Art, Architecture & Photography / Drawings, Prints & Watercolours

BERGE, Pieter van den. Amstelaedamum omnium recentissimè et accuratissime expressum à Petro van den Berghe, Moschus, Arabs[,] Persae, Maurus, Judaeus, uterque[.] Quod ferat huc, rursusque auferat, Indus habet. Hanc dum mundus adit mundumque haec ipsa perrat[!], non urbs fixa loco, sed vagus orbis erit.
Amsterdam, Gerard van Keulen, [ca. 1720]. Etched view (50.5 x 81 cm) on two sheets. In a modern wooden frame. Full description

BERNINCK, H[endrik?]. [7 botanical watercolour drawings].
[Netherlands, ca. 1776]. Set of 7 watercolour drawings on laid paper of various sizes ranging from 23×19 to 23×30.5. Each mounted on a backing sheet in modern passepartout. Full description

BEUNAT, Joseph. Recueil des dessins dornaments darchitecture de la manufacture de Joseph Beunat. A Sarrebourg, et a Paris, Rue St. Avoye, no. 63. Contenant tout ce qui rapport a la decoration des apartments ...
Sarrebourg and Paris, [ca. 1814]. Large 4to (32.5 x 25 cm). Engraved series of 86 prints (including the decorative title-page) with many hundreds of different designs. Contemporary German tree calf, flat spine with contemporary manuscript paper label in ink. With the original publishers grey printed wrappers bound in, with the title in German. Full description

[BIBLE - DUTCH - KEUR]. Biblia, dat is De gantsche H. Schrifture vervattende alle de canonijcke boecken des Ouden en des Nieuwen Testaments.
Dordrecht, Jacob and Pieter Keur; Amsterdam, Pieter Rotterdam and Pieter Rotterdam the younger (colophon: printed by Jacob and Pieter Keur, Dordrecht), 1714 (New Testament without Pieter Rotterdam the younger, 1713). 3 parts in 2 volumes. Large folio (42.5×27.5 cm). With engraved general title-page, series of 6 engraved double-page folding maps by Daniël Stoopendaal (his larger set), a complete set of 184 full-page and 28 double-page engraved illustration plates by various artists, including A. de Blois, J. van Vianen and J. Mulder, after G. Hoet, B. Picart, A. Houbraken and others. Gold-tooled sprinkled calf (1738?). [20], 302; [2], 134, [12], 164, [2], 66 ll. Full description

[BIDLOO, Govert and Romeyn de HOOGHE]. Komste van Zyne Majesteit Willem III. Koning van Groot Britanje, enz. in Holland; ofte omstandelyke beschryving van alles, het welke op des zelfs komste en geduurende zyn verblyf, in 's Graavenhaage en elders, ten teeken van vreugde en eere, is opgerecht en voorgevallen.
The Hague, Arnoud Leers, 1691. Folio. With an engraved title-page by Romeyn de Hooghe, a letterpress title-page with Leer's woodcut device, a portrait of King William III by Van Gunst and 14 engraved plates (11 double-page) by Romeyn de Hooghe, showing his triumphal entry into the Hague, the ceremonies, the triumphal arches, their paintings and sculptures, the nightly illumination of the town hall, the fireworks, etc. Further with an extra added engraved plate of King William's tomb by Daniel Marot. Contemporary calf, gold-tooled spine and board edges. [12, incl. frontispiece], 127, [1 blank] pp. Full description

BLOEMAERT, Abraham. Eerste beginselen der teken-kunst, vervattende in haar veelerlei oogen, neusen, monden, ooren, als meede natuurlyke beweegingen van hoofden, troniën, handen, voeten, armen, beenen, enz.
Amsterdam, Reinier & Joachim II Ottens, [ca. 1730]. Folio. With engraved frontispiece self-portrait of Bloemaert engraved by Joachim Ottens, here serving as no. [1] of 140 engraved plates with drawn models of parts of the human body, and human figures and characters in various postures, movements and scenes. Mottled half sheepskin (ca. 1840?). [1] leaf plus plates. Full description

BODENHEIM, Nelly (illustrator) en Lizzy ANSINGH. Een vruchtenmandje. Teekeningen van Nelly Bodenheim bij versjes van Lizzy Ansingh.
Amsterdam, De Spiegel, 1927. Folio (ca. 30 x 21.5 cm). All illustrations, including the illustrated front board, are lithographs designed by the illustrator herself on stone and coloured by hand by her as well. The verses by Lizzy Ansingh are written, in colour, by hand in a decorative, ornamental script (varying in style). Contemporary half green cloth portfolio with the original lithographed illustration on the front board, the back board contains the following verse: "Let op de pitten, die binnen in zitten". [1 blank], [24] ll. Full description

BODENHEIM, Nelly (illustrator), Lizzy ANSINGH and Jean-Paul VROOM (lithographer). Tante Tor is jarig.
Utrecht, Stichting De Roos (printed in Amsterdam by Dieperink & Co.), 1950.
With: (2) [ORIGINAL DRAWINGS - BODENHEIM, Nelly]. [2 drawings: one featuring beetles, a maybeetle, and (Spanish) flies and another showing "Aunt Beetle" in bed being congratulated by her mosquito maid]. [ca. 1950].
4to (ca. 27 x 19.5 cm). All text and illustrations, including the illustrated front board, are lithographs by the famous Dutch artist Jean-Paul Vroom in facsimile after the text and illustrations by Lizzy Ansingh and Nelly Bodenheim. The lithographs are hand-coloured under supervision of Vroom. The work is printed on Simili Japon paper. Together with two original drawings by Bodenheim, hand-coloured and signed in her initials, mounted on a grey passepartout folder highlighting the scene with the beetles, maybeetle, and fly. The illustration of "Aunt Beetle" and her mosquito maid can be found on the back. Original hand-coloured lithographed paper over boards with the title stamped in decorative letters on the spine. [1], [1 blank], [1], [1 blank], [25], [1 blank], [1], [1 blank] pp. Full description

BORGET, Auguste. La Chine et let Chinois.
Paris, Goupil & Vibert, 1842. Royal folio (56.3 x 40.2 cm). With lithographed title-page (text), tinted lithographed title-page (illustrated), 2 lithographed dedication leaves, lithographed list of plates, and 32 tinted lithographs on 25 plates by Eugène Ciceri, after drawings by Borget. Protective guardleaves. Contemporary half leather and cloth over boards, the title lettered in gold on the spine. 26 pp. and [5] lithographed leaves and 32 lithographs on 25 plates. Full description

BOSSE, Abraham. Differentes manieres de dessiner et peindre.
[Paris, Abraham Bosse, engraved 1667?]. 8vo (17.5 x 12 cm). With engraved allegorical title-print and 45 full-page and 1 double-page (ca. 16.5 x 15 cm) engraved plates.
With:
(2) FARINATI, Paulo. Diverses figures a l'eau forte de petits amours, anges vollants, et enfans, propre a mettre sur frontons portes et autres lieux ensemble plusieurs sortes de masques.
Paris, Abraham Bosse, engraved 1644. Suite of 30 numbered double-page engraved prints, including the engraved title-print signed by Abraham Bosse.
(3) [BOSSE Abraham]. [Illustrations of drawing and painting].
[Paris, Abraham Bosse, engraved 1667?]. Suite of 4 full-page engravings of a draftsman (2) and a painter (2) at work, sometimes regarded as part of the Differentes manieres de dessiner et peindre.
(4) BOSSE, Abraham. Le feu ... La terre ... L[']eau ... L[']air.
[Paris, Abraham Bosse, engraved 1630?]. Suite of 4 double-page engravings of the four elements.
(5) [BULLET, Pierre]. [Plates from Traité du nivellement].
[Paris, N. Langlois, engraved 1688]. Complete suite of 11 double-page engraved plates, numbered [1a], [1b], 2-4, 6-11. Sprinkled calf (ca. 1700), richly gold-tooled spine, gold-tooled board edges. [47]; 30; [4]; [4]; 11 [+ 2 added] engraved prints. Full description