Beautifully produced missal, printed and bound for the Iberian market



[ROMAN MISSAL].
Missale Romanum ex decreto sacrosancti concilii Tridentini restitutum ...
Antwerp, ex architypographia Plantiniana [= Joannes Jacobus Moretus], 1737.
With: (2) [SPANISH MISSAL]. Missae propriae sanctorum Hispanorum, qui generaliter in Hispania celebrantur. ex apostolica concessione, & auctoritate S. Pii V. Gregorii XIII. Sixti. V. Clementis VIII. & Urbani. VIII. aliorumque summorum pontificum.
Antwerp, ex architypographia Plantiniana [= Joannes Jacobus Moretus], 1737. 2 works in 1 volume. Folio. With 20 full-page engraved plates by Cornelius Galle, 10 engraved frames surrounding the text, and vocal music printed on pp. 153-155, 196-197, 199-207, 220-233, 235-237, 240-272, 286-288, 290-292, and xvii. The text is printed in red and black, with historiated initials hand-coloured in red, an engraved vignette on the title page of each work, and several woodcut tailpieces throughout, of which 3 printed in red. Contemporary elaborately gold-tooled red morocco with (remnants of) brass catch and anchorplates along the fore edge, gilt and gauffered edges with intricately made tabs along the fore edge, gold-tooled board edges, marbled endpapers. [64], 628, cxxviij, [4], [2], 30, [4], 24; 28, [12] pp. Full description
€ 4,000
Antwerp, ex architypographia Plantiniana [= Joannes Jacobus Moretus], 1737.
With: (2) [SPANISH MISSAL]. Missae propriae sanctorum Hispanorum, qui generaliter in Hispania celebrantur. ex apostolica concessione, & auctoritate S. Pii V. Gregorii XIII. Sixti. V. Clementis VIII. & Urbani. VIII. aliorumque summorum pontificum.
Antwerp, ex architypographia Plantiniana [= Joannes Jacobus Moretus], 1737. 2 works in 1 volume. Folio. With 20 full-page engraved plates by Cornelius Galle, 10 engraved frames surrounding the text, and vocal music printed on pp. 153-155, 196-197, 199-207, 220-233, 235-237, 240-272, 286-288, 290-292, and xvii. The text is printed in red and black, with historiated initials hand-coloured in red, an engraved vignette on the title page of each work, and several woodcut tailpieces throughout, of which 3 printed in red. Contemporary elaborately gold-tooled red morocco with (remnants of) brass catch and anchorplates along the fore edge, gilt and gauffered edges with intricately made tabs along the fore edge, gold-tooled board edges, marbled endpapers. [64], 628, cxxviij, [4], [2], 30, [4], 24; 28, [12] pp. Full description


























