Art, Architecture & Photography

MARIETTE-BEY, Auguste. Album du musée du Boulaq comprenant quarante planches photographiées par MM. Delié et Béchard, avec un texte explicatif rédigé par Auguste Mariette-Bey.
Cairo, Mourès & Cie, 1872. Folio. With 40 original, albumen photographic prints (ca. 24.5 x 18 cm) on stiff paperboard mounted on hinges. Original publishers half brown morocco, blind stamped cloth over boards, with title and figures in gold, gilt edges. [3], [42] ll. plus 40 mounted photographic prints. Full description

MARMONTEL, Jean François and Pieter PIJPERS. Zemire en Azor, zangspel. Met konstwerken en balletten. Gevolgd naar het Fransche.
Amsterdam, Jan Helders, Abraham Mars, 1783. 8vo. With an engraved title page including a vignette by H.L. Meyling, a letterpress title page with an emblematic engraved vignette by Reinier Vinkeles. Extra added in this copy are an additional letterpress title page, also dated "1783", but with a portrait of Pieter Pijpers engraved by Theodorus Koning dated 1789, accompanied by the letterpress explanatory leaf with a poem "Op myne afbeelding door Theodorus Koning", dated 1789, signed by Pijpers in brown ink. Further with 3 extra added engraved plates (2 full-page and 1 half-page), plus 1 repeated in an earlier state with no lettering, depicting scenes from the play by various Dutch artists (A. Fokke, H.L. Myling, W. Immink, A. Hulk Jacobsz), 1 dated 1784. And finally with 6 engraved plates by various French artists, made for the original French edition. The engraved title is richly coloured and highlighted with gold (incl. the lettering) by a contemporary hand. The 6 French plates are splendidly coloured and highlighted with gold and gum arabic by a contemporary hand. Contemporary half calf, gold-tooled spine with one brown and a green morocco title label lettered in gold and fleurons in the remaining compartments, sprinkled paper sides. [16], 76, [2] pp. Full description

[MARNIX VAN SINT ALDEGONDE, Philips van]. Binenkorb dess Heyl. Römischen Imenschwarms, seiner Hummelszellen (oder Himmelszellen) Hurnausnäster,Brämen- geschwürm und Wäspengestöss. Sampt Läuterung der H. Römischen Kirchen Honigwaben; Einweihung und Beräuchung oder Segfeurung der Imenstöck: und Erlesung der Bussenblumen, des heydnischen Klosterhysops, der Suiter Säudisteln, der saurbonischen Säubonen, dess Magisnostrischen Liripipesenchets, und dess Imenplatts der Plakimen: auch dess Messthaues und H Saffts von Wunderbäumen, &c. Alles nach dem rechten Himelstau oder Manna justirt, und mit Mentzerkletten durchzirt.
Christlingen [= Strassbourg], Ursino Gottgewin [= Bernard Jobin], 1580. Small 8vo. The title-page, with the woodcut illustration of a beehive, is printed in red and black, the same woodcut repeated in the text, and a devotional woodcut by T. Stimmer in the text. 19th century half vellum. 246, [18] ll. Full description

MAROLOIS, Samuel. Mathematicum opus absolutissimum: continens geometriae, fortificationis, architecturae & perspectivae theoreticae ac practicae regulas, demonstrationes, & figuras perfectissimas. Studio atque opera Alberti Girardi, ... Recognitum ac multis notis illustratum.
Amsterdam, Johannes Janssonius, 1638 [altered in manuscript to 1658]. 7 parts (paginated as 6) in 2 volumes. Folio. The general title printed letterpress on a slip of paper pasted over the 1638 engraved title-page of the French edition, 7 letterpress part-titles, each with the same Janssonius woodcut device, with all together 271 double-page engraved plates, partly by Henricus Hondius. Further with several woodcut decorated initials. Contemporary blind-tooled calf, sewn on 5 double thongs, in a panel design made with a large roll and triple fillets, new endpapers.
With:
(2) MAROLOIS, Samuel. Geometria theoretica ac practica: ...
Amsterdam, Joh. Janssonius, 1633. With 47 double-page engraved plates, numbered 1-42 and 1-5.
(3) MAROLOIS, Samuel.. Artis muniendi, sive fortificationis, pars prima: ...
Amsterdam, Joh. Janssonius, 1644.
(4) MAROLOIS, Samuel.. Fortificationis, sive artis muniendi, pars secunda.
Amsterdam, Joh. Janssonius,1644. With 40 double-page engraved plates.
(5) VREDEMAN DE VRIES, Joannis. Architectura: ...
Amsterdam, Joh. Janssonius,1633. With 30 double-page engraved plates by Henricus Hondius after the designs by Vredeman de Vries, one dated 1601.
(6) MAROLOIS, Samuel. Opticae, sive perspectivae, pars prima: ...
Amsterdam, Joh. Janssonius 1633. With 80 double-page engraved plates, some by Henricus Hondius, incl. 6 views of buildings in Rome (nos. 54-59) in roundels, after the drawings by Petrus Stephanus.
(7) VREDEMAN DE VRIES, Joannis. Perspectiva theoretica ac practica.
Amsterdam, Joh. Janssonius, 1633.
(8) VREDEMAN DE VRIES, Joannis. Perspectivae pars II: ...
Amsterdam, Joh. Janssonius, 1632. With 49, 24 (+ 1) numbered double-page engraved plates depicting geometrical and mathematical figures on perspective. [4], 51, [1 blank]; 39, [1 blank]; 40; [20]; [2], 50; [2], 24 pp. Full description

