Autographs, Documents & Manuscripts

[AUTOGRAPH]. HALL, Basil. [Autograph letter, signed, to Aaron Louis Frédéric Regnault, Baron de la Susse].
Smyrna (Izmir, Turkey), 27 June 1842. 8vo (18 x 11 cm). Manuscript letter in English, in brown ink on one side of an 8vo double leaf. Signed at the foot by Basil Hall. [1], [3 blank] pp. Full description

[AUTOGRAPH]. HARLOFF, Anton Johan Wouter. [Autograph letter, signed ("A. Harloff"), to Horace Hugo Alexander van Gybland Oosterhoff].
The Hague, 6 May, 1933. Folded double leaf (21.6 x 14). In Dutch. 3 pp text. Full description

[MANUSCRIPT - MILITARY ENGINEERING - HENNEQUIN, Johan Jacobus]. Twee beknopte handleidingen tot het berekenen der mijnladingen.
(preface:) Grave, 1 July 1828. Folio. Manuscript in a fine legible hand, written in brown ink on paper, with 2 large folding sheets with abstract mathematical figures depicting the range of exploding mines (45 x 67 cm and 54 x 75 cm) in blue/black and red ink, the second partly coloured (red watercolour), and 3 abstract mathematical figures and one table in the text. Contemporary marbled paper boards with a handwritten titleplate. [1], [1 blank], [1], [3 blank], 71, [1 blank] pp. Full description

[MANUSCRIPT - MILITARY ENGINEERING] HENNEQUIN, Johan Jacobus. Bataillon mineurs en sappeurs. Exercitie polygoon van 1824 en 1825. Uittreksel uit de officiele rapporten der verrigte werkzaamheden welke door den hoogedelen gestrengen heer Abr. Eichholtz luitenant kolonel kommandant van genoemd bataillon opgemaakt en toegezonden zijn geworden aan zijne excellentie den heere Luit. Generaal Baron Krayenhoff, gouverneur van Amsterdam, inspecteur generaal der fortificatien en van het korps ingenieurs de mineurs en sappeurs benevens eenige aantekeningen betrekkelijk de gedaante werkzaamheden.
[preface signed:] Grave, 1 November 1828. Folio. Manuscript written in brown ink on paper in a fine legible hand, with 1 large folding illustration in blue, brown/black and red ink. Contemporary brown marbled paper over boards, manuscript title label mounted on the front board. [4], 15, [1 blank] pp. Full description

HOGENDORP, Dirk van. [Autograph letter by Dirk van Hogendorp to the Amsterdam solicitor J. de Vries jr.].
[Amsterdam], 12 July 1833. 8vo (ca. 19,5 x 22,7 cm). Text within a black border, which does not continue along the lower edge of the sheet. [4] pp. Full description

[FORTIFICATION]. HOOFF, Cornelis Christiaan van. Grondbeginselen der vestingbouw, volgens de verschillende manieren van versterken van Pagan, Vauban en Coehoorn. Geconstrueerd getekend en beschreven door C C van Hooff.
[The Hague], 1796. Folio. With a calligraphic title-page and 19 folding drawings (mostly about 32.5 x 51 cm, 6 longer: 78 to 138 cm, the longest assembled from 2 pieces before drawing) with 45 numbered figures, showing fortification plans and sections in black and red ink with coloured washes. With an 1857(?) photograph of a (ca. 1795?) miniature oval portrait of the author and 4 documents concerning the manuscript and the author's family (1933-1965), all loosely inserted. Contemporary half, tanned sheepskin, gold-tooled spine. [1], [1 blank], 81, [1 blank], [1], [3 blank] pp. plus 19 integral blank ll. with drawings tipped onto them. Full description

[HORSES - MILITARY]. Anecdoten van paarde kenners, paarde liefhebbers, ruijters en ross-kammers. Naar waarheid en eijge ondervinding opgesteld. Door een gepensioneerd cavallerie officier.
[The Netherlands, ca. 1815]. Folio (38 x 24 cm). Manuscript on paper written in brown ink in a readable Latin hand, with the title on p. 72, illustrated with 30 small watercolour drawings of horses mounted on the leaves (mostly about 8.5 x 11 cm), and a washed pen drawing with 5 caricature figures before a monument (9.5 x 16 cm), mounted above the dedication. Half vellum (1930s?), gold-tooled spine. [4 blank], 248, 251-254, 257-267, [9 blank] pp. Full description

HOUBRAKEN, Arnold. De groote schouburgh der Nederlantsche konstschilders en schilderessen. ... Den tweeden druk.
The Hague, Johannes Swart, Cornelis Bouquet, Mattheus Gaillard, 1753. With engraved frontispiece, engraved author's portrait and 47 engraved plates bound in a separate plates volume.
With: (2) GOOL, Johan van. De nieuwe schouburg der Nederlantsche kunstschilders en schilderessen: ...
The Hague, for the author, 1750-1751. With engraved author's portrait and 22 engraved plates (1 folding). Lacking engraved frontispiece. 2 works (in 3 and 2 parts), bound in 11 text volumes (8vo interleaved with 4to, 25.5 x 20 cm) and 2 plate volumes (8vo interleaved with small folio, 28 x 20.5 cm). Uniform late 18th-century half sheepskin parchment (ad 1) and half vellum (ad 2). Full description

[AUTOGRAPH]. HUMBOLDT, Alexander von. [Autograph letter to Le Chevalier de Rossel, director of the Dépôt des Cartes of the Paris Académie des Sciences].
[Paris, 1818?]. 4to (23 x 18.5 cm) Letter in black ink on laid paper, in Humboldt's somewhat cramped but still legible hand. Formerly folded for posting, with the address written on the otherwise blank final page and with traces of a paper seal. [1], [3 blank] pp. Full description

[ILLUMINATED MANUSCRIPT - ALTAR CANON]. Accipiendo in manibus hostiam dicat[!].... Initium Sancti Evangelii secundum Joannem. ... Cibavit illum dominus pane vitæ et intellectus.
[Belgium?], [ca. 1790?]. Three illuminated manuscript wall panels in matching style, forming a three-part altar canon lettered in blue and red ink on parchment (one 47.5 x 57 cm & two 31 x 22 cm; image sizes 46 x 54.5 cm & 29.5 x 21 cm), the larger stretched over a wooden frame and each of the smaller two over a wooden panel. All three panels meticulously and finely lettered in the style of roman printing types with 1 line in italic capitals, all 12 initials and some of their decoration in gold. All three panels richly illuminated around and between the text blocks with a gold background and extensive gold highlights, the illumination including decorated cartouches. The principal scenes at the head (miniatures in a wide variety of colours) show the Last Supper, Saint John the Evangelist and Christ washing his apostles feet; the central scenes at the foot (ink and ink wash drawings, probably emblematic, that on the large panel in grey and those on the small panels in red) show a lamb and cross on an altar, 4 standing figures with long staffs around a table with a platter (of bread?: some of the figures are eating something) and herald angels before a kneeling figure (it doesnt look like a shepherd or the Virgin Mary). Full description