BAÏF, Lazare de and [Charles ESTIENNE (editor)]. De re vestiaria libellus, ex Bayfio excerptus: addita vulgaris linguae interpretatione, in adolescentulorum gratiam atque utilitatem.
Paris, Roberti Stephani [Robert Estienne], (colophon: 13 April) 1541. Small 8vo (ca. 16.5 x 10.5 cm). With a woodcut printer's device on the title-page. Modern blueish-grey paper over boards with the title printed in black on the spine, red sprinkled edges. 68, [11], [1 blank] pp. Full description

BAÏF, Lazare de and [Charles ESTIENNE (editor)]. De vasculis libellus, adulescentulorum causa ex Bayfio decerptus, addita vulgari Latinarum vocum interpretatione.
Paris, Roberti Stephani [Robert Estienne], (colophon: 13 October) 1543. 8vo. With a woodcut printer's device on the title-page. Later blueish-grey paper over boards with the title printed in black on the spine. 52, [3], [1 blank] pp. Full description

BAYARD, Émile. [Proof impressions of illustrations for Alphonse Daudet's Fromont jeune et Risler aîné].
[Paris, 1885]. Folio (35 x 29 cm). Proofs of 12 engraved plates in many different states, giving 73 prints in total, engraved by Jules Massard and Eugène Abot after Emilé Bayard (image size 10.7 x 7.3 cm; plate size 19 x 14 cm). Contemporary half goatskin morocco. Full description

BOCCACCIO, Giovanni. Le philocope ..., contena[n]t l'histoire de Fleury & Blanchefleur, divise en sept livres traduictz d'Italien en Francoys par Adrian Sevin ...
Paris, Jean André, bookseller to the University (colophon: printed by Denis Janot), 1542 (colophon: 24 February 1542). Folio (31.5 x 21.5 cm). With Jean André's woodcut device on the title-page and 15 woodcut illustrations plus 21 repeats in the text (mostly 5.5 x 8 cm, each in any of several 4-piece decorative borders, including 8 foot pieces, each with a different coat of arms; one illustration 13.5 x 8.5 cm with an 8-piece decorative border), 5 woodcut decorated initials (2 series) plus 1 repeat, and many spaces with guide-letters for manuscript initials (not filled in). French calf (ca. 1760?), richly gold-tooled spine, gilt edges. VI, CLXXIIII ll. Full description

BONNEFONS, Jean. Pancharis.
Lyon, Thomas Soubron, 1593. 2 parts in 1 volume. 12mo. With a large woodcut printer's device on the title page of the first part, and a smaller variant device on the title page of the second part, further with 5 woodcut headpieces, 3 woodcut tailpieces, 6 woodcut decorated initials, and a border made up of typographical materials around the colophon. With: DURAND, Gillis. Imitations du Latin de Iean Bonnefons: avec autres gayetez amoureuses, de l'invention de l'autheur.
Lyon, pour Thomas Soubron (colophon: Etienne Servain), 1593. 17th-century gold tooled brown calf. 68; 153, [1] pp. Full description

CAPUCIN, Père. Les emblèmes d'amour divin et humain ensemble. Expliquez par des vers François. Par un pere Capucin.
[Paris, ca. 1745]. 8vo. With an engraved title-page and 118 numbered full-page engraved emblems. Contemporary gold-tooled mottled calf, sewn on 4 recessed cords, the spine divided into 6 fields by fillets, the 2nd with a red morocco label and each of the others with a flower (closed thistle?) and several small stamps, each board with a frame of triple fillets with a second flower inside each corner and a star at each corner intersection, gold fillets on board edges, gilt edges, marbled endpapers (red, yellow, green, blue and white, curled). 119 ll. Full description

CERF, J. de. [Oval miniature portrait painting of Voltaire].
[France?], "1687" [= ca. 1735?]. Oval portrait painting (11 x 9 cm) in grisaille on copper, with a note on the back "J. de Cerf A[nn]o 1687". Mounted in a gilt rectangular wooden frame (34.5 x 28 cm). Full description

CHARLEVAL, Charles-François de. Navis carmen.
Rennes, widow of Mathurnus Denys, 1695. With a folding engraved plate of a 44-gun ship.
With: (2) CHARLEVAL, Charles-François de. Simius carmen.
Rennes, widow of Mathurnus Denys, [ca. 1695]. 2 works in 1 volume. 8vo. Contemporary calf, gold-tooled spine. 34, [2 blank], 31 pp. Full description

DU BARTAS, Guillaume de Salluste. Wercken door Zacharias Heijns.
[Zwolle, Zacharias Heyns], [1621]-1628. 3 parts in 2 volumes. 4to. With 2 engraved title pages, the engraved publisher's device on the title page of part 2, the engraved portrait of Zacharias Heyns in the text of part 1 and 34 full-page engravings (incl. 1 large folding plate and 1 plate outside the collation) illustrating the days of the two weeks and the other texts by Du Bartas. Woodcut initials, head- and tailpieces. Both volumes bound in almost matching 17th-century vellum, both spines with manuscript title in black ink. Volume 1: part 1: [12], 1-168, 168-183, [1], 184-313, [1] pp.; part 2: [8], 634, [6] pp. Volume 2: part 3: [8], 150, [2], 231, [1] pp. Full description

DUFFEYTE-DILHAN, Joseph. Les mémoires d'un ange, ou Les femmes vengées, roman historique, philosophique et moral, ... Tome I.er[-II.].
[Bordeaux], Edmond Ramadié, [1839-1840, with the authors 1843 printed dedication to the Dutch Queen Anna Pavlovna of Russia]. 2 volumes. 8vo. With 2 copies of the 4-page 1843 dedication to Queen Anna Pavlovna printed on heavy wove paper, signed by the author in brown ink on the first and last page and tipped onto the title-page in each volume. Contemporary finely diced (in horizontal lozenges) and gold-tooled red morocco for presentation to the Queen, (each board with a crown above flowers as centrepiece, and a decorative frame built up from separate tools; the spine with the title and volume number in the middle with decorations above and below), gold-tooled board edges, gilt edges.
With: (2) DUFFEYTE-DILHAN, Joseph. [Autograph, signed letter to Anna Pavlovna].
[Bordeaux?, 1843?]. 4to. Letter in ink on two sides of one leaf of a folded bifolium, signed by the author. “408” [= 406]; 419, [1 blank] pp. Full description