APHTHONIUS of Antioch; Rodolphus AGRICOLA and Giovanni Maria CATANEO (translators). Aphthonii sophistae progymnasmata. Partim à Rodolpho Agricola, partim à Ioanne Maria Catanaeo latinitate donata. Cum luculentis & vtilibus in eadem Scholiis Reinhardi Lorichii Hadamarii. Nunc verò omnia multò quàm antea & emendatiora & meliori artificio disposita.
Paris, Gilles Gourbin, 1580. 16mo in 8s. With a woodcut printer's device on the title-page, 3 woodcut headpieces in the beginning of the work, and 9 decorated woodcut initials throughout. 17th-century limp vellum. [12], 259, [3 blank] ll. Full description

APIANUS, Petrus. Inscriptiones sacrosanctae vetustatis non illae quidem Romanae, sed totius fere orbis summo studio ac maximis impensis Terra Marique conquistae feliciter incipiunt.
Ingolstadt, Petrus Apianus, 1534. Folio (21 x 29.5 cm). With title-page printed in red and black, large emblematic woodcut after Albrecht Dürer (hand-coloured and highlighted with gold ca. 1730), woodcut coat of arms of Raimund Fugger (hand-coloured and highlighted with gold), 184 woodcut illustrations and 7 large woodcut initials. Nearly every page framed by 4 woodcut decorative border strips (several varieties). Contemporary vellum. [40], CCCCCXII, [8] pp. Full description

ARATOR. Acta Apostolica, carmine heroico descripta.
Antwerp, Joannes Grapheus, 1535 (title 1534). 8vo. Old boards. (48) ll. Full description

ASCONIUS PEDANIUS, Quintus. Expositio in IIII orationes M.T. Cic. contra C. Verrem [&c.]
(colophon:) Venice, heirs of Aldo I Manuzio & Andrea Torresano, December 1522. 8vo. With Aldos woodcut anchor and dolphin device on the title-page, repeated on the verso of the last otherwise blank leaf (each with letterpress "AL ... DVS" flanking the device), with spaces (with guide letters) left for manuscript initials, not filled in. Set in Aldos famous italic (with upright capitals), the worlds first italic printing type, first used in 1501 (showing the alphabet a-z and A-N in the register of quires above the colophon). Dark purple sheepskin (ca. 1880?). [12], 283, [1] ll. Full description

AUDENAERDE, Robert van, after Andrea MANTEGNA. C. Julii Caesaris Dictatoris triumphi de Gallia, Aegypto, Ponto, Africa, Hispania, quinquies eodem mense triumphantis; omnium, qui unquam fuere, Ducum, Regum Bellica virtute praestantissimi.
Rome, Domenico de Rossi, 1692. With an engraved allegorical title-print showing Minerva on a throne pointing towards a medallion with Caesar's profile, and 9 engraved prints by Robert van Audenaerde after Andrea Mantegna's paintings, showing the triumphal military parade celebrating Caesar's victory in the Gallic Wars. Each is numbered at the lower right and captioned below with an engraved description. The 10 prints are preserved in a paperboard folder covered with half green cloth and green marbled sides (ca. 57 x 47 cm). [1], 9 engraved ll. Full description

AUGUSTINE of Hippo (Saint AUGUSTINE). De la cita d'Dio.
[Venice?, Antonio di Bartolommeo Miscomini, ca. 1477? (not after 1483)]. Folio. Printed in two columns, each 47 lines, with spaces for 3-6 line initials left blank. Early 19th-century gold-tooled calf. [1 blank], [322], [1 blank] ll. Full description

BAÏF, Lazare de and [Charles ESTIENNE (editor)]. De re vestiaria libellus, ex Bayfio decerptus: addita vulgaris linguae interpretatione, in adolescentulorum gratiam atq[ue] utilitatem.
Lyon, Sebastian Gryphius, 1539. 4 works in 1 volume. 8vo. With a woodcut printer's device on the title-page and final page of the first 3 works, each work with a decorated woodcut initial. With: (2) IDEM. De vasculis libellus.
Idem.
(3) ESTIENNE, Charles. De re hortensi libellus.
Idem.
(4) SENALUS [= CENEAU], Robert. De vera mensurarum ponderumque ratione.
Paris, Ioannes Roigny, 1535.

Later vellum, with a brown morocco label on the spine with the author and title lettered in gold, red sprinkled edges. 65, [11], [3 blank], [1]; 54, [7], [2 blank], [1]; 97, [15] pp.; [18], 119, [1 blank] ll. Full description

BAÏF, Lazare de and [Charles ESTIENNE (editor)]. De re vestiaria libellus, ex Bayfio excerptus: addita vulgaris linguae interpretatione, in adolescentulorum gratiam atque utilitatem.
Paris, Roberti Stephani [Robert Estienne], (colophon: 13 April) 1541. Small 8vo (ca. 16.5 x 10.5 cm). With a woodcut printer's device on the title-page. Modern blueish-grey paper over boards with the title printed in black on the spine, red sprinkled edges. 68, [11], [1 blank] pp. Full description

BAÏF, Lazare de and [Charles ESTIENNE (editor)]. De vasculis libellus, adulescentulorum causa ex Bayfio decerptus, addita vulgari Latinarum vocum interpretatione.
Paris, Roberti Stephani [Robert Estienne], (colophon: 13 October) 1543. 8vo. With a woodcut printer's device on the title-page. Later blueish-grey paper over boards with the title printed in black on the spine. 52, [3], [1 blank] pp. Full description

BALBI, Ambrogio. Dissertazioni risguardanti il culto di Venere Ericina.
Comprising:
-Il culto di Venere Ericina rivendicato ad erice re di Sicilia suo vero institutore.
-Dissertazione sopra una lapide inscritta da silla a Venere Ericina.
Turin, widow Pomba and sons, 1824. 8vo. Green half morocco, gold-tooled spine, with the arms of Joaquín Gómez de la Cortina (1808-1868) in gold on each board. 90 pp. Full description