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Art, Architecture & Photography

Rare complete first edition of Visentini's print series with views of Venice after Canaletto,
"crucial to forming the image of Venice in the mind of its visitors"

[CANALETTO]. VISENTINI, Antonio. Urbis Venetiarum prospectus celebriores, ex Antonii Canal tabulis XXXVIII.
Venice, Joannem Baptistam Pasquali, 1742. 3 parts in 1 volume. Oblong folio (ca. 36.5 x 52.5 cm). With 3 letterpress title pages printed in red and black with engraved vignettes by Visentini, the original engraved title page for the first series (Prospectus Magni Canali), a double portrait of Canaletto and Visentini by Visentini after Giovanni Battista Piazetta and and XIV, XII and XII numbered engraved prints with familiar views based upon 38 paintings by Canaletto, engraved by Visentini, showing the Grand Canal, public buildings, renowned places in Venice and regatta scenes. Contemporary half morocco, brown paper sides, manuscript title(?) and two old shelfmarks on the spine. [8]; [1]; [1] ll. plus the part-title, double portrait and XIV, XII, XII prints. Full description
€ 45,000
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Stage design for the Real Teatro di San Carlo at Naples: 18 hand-coloured lithographs

CANNA, Pasquale. Raccolta di disegni alla Sacra Real Maestà D.A M.ria Cristina Borbone Regina di Spagna ed delle Indie.
[Naples, 1828-1831?]. Oblong 1mo (39×50 cm). One letterpress leaf dated 22 August 1830, mounted on flyleaf, and 18 hand-coloured lithographs, dated from 1828 to 1831, drawn on stone by Angelo Belloni, Federico Gatt, Gaetano Dura and Settimio Severo Lopresti, and printed by the "Reale Litografia Militare". Contemporary half green sheepskin, gold-tooled spine, front board with letterpress title label. Full description
€ 68,500
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The Medici wedding spectacle of 1661

[CARDUCCI, Alessandro, Giovanni Andrea MONIGLIA, and Stefano DELLA BELLA]. Il mondo festeggiante balletto a cav allo fatto nel teatro congiunto al palazzo del sereniss. gran duca, per le reali nozze de' serenissimi principi Cosimo terzo di Toscana, e Margherita Luisa d'Orleans.
Florence, Nella stamperia di S.A.S., 1661. 4to. With 3 fold-out engravings, 1 woodcut initial, and 2 woodcut headpieces. Contemporary gold-tooled vellum. [1], [1 blank], 7-66, [2 blank] pp. Full description
€ 22,500
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67 drawings of horses in harness, drawn by a leading Imperial harness maker as a sample book

[CARRIAGE HORSE TACK]. FÖLSCH, Michael. [Sample book of harness designs and other elaborate and decorative carriage horse tack].
[Vienna, ca. 1790?]. 2 volumes. Oblong small folio (23.5 x 37 cm and 25.5 x 39.5 cm). With 67 pen-and-ink, watercolour and gouache drawings of horses, most highlighted with silver and gold , all signed, most trimmed and mounted on blank leaves ca. 1805. With 2 etchings added at the end of volume 1, executed by Friedrich Leopold Bürde and dated 1812. Volume 1 stab-sewn, volume 2 with the leaves mounted on stubs and sewn through the folds, each with marbled paper wrapped around the spine. In an early 19th-century half tanned sheepskin box in the form of a book, metal hook-clasps. Full description
€ 85,000
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2 unpublished botanical manuscripts, with illustrations and descriptions
of 30 flowering plants and 90 trees and shrubs

CARRIÉRE, Jan Ph. Herbarium van bloemen en planten. 1ste deel.
[Watergraafsmeer, ca. 1884]. 1 volume. Small folio (22.5×20.5 cm). With 30 drawings of flowers in watercolour and ink, each with a description in Dutch on a separate leaf. The whole preceded by a title-page, a table of contents (1 page), and an introduction (2 pages). Contemporary black cloth, rebacked, modern endpapers.
With: (2) CARRIÉRE, Jan Ph. Herbarium van naar de natuurgeteekende bladeren, "afdeeling boomgewassen". [Title volume 2:] Herbarium van boombladeren.
Watergraafsmeer, 1884. 3 volumes. Small folio (22.5×20.5 cm). With 90 drawings of tree leaves in watercolour and ink, with a description in Dutch on a separate leaf. The first two volumes each with a title-page, a table of contents (1 page) and an introduction (1 page), and the third volume without preliminaries. Contemporary blue (vols. 1-2) and black (vol. 3) half cloth. The third volume rebacked with original backstrip laid down. Full description
€ 5,500
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The beautifully illustrated luxury issue, of which only a 100 copies were printed

CASANOVA, Giacomo. Memoires ... ecrits par lui-meme.
Paris, Garnier frères, [1880]. 8 volumes. 8vo. With 145 full-page engravings, the wrappers and titles of each volume are printed in red and black. Contemporary gold-tooled half morocco by Lambert, marbled paper sides, the title, author, and volume number lettered in gold on the spine, surrounded by a gold-tooled frame with onlaid morocco ornaments, top edge gilt, marbled endpapers. [6], XVII, [1 blank], 507, [1 blank]; [6], 530, [4]; [6], 516; [6], 533, [3]; [6], 569, [3]; [6], 563, [1]; [6], 567, [1 blank]; [6], 551, [3] pp. Full description
€ 12,000
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Splendid large watercolour view of ruins in Sicily

[CASSAS, Louis Francois]. [View of the Taormina theatre ruins (Sicily) with Mount Etna in the distance].
[Sicily or Paris], [ca. 1781 or somewhat later?]. 46 x 81 cm (frame 85 x 128 cm). Watercolour with pencil outlines and highlighted with white, laid in on paper pasted on wood.With a later blue and gold passe-partout in a contemporary gilt frame. Full description
€ 25,000
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The Ottoman Empire from a French perspective in 75 strikingly handcoloured plates

CASTELLAN, Antoine Laurent. Moeurs, usages, costumes des Othomans, et abrégé de leur histoire. Avec des éclaircissemens tirés d'ouvrages orientaux, et communiqués par M. Langlès.
Paris, Nepveu, 1812. 6 volumes. 18mo (14 x 9 cm). With 75 hand-coloured engraved plates: a frontispiece in each volume and 17, 17, 9, and 26 plates in volumes 3, 4, 5, and 6 respectively. Most plates depict costumes, but also tools and instruments are shown. All plates are very detailed and beautifully coloured by hand, in very fresh contemporary colouring, some even finished with gold. Contemporary gold- and blined-toole purpleish-black morocco. Full description
€ 6,500
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The architect of Siena's Palazzo Franceschini on perspective

CATANEO, Pietro. I quattro primi libri di architettura. Nel primo de' quali si demostrano le buone qualita de' siti, per l'edificationi delle citta & castella, sotto diversi disegni: Nel secondo, quanto si aspetta alla materia per la fabrica: Nel terzo si veggono varie maniere di tempii, & di che forma si convenga fare il principale della citta: & dalle loro piante, come ancora dalle piante delle citta & castella, ne sono tirati gli alzati per ordine di prospettiva: Nel quarto si dimostrano per diverse piante l'ordine di piu palazzi & casamenti, venendo dal pallazo regale & signorile, come di honorato gentilhuomo, sino alle case di persone private.
(Colophon:) Venice, in casa de' figlivoli di Aldo (= heirs of Aldo Manuzio), 1554. Folio. With the woodcut printer's device of Aldus on the title page and the verso of the last leaf, 43 woodcut illustrations with architectural and perspectival plans and views in the text, of which 8 full-page, and numerous historiated woodcut initials. Contemporary limp vellum, with the manuscript author and title on the spine. [2], 54, [2] pp. Full description
€ 5,500
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Two of the finest 17th-century Dutch gardening books

CAUSÉ, Hendrik. De koninglycke hovenier aanwyzende de middelen om boomen, bloemen en kruyden te zaayen, planten, aen queeken en voort teelen.
Amsterdam, Marcus Doornick, [1676]. With engraved title-page and 31 engraved plates, including 2 bird's-eye views of a French and a Dutch royal garden, 5 plates with two pomological illustrations each, 8 plates with two illustrations of flowers each and 16 plates with a total of 32 garden designs.
With: (2) COMMELIN, Jan. Nederlantze Hesperides, dat is, oeffening en gebruik van de limoen- en oranje-boomen, gestelt na den aardt, en climaat der Nederlanden.
Amsterdam, Marcus Doornick, 1676. With engraved title-page and 26 engraved plates showing flowers, fruits and orangeries. 2 works in 1 volume. Folio (35 x 23 cm). Contemporary vellum, recased. Full description
€ 15,000
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