MARRE, Jan de. Batavia, begrepen in zes boeken.
Amsterdam, Adriaan Wor & heirs of G. onder de Linden, 1740.
With:
(2) MARRE, Jan de. Bespiegelingen over gods wysheid in't bestier der schepselen, en eerkroon voor de Caab de Goede Hoop.
Amsterdam, Adriaan Wor & heirs of G. onder de Linden, 1746.
(3) MARRE, Jan de. Hof- en mengeldichten.
Amsterdam, Adriaan Wor & heirs of G. onder de Linden, 1746.
3 works in 1 volume, the first in 6 parts. 4to. With an engraved frontispiece and an elaborate title-vignette (identical on all three title-pages. And ad. 1 with a folding engraved plate of Jakarta "as it was in 1731" by Jan van der Laan. Contemporary vellum, red spine label. [36], 320, [6]; [42], 178, [22], [20], 214, [4] pp. Full description

MARTENA, Giovanni Batista. Flagello militare diviso in quattro parti. La prima tratta de' trabucchi. La seconda de' petardi. La terza de' burlotti, e fuochi artificiali di mare, e di terra. La quarta di mine, contramine, e d'altre cose importanti all'arte militare.
Naples, Novello de Bonis, 1676. 4to. With an engraved frontispiece, engraved author's portrait and 73 illustrations on 18 engraved plates. Contemporary vellum. [12], 211, [1] pp. Full description

MARTÍNEZ, Crisóstomo (Chrysostomus). [Nouvelles figures de proportions et d'anatomie du corps humain].
[Paris, engraved ca. 1687/88]. 71 x 53.5 cm. An extremely large engraved anatomical print (plate size 69 x 52.5 cm; engraved image 68.5 x 51.5 cm). In a passe-partout, under glass in a wooden frame painted black with the inside edge gilt (92 x 73 cm). Full description

MATHAM, Jacob (engraver), Hendrick GOLTZIUS (artist) and Cornelius SCHONAEUS (author). Andromeda.
[Haarlem, Hendrick Goltzius,] 1597. 26.7 x 37 cm. Copper engraving. Full description

MAU, August. Geschichte der decorativen Wandmalerei in Pompeji ... Mit 20 Tafeln in einer Mappe.
Berlin, G. Reimer, 1882. 1 text volume & 1 portfolio with plates. 8vo (text volume) and 1mo (plates portfolio 53 x 43 cm). With 20 large numbered plates showing Pompeii wall paintings in situ, mounted on card stock, loose in a separate portfolio with letterpress title-leaf and contents leaf: 9 sepia collotypes (21 x 16 to 26.5 x 24.5 cm) and 11 chromolithographs (21.5 x 19 to 37 x 36 cm), no. 18 actually comprising 7 small chromolithographs on 1 card, each plate with a letterpress label on the back; and 7 black and white floor plans in the text. Contemporary half sheepskin parchment (text); contemporary blue half cloth portfolio (plates). XII, 462 pp. Full description

MAUGENDRE, Adolphe. Société anonyme des mines et fonderies de zinc de la Vieille Montagne[.] Album de 30 vues.
Paris, (printed by Auguste Bry), 1850-1851. Oblong 1mo (55.5 x 38.5 cm). Tinted lithographed title page and 30 tinted lithographed plates (55.5 x 38.5 cm, one slightly smaller: 35 x 50.5 cm), all in fine contemporary hand-colouring. Loose in modern clamshell box. Full description