lithographed plates. Contemporary gold foil stamped burgundy velvet, with the author and title in gold on the spine, an elaborate decorative frame on both boards, surrounded by a wide single fillet frame, gilt edges, white watered silk endpapers. The work is housed in a red cloth solander box. 439, [3] pp. Full description