Book History, Education, Learning & Printing

AL-ZAMAKHSHARI and Jens Peter BROCH. Al-Mufassal, opus de re grammatica Arabicum.
Oslo, W.C. Fabritius, 1859. 8vo. Near contemporary cloth with title in gold on spine, covered with protective plastic. 229, [5] pp. Full description

AMPZING, Samuel [and Petrus SCRIVERIUS]. Beschryvinge ende lof der stad Haerlem in Holland: in rijm bearbeyd ...
Including: SCRIVERIUS, Petrus. Laure-Crans voor Laurens Coster van Haerlem, eerste vinder vande boeck-druckery.
Haarlem, Adriaen Rooman, 1628. 2 parts in 1 volume. 4to. Ad 1: With an allegorical frontispiece, 16 engraved plates, and a printer's device on the final page, the text is printed in roman, gothic and civilité type. Ad 2: With a woodcut printers device on the title page, a full-page engraved portrait, and a full-page engraved plate of the first printing office in Haarlem. Contemporary gold- and blind-tooled overlapping vellum, gold-tooled oval coat of arms of Haarlem in the centre of both boards, surrounded by a blind-tooled single fillet frame, green closing ties, red sprinkled edges. [88], 520, [8]; 1-5, [3], 9, 6-124 pp. Full description

ANACREON. Anakreontos Teiou mele praefixo commentario quo poëtae genus traditur et bibliotheca Anacreonteia adumbratur.
Parma, in aedibus Palatinis [Typis Bodonianis], 1791. 16mo in 4s (15 x 11 cm). With a small engraved portrait of Anacreon in a roundel on the title-page, a small engraved portrait of the dedicatee J. N. de Azara in a roundel on the dedication page. Part of the text is set in Greek type. Contemporary gold-tooled green morocco with the title lettered in gold on the spine, gold-tooled board edges and turn-ins, shiny pink endpapers, with a frame of small silver leaves mounted on the pastedowns. [4], CXVIII, [2], 111, [1] pp. Full description

ANSINGH, Lizzy; Nelly BODENHEIM (illustrator); Tine BAANDERS (decorated script). 'n Vruchtenmandje. Versjes Lizzy Ansingh. Illustraties Nelly Bodenheim. Sierschrift Tine Baanders.
Amsterdam, De Spiegel (printed by Dieperink & Co.), 1927. Folio (29.5 x 23 cm). With the classic illustrated front board, a small illustration of a tea set on the title-page, 21 full-page illustrations of anthropomorphic fruits, nuts, and vegetables. All illustrations, including the illustrated front board, are lithographs designed by the illustrator herself on stone and coloured by hand by her as well. The verses by Lizzy Ansingh are written by Tine Baanders by hand in a decorative script. The work is printed on Simili Japon paper of the Dutch "Van Gelder" paper factory. Original half parchment and (hand-coloured lithographed) paper over boards, bound in the Japanese style with green ribbon through 5 holes. [1], [1 blank], [41], [1 blank], [1], [1 blank], [1], [1 blank] pp. Full description

APHTHONIUS of Antioch; Rodolphus AGRICOLA and Giovanni Maria CATANEO (translators). Aphthonii sophistae progymnasmata. Partim à Rodolpho Agricola, partim à Ioanne Maria Catanaeo latinitate donata. Cum luculentis & vtilibus in eadem Scholiis Reinhardi Lorichii Hadamarii. Nunc verò omnia multò quàm antea & emendatiora & meliori artificio disposita.
Paris, Gilles Gourbin, 1580. 16mo in 8s. With a woodcut printer's device on the title-page, 3 woodcut headpieces in the beginning of the work, and 9 decorated woodcut initials throughout. 17th-century limp vellum. [12], 259, [3 blank] ll. Full description

[ARABIC-SCRIPT PRINTER’S WOODBLOCK]. Hand-cut woodblock bearing the text "Safr Nishd al-nishad li-Süleyman ..." (Book of the Song of songs of Solomon) in naskh Arabic script.
[Probably Ottoman provinces, mid-18th century (ca. 1750)]. A single hand-cut woodblock (17 x 9 x 2.2 cm, with protrusions to the left and right making it wider - 11 cm - near the head to accommodate the wider 2nd line) intended for use as printing block, with 6 lines of text, together with an inked impression on 18th century paper (16.5 x 10.5 cm). Full description

[ARABIC & ENGLISH VOCABULARY AND PHRASE BOOK]. The interpreter in the Arabic and English Languages, consisting of nouns, epithets (or adjectives), verbs & afterwards some compendious examples.
Ca. 1830s. 4to (21.5 x 27 cm). With 2 folding tables, 17 lines to the page, written in red and black ink. Contemporary navy blue morocco, with the title lettered in gold on spine, marbled endpapers. [6], 237, 238-266, [10] pp. Full description

ARAYA, Fernando de. Conclusiones mathematicas, practicas, y especulativas defendidas en el principio del segundo año ...
Manila, Nicolas de la Cruz Bagay, 1758. 4to. With engraved equestrian portrait of Ferdinand VI, King of Spain and Emperor of the Indies as a frontispiece. Contemporary salmon-coloured silk over flexible boards, preserved in modern portfolio. [4], 4 ll. Full description

ARCUSSIA, Charles d'. La fauconnerie ... Divisee en trois livres. Avec une briefve instruction pour traitter les autours, sur la fin de l'oeuvre, ...
Paris, Jean Houzé, 1599. 8vo. With Houzé's woodcut device, 6 full-page engravings of birds of prey (12.5 x 8.5 cm) plus 3 (of 5) repeats and all on integral leaves. Red goatskin morocco, signed in the foot of the front turn-in by M[arcel] GODILLOT (active as bookbinder 1938-1975), with wide gold-tooled turn-ins and gold fillets on board edge. 272, [8] pp. Full description

ARENA, Filippo. La natura, e coltura de' fiori fisicamente esposta.
Palermo, Angelo Felicella, 1767-1768. 2 text volumes (4to), bound as 3, and 1 plates volume (oblong folio). With 65 engraved plates printed in colour, occasionally combining up to 6 colours on one plate. The first plate (here wholly printed in dark green) serves as an (allegorical) frontispiece and includes the name of the author and that of Mario Cammerari, the second plate depicts tools, seeds and details of flowers, the third plate contains parterre designs and the other plates depict flowers (several to each plate). Modern flexible boards, covered with decorated paper. VIII, 440; VIII, “116” [= 416]; [2], 167, [1 blank], [8] pp. plus 65 plates. Full description