NOVERRE, Jean Georges.
Lettres sur la danse, et sur les ballets.
Stuttgart (and sold in Lyon), Aimé Delaroche, 1760. Small 8vo. With a small vignette built up from typographical ornaments on the title page, an engraved armorial headpiece at the start of the dedication, an decorated initial and a headpiece both built up from typographical ornaments, and some woodcut tailpieces. Contemporary marbled calf. [1], [1 blank], [2], 484 pp.
€ 3,500
First edition of the letters on dancing and ballet by Jean Georges Noverre (1727-1810), a famous dancing master, called in praise "the Shakespeare of the Dance". On the title of the present work he introduced himself as: "Ballet master of the Duke of Wurtemberg and before that ballet master of theatres in Paris, Lyon, Marseille, London, etc." The book is written in the form of letters, in which the author exposes his ideas on dancing, ballet, mime, choreography, etc. The book is dedicated to the Duke of Wurtemberg.
After having filled the position of ballet master at the Opera Comique at Paris, the Operas in London and Lyon, Noverre directed from about 1760 to 1764 the ballets at the court of Wurtemburg which at the time was the most brilliant court of Europe. In 1770, Noverre went to the Theatre of Vienna and later to Milan, and after his return to Paris in 1776, he became director of dance at the Royal Academy of Music in Paris. Noverre revolutionised the ballet by disbanding masks and introducing dramatic action into the mime ballet. He wrote a large number of ballets, many of which were performed at Paris between 1775 and 1780 and which made him famous all over Europe.
But long before these eclatant successes, he had already exposed his ideas and his plans for the renewal of the art of dancing in the present Lettres sur le dance, et sur les ballets. The first edition is also found with the Lyon address only, and the book was much republished at the time. A facsimile edition was published, with a biography of its author and an interesting introduction by André Levinson, at Paris in 1927.
The binding shows some minor signs of wear, some very light browning and foxing throughout, part of the fore edge margin of pp. 1-2 is lacking (not affecting the text). Otherwise in very good condition. Derra de Moroda, The Dance Library, 1966; Magriel, Bibliogr. of Dancing, p. 115; WorldCat 5147876 (etc.).
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