ALAMANNI, Luigi. Opere toscane.
Venice, heirs of Lucantonio Giunta (colophons: printed by Peter Schoeffer the younger), 1542. 2 volumes bound as 1. 8vo. With 2 title-pages, each with the same woodcut Giunta device, and a full-page woodcut showing a larger version of the same device on the last printed page of vol. 2. Set in an Aldine-style italic. 18th-century gold-tooled mottled calf. [16], 431, [1 blank]; 295, [7] pp. Full description

ALCIATI, Andrea. Emblematum libri duo.
Lyon, Jean de Tournes et Guillaume Gazeau, 1547. 16mo. With a woodcut printer's device on the title page, a variant woodcut printer's device on the verso of the last leaf, and 113 half-page woodcut emblems by Bernard Salomon. 19th-century gold-tooled orange morocco by Marcellin II Lortic in Paris, with the author, title, and imprint lettered in gold on the spine, the gilt armorial supralibros of the Prince d'Essling in the centre on both sides, and his initials "VM" on the spine, gold-tooled board edges and turn-ins, gilt edges, marbled end papers. 143, [1] pp. Full description

ASCONIUS PEDANIUS, Quintus. Expositio in IIII orationes M.T. Cic. contra C. Verrem [&c.]
(colophon:) Venice, heirs of Aldo I Manuzio & Andrea Torresano, December 1522. 8vo. With Aldos woodcut anchor and dolphin device on the title-page, repeated on the verso of the last otherwise blank leaf (each with letterpress "AL ... DVS" flanking the device), with spaces (with guide letters) left for manuscript initials, not filled in. Set in Aldos famous italic (with upright capitals), the worlds first italic printing type, first used in 1501 (showing the alphabet a-z and A-N in the register of quires above the colophon). Dark purple sheepskin (ca. 1880?). [12], 283, [1] ll. Full description

CATULLUS, Gaius Valerius; Albius TIBULLUS; Sextus PROPERTIUS (Hieronymus AVANTIUS, ed.). [Opera]. Catullus. Tibullus. Propertius.
[colophon:] Venice, the heirs of Aldo I Manuzio & Andrea I Torresano, March 1515. 8vo. With Aldos woodcut anker and dolphin device on the title-page and on the verso of the last leaf, each flanked by "AL ... DVS" in letterpress capitals. Set in Aldos italic type (with upright capitals), the first italic printing type. Blind-tooled brown goatskin morocco (early 20th-century) by the Paris bookbinder G. Vignal (active ca. 1890-ca. 1930), signed with a blind stamp in the foot of the front turn-in ("G. VIGNAL REL. DOR.". 148, [2] ll. Full description

CATULLUS, Gaius Valerius; Albius TIBULLUS; Sextus PROPERTIUS (Hieronymus AVANTIUS, ed.). [Opera]. Catullus. Tibullus. Propertius.
[colophon:] Venice, Aldo I Manuzio, January 1502. 8vo. With more than 100 spaces (2 8-line, 6 6-line and the rest 2-line) with guide letters left for manuscript initials, none filled in. Set in Alduss italic type (with upright capitals) throughout, the first italic printing type, first used in 1501, with titles, headings, running heads, etc. set in the capitals of the same type, with an occasional word of Greek in the text. Gold-tooled, green long-grained sheepskin (vertical grain) (ca. 1800). [152] ll. Full description

CLAUDIANUS, Claudius and Francisco TORRESANO (editor). Opera quam diligentissime castigata, quorum indicem in sequenti pagina reperies.
Venice, heirs of Aldus I Manutius, and Andrea I Torresano, 1523. 8vo. With the Aldus anchor woodcut vignette on the title page and the verso of the last leaf, both hand-coloured and highlighted in gold. 17th-century gold-tooled quarter calf, with the author lettered in gold on the spine, 18th-century gold-tooled polished and sprinkled calf sides, red sprinkled edges. 176 ll. Full description

CLICHTOVE, Josse (Judocus CLICHTOVEUS). De vita et moribus sacerdotum, opusculum: singularem eoru[m] dignitatem oste[n]dens, & quibus ornati esse debea[n]t virtutibus: explanans.
Paris, Henri Estienne I, 1519 (colophon: 4 August). With woodcut title-page with the letterpress title and imprint in the central opening; further with about 21 woodcut initials (4 series, mostly criblé) plus about 4 repeats.
With: (2) MARRE, Jean. Enchiridio[n] sacerdotale concinnatu[m] ad salutarem eruditionem Christifideliu[m] ab lo[n]ge revere[n]do in Christo patre d[omi]no Ioanne Mare Co[n]domien[sis]. episcopo. In quo haec sunt capita. ...
[Paris], (colophon: Jodocus Badius Ascensius, 25 November 1519). With numerous woodcut decorated initials (4 series, the largest 45-47 mm. criblé initials). 2 works in 1 volume. 4to (20 x 14 cm). 16th-century blind- and gold-tooled calf, each board in a panel design, with the owner's name "D. Ioa[n]mes[!] Lassere" on the front and motto "memento mortis" on the back, the motto and fleurs-de-lis on the back in gold. 75, [1 blank]; “LXI” [= LXXI], [1 blank] ll. Full description

CURTIUS RUFUS, Quintus. Quintus Curtius. [De rebus Alexandri Regis Macedonum libri III-X.]
Venice, heirs of Aldo I Manuzio & Andrea I Torresano, July 1520. 8vo. With Aldos woodcut anchor and dolphin device on the title-page, repeated on the verso of the otherwise blank last leaf (each with letterpress "AL ... DUS" flanking the device). Set in Aldos famous italic (with upright capitals), the worlds first italic printing type, first used in 1501. Richly blind-tooled brown goatskin morocco (early 20th-century with the older bookplate moved to the new paste-down?). [8], 170, [2] ll. Full description

DONI, Anton Francesco. Disegno ..., partito in piu ragionamenti, ne quali si tratta della scoltura et pittura; de colori, de getti, de modegli, con molte cose appartenenti a quest' arti: & si termina la nobiltà dell' una et dell' altra professione. ...
Venice, Gabriele Giolito de Ferrari, (colophon: February) 1549. Small 8vo (16 x 10 cm). With the imprint in the base of an elaborate woodcut on the title page, with Ferrari's motto, initials and phoenix device, a different woodcut phoenix device on last page, and 21 woodcut pictorial initials (3 series) plus 1 repeat. Italian sheepskin parchment (ca. 1700?). 63, [1] ll. Full description

EURIPIDES. [Title in Greek then Latin:] Tragoediae septendecim [recté octodecim], ex quib[us]. quaedam habent commentaria. & sunt hae. Hecuba[,] Orestes[,] Phoenissae[,] Medea[,] Hippolytus[,] Alcestis[,] Andromache[,] Supplices[,] Iphigenia in Aulide[,] Iphigenia in Tauris[,] Rhesus[,] Troades[,] Bacchae[,] Cyclops[,] Heraclide[,] Helena[,] Ion[, Hercules furens].
(Colophon to each volume: Venice, Aldus Manutius, February 1503). 2 volumes. 8vo. With Aldus's anchor device on the last page of each volume, printed in Aldus's beautiful Greek type.Matching limp vellum (made from 2 leaves from a ca. 1560/70? Spanish legal manuscript), constructed or reconstructed ca. 1900. [268]; [190] ll. Full